By Associate Professor Andrew Kingham Murphie

Journal articles

Murphie A, 2018, 'Fielding Affect: Some Propositions', Capacious: Journal for Emerging Affect Inquiry, vol. 1, pp. i - xiii, http://dx.doi.org/10.22387/CAP2018.21

Murphie A, 2018, 'On being affected: feeling in the folding of multiple catastrophes', Cultural Studies, vol. 32, pp. 18 - 42, http://dx.doi.org/10.1080/09502386.2017.1394340

Murphie AK, 2014, 'Auditland', PORTAL Journal of Multidisciplinary International Studies, vol. 11, pp. 1 - 41, http://dx.doi.org/10.5130/portal.v11i2.3407

Murphie AK, 2014, 'Making sense: the transformation of documentary by digital and networked media', Studies in Documentary Film, vol. 8, pp. 188 - 204, http://dx.doi.org/10.1080/17503280.2014.961631

Murphie AK, 2013, 'Convolving Signals: thinking the performance of computational processes', Performance Paradigm, http://www.performanceparadigm.net/

Bertelsen L; Murphie AK, 2012, 'Affect, Subtraction and Non-Performance', Peripeti: tidsskrift for dramaturgiske studier, pp. 78 - 87

Murphie AK, 2012, 'Hacking the aesthetic: David Haines and Joyce Hinterding’s new ecologies of signal', Journal of Aesthetics and Culture, vol. 4, pp. 1 - 14, http://dx.doi.org/10.3402/jac.v4i0.18153

Murphie AK, 2011, 'On Not Performing: the third enclosure and fractal neofeudal fantasies', SCAN - Journal of Media Arts and Culture, vol. 8, http://scan.net.au/scan/journal/display.php?journal_id=156

Murphie AK, 2009, 'Be Still, Be Good, Be Cool: The Ambivalent Powers of Stillness in an Overactive World', M/C Journal, vol. 12, pp. n/a - n/a

Murphie AK, 2009, 'Joyce Hinterding and David Haines: High res resonations with the milky way', Computers In Entertainment, vol. 7, http://dx.doi.org/10.1145/1541895.1541900

Murphie A, 2009, 'Joyce Hinterding and David Haines', Computers in Entertainment, vol. 7, pp. 1 - 1, http://dx.doi.org/10.1145/1541895.1541900

Mackenzie A; Murphie AK, 2008, 'The two cultures become multiple? Sciences, humanities and everyday experimentation', Australian Feminist Studies, vol. 23, pp. 87 - 100, http://dx.doi.org/10.1080/08164640701816256

Murphie AK; Harley RB, 2007, 'Rhythms and Refrains: A Brief History of Australian Electronica', Culture Machine, vol. 9, pp. Online

Murphie A, 2006, 'Locating Media Tyrannies', American Book Review, vol. 27, pp. 32 - 32, http://dx.doi.org/10.1353/abr.2006.0162

Murphie A, 2006, 'Media ecologies: Materialist energies in art and technoculture', AMERICAN BOOK REVIEW, vol. 27, pp. 32 - 32, http://dx.doi.org/10.1353/abr.2006.0162

Murphie AK, 2005, 'Differential Life, Perception and the Nervous Elements: Whitehead, Bergson and Virno on the Technics of Living', Culture Machine, vol. 7 (2005), pp. Online

Murphie AK, 2005, 'The Mutation of `Cognition` and the Fracturing of Modernity: cognitive technics, extended mind and cultural crisis', SCAN - Journal of Media Arts and Culture, vol. 2, pp. Online

Murphie AK, 2005, 'Vibrations in the Air, Performance and Interactive Technics', Performance Paradigm, vol. 1, pp. Online

Murphie AK, 2004, 'The world as clock: the network society and experimental ecologies', Topia: Canadian Journal of Cultural Studies, vol. 11, pp. 117 - 139

Murphie AK, 2004, 'Vertiginous mediations: Sketches for a dynamic pluralism in the study of computer games', Media International Australia, Incorporating Culture and Policy, vol. 110, pp. 73 - 95

Murphie A, 2003, 'The Electronic Presence of Absence: Remediating Media Studies', Theory & Event, vol. 7, http://dx.doi.org/10.1353/tae.2003.0025

Murphie AK, 2003, 'When Fibre Meets Fibre: Networking as Ritual Meeting of Bod, Brain and Technique', M/C Journal, vol. 6

Murphie AK, 2000, 'The Dusk of the Digital is the Dawn of the Virtual', Enculturation, pp. 1 - 23

Murphie A, 2000, 'The Trouble with Numbers', Convergence: The International Journal of Research into New Media Technologies, vol. 6, pp. 106 - 110, http://dx.doi.org/10.1177/135485650000600308

Murphie A, 1998, 'Flowing: Theories and taboos in popular music studies', Perfect Beat, vol. 3, pp. 85 - 92, http://dx.doi.org/10.1558/prbt.v3i4.28743

Murphie A, 1997, 'Theorising the Virtual', Convergence: The International Journal of Research into New Media Technologies, vol. 3, pp. 122 - 126, http://dx.doi.org/10.1177/135485659700300212

Murphie A, 1997, 'Editorial: Machinic theory', Convergence, vol. 3, pp. 5 - 8, http://dx.doi.org/10.1177/135485659700300201

Murphie A, 1996, 'Sound at the end of the world as we know it: Nick Cave, Wim Wenders' Wings of Desire and a Deleuze-Guattarian Ecology of Popular Music', Perfect Beat, vol. 2, pp. 18 - 42, http://dx.doi.org/10.1558/prbt.v2i4.29023

Murphie A, 1996, 'Computers are not theatre: The machine in the ghost in Gilles Deleuze and Félix Guattari's thought', Convergence, vol. 2, pp. 80 - 110, http://dx.doi.org/10.1177/135485659600200208

Murphie A, 1995, 'The Mystery Remains', Convergence: The International Journal of Research into New Media Technologies, vol. 1, pp. 148 - 151, http://dx.doi.org/10.1177/135485659500100214

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