ORCID as entered in ROS

Select Publications
Murphie A, 2018, 'Fielding Affect: Some Propositions', Capacious: Journal for Emerging Affect Inquiry, vol. 1, pp. i - xiii, http://dx.doi.org/10.22387/CAP2018.21
Murphie A, 2018, 'On being affected: feeling in the folding of multiple catastrophes', Cultural Studies, vol. 32, pp. 18 - 42, http://dx.doi.org/10.1080/09502386.2017.1394340
Murphie AK, 2014, 'Auditland', PORTAL Journal of Multidisciplinary International Studies, vol. 11, pp. 1 - 41, http://dx.doi.org/10.5130/portal.v11i2.3407
Murphie AK, 2014, 'Making sense: the transformation of documentary by digital and networked media', Studies in Documentary Film, vol. 8, pp. 188 - 204, http://dx.doi.org/10.1080/17503280.2014.961631
Murphie AK, 2013, 'Convolving Signals: thinking the performance of computational processes', Performance Paradigm, http://www.performanceparadigm.net/
Bertelsen L; Murphie AK, 2012, 'Affect, Subtraction and Non-Performance', Peripeti: tidsskrift for dramaturgiske studier, pp. 78 - 87
Murphie AK, 2012, 'Hacking the aesthetic: David Haines and Joyce Hinterding’s new ecologies of signal', Journal of Aesthetics and Culture, vol. 4, pp. 1 - 14, http://dx.doi.org/10.3402/jac.v4i0.18153
Murphie AK, 2011, 'On Not Performing: the third enclosure and fractal neofeudal fantasies', SCAN - Journal of Media Arts and Culture, vol. 8, http://scan.net.au/scan/journal/display.php?journal_id=156
Murphie AK, 2009, 'Be Still, Be Good, Be Cool: The Ambivalent Powers of Stillness in an Overactive World', M/C Journal, vol. 12, pp. n/a - n/a
Murphie A, 2009, 'Joyce Hinterding and David Haines', Computers in Entertainment, vol. 7, pp. 1 - 16, http://dx.doi.org/10.1145/1541895.1541900
Murphie AK, 2009, 'Joyce Hinterding and David Haines: High res resonations with the milky way', Computers In Entertainment, vol. 7, http://dx.doi.org/10.1145/1541895.1541900
Mackenzie A; Murphie AK, 2008, 'The two cultures become multiple? Sciences, humanities and everyday experimentation', Australian Feminist Studies, vol. 23, pp. 87 - 100, http://dx.doi.org/10.1080/08164640701816256
Murphie AK; Harley RB, 2007, 'Rhythms and Refrains: A Brief History of Australian Electronica', Culture Machine, vol. 9, pp. Online
Murphie A, 2006, 'Locating Media Tyrannies', American Book Review, vol. 27, pp. 32 - 32, http://dx.doi.org/10.1353/abr.2006.0162
Murphie AK, 2006, 'Media ecologies: Materialist energies in art and technoculture', American Book Review, vol. 27, pp. 32 - 32, http://dx.doi.org/10.1353/abr.2006.0162
Murphie AK, 2005, 'Differential Life, Perception and the Nervous Elements: Whitehead, Bergson and Virno on the Technics of Living', Culture Machine, vol. 7 (2005), pp. Online
Murphie AK, 2005, 'The Mutation of `Cognition` and the Fracturing of Modernity: cognitive technics, extended mind and cultural crisis', SCAN - Journal of Media Arts and Culture, vol. 2, pp. Online
Murphie AK, 2005, 'Vibrations in the Air, Performance and Interactive Technics', Performance Paradigm, vol. 1, pp. Online
Murphie AK, 2004, 'The world as clock: the network society and experimental ecologies', Topia: Canadian Journal of Cultural Studies, vol. 11, pp. 117 - 139
Murphie AK, 2004, 'Vertiginous mediations: Sketches for a dynamic pluralism in the study of computer games', Media International Australia, Incorporating Culture and Policy, vol. 110, pp. 73 - 95
Murphie A, 2003, 'The Electronic Presence of Absence: Remediating Media Studies', Theory & Event, vol. 7, http://dx.doi.org/10.1353/tae.2003.0025
Murphie AK, 2003, 'When Fibre Meets Fibre: Networking as Ritual Meeting of Bod, Brain and Technique', M/C Journal, vol. 6
Murphie A, 2000, 'The Trouble with Numbers', Convergence: The International Journal of Research into New Media Technologies, vol. 6, pp. 106 - 110, http://dx.doi.org/10.1177/135485650000600308
Murphie AK, 2000, 'The Dusk of the Digital is the Dawn of the Virtual', Enculturation, pp. 1 - 23
Murphie A, 1998, 'Flowing: Theories and taboos in popular music studies', Perfect Beat, vol. 3, pp. 85 - 92, http://dx.doi.org/10.1558/prbt.v3i4.28743
Murphie A, 1997, 'Editorial: Machinic theory', Convergence, vol. 3, pp. 5 - 8, http://dx.doi.org/10.1177/135485659700300201
Murphie A, 1997, 'Theorising the Virtual', Convergence: The International Journal of Research into New Media Technologies, vol. 3, pp. 122 - 126, http://dx.doi.org/10.1177/135485659700300212
Murphie A, 1996, 'Computers are not theatre: The machine in the ghost in Gilles Deleuze and Félix Guattari's thought', Convergence, vol. 2, pp. 80 - 110, http://dx.doi.org/10.1177/135485659600200208
Murphie A, 1996, 'Sound at the end of the world as we know it: Nick Cave, Wim Wenders' Wings of Desire and a Deleuze-Guattarian Ecology of Popular Music', Perfect Beat, vol. 2, pp. 18 - 42, http://dx.doi.org/10.1558/prbt.v2i4.29023
Murphie A, 1995, 'The Mystery Remains', Convergence: The International Journal of Research into New Media Technologies, vol. 1, pp. 148 - 151, http://dx.doi.org/10.1177/135485659500100214