Select Publications

Books

Biddle J, 2016, Remote Avant Garde: Aboriginal Art Under Occupation, Objects/Histories, Duke University Press, Durham, NC, https://www.dukeupress.edu/remote-avant-garde

Biddle JL, 2007, Breasts, Bodies, Canvas: Central Desert Art As Experience., Original, University of New South Wales Press, Sydney, Australia.

Book Chapters

Biddle J, 2020, 'Sovereign Sentience and other aspects of Intangible Heritage [Forthcoming]', in Bennett T; Stevenson D; Myers F; Winikoff T (ed.), The Australian Art Field: Practices, Policies, Markets, Routledge, https://www.routledge.com/The-Australian-Art-Field-Practices-Policies-Institutions/Bennett-Stevenson-Myers-Winikoff/p/book/9780367184414

Biddle J, 2019, 'Milpirri: Activating the At-Risk', in Kahn D (ed.), Energies in the Arts, MIT Press, Cambridge, pp. 351 - 371

Biddle J, 2018, 'Remote Avant-Garde: Tjanpi Desert Weavers', in Howes D (ed.), Senses and Sensation: Critical and Primary Sources, Critical and Primary Sources, New South Wales, pp. 179 - 179, https://www.bloomsbury.com/uk/senses-and-sensation-9781474274050/

Biddle J, 2016, 'Milpirri as Kurdungurlu: A Guide to the Walpiri Archive', in McLean I; Jorgensen D (ed.),

Biddle JL, 2016, 'Notes on the Hapticity of Colour', in Young D (ed.), Re-materialising Colour, edn. 1, Sean Kingston Publishing, London, pp. 1 - 30, http://www.seankingston.co.uk/publishing.html

Biddle J, 2013, 'Provocations from the Margins: the production and curation of the Warburton Arts Project', in Tu Di Shen Ti Our Land Our Body, edn. online available http://www.warburtonarts.com/english/essa, Phoenix Science Press Ltd and Waburton Arts Project, Warburton, WA, pp. 16 - 31

Biddle J, 2013, 'Radical Realism and Other Possibilities in Contemporary Indigenous Intercultural Cinema', in Atkinson M; Richardson M (ed.), Traumatic Affect, edn. First, Cambridge Scholars Publishing, Newcastele upon Tyne, pp. 230 - 240, http://www.cambridgescholars.com/traumatic-affect-14

Biddle J, 2013, 'Yapa-Kurlangu Jukurrpa (Proper Human Art)', in Warnayaka Art Centre: Life in the Digital Desert, edn. First, Warnayaka Arts and Crafts, Lajamanu, pp. 11 - 14, https://trove.nla.gov.au/work/185778059?q&versionId=202276938

Biddle JL, 2012, 'Literate Savages: Central Desert Painting as Writing', in Berman Tressa (ed.), No Deal! Indigenous Arts and the Politics of Possession, edn. 1st, School for Advanced Research Press, Santa Fe, pp. 72 - 87, https://trove.nla.gov.au/work/167952249?q&sort=holdings+desc&_=1551688249291&versionId=183111095

Biddle JL, 2011, 'Reading Aboriginal Art', in McLean I (ed.), How Aborigines Invented the Idea of Contemporary Art: An anthology of writing on Aboriginal art 1980-2006, edn. Revised, Power Publications, Sydney, pp. 246 - 249

Biddle JL, 2011, 'The new performativity of Western Desert Women's art', in McLean I (ed.), How Aborigines Invented the Idea of Contemporary Art: An anthology of writing on Aboriginal art 1980-2006, edn. 1, IMA & Power Publications, Sydney, pp. 200 - 202, http://sydney.edu.au/arts/power/publications/catalogues.shtml?id=HAITIOCA

Biddle JL, 2010, 'Shame', in Harding J; Pribram ED (ed.), Emotions: A Cultural Studies Reader, edn. Original, Routledge, London and New York, pp. 113

Biddle JL, 2009, 'Not a Provenance, not a Collaboration: Lamparnu Kala!', in Deger J (ed.), Interventions: Experiments Between Art and Ethnography, edn. Original, Macquarie University, Sydney, pp. 32 - 33

Biddle J, 2003, 'Anthropology as Eulogy: On Loss, Lies and License', in , Palgrave Macmillan, United Kingdom

Biddle J, 2001, 'Inscribing Identity: Skin as Country in the Central Desert', in Ahmed S; Stacey J (ed.), Thinking Through the Skin, Routlege, London and New York

Biddle J, 2000, 'Writing without Ink: Literacy, Methodology and Cultural Difference', in Lee A; Poynton C (ed.), Culture and Text: Discourse,and Methodology in Social Research and Cultural Studies, Allen and Unwin, St Leonards

Biddle J, 1991, 'Dot, Circle, Difference: Translating Central Desert Paintings', in Diprose R; Ferrell R (ed.), Cartographies: Poststructuralism and the Mapping of Bodies and Spaces, Allen and Unwin, St Leonards

Journal articles

Biddle JL, 2020, 'Tjituru Tjituru: Tjanpi Desert Weavers and the art of Indigenous Survivance', Australian Feminist Studies: Special Edition on Feminist Environment Humanities (Astrida Neimanis and Jennifer Hamilton, eds.), vol. 34:102, 413-436, pp. 413 - 436, http://dx.doi.org/10.1080/08164649.2019.1697179

Biddle JL, 2019, 'Inheritance', Cultural Studies Review, vol. 25, pp. 237 - 240, http://dx.doi.org/10.5130/csr.v25i2.6910

Biddle J; Lea T, 2018, ''Hyperrealism and Other Indigenous Forms of 'Faking it with the Truth''', Visual Anthropology Review, vol. Vol 34, pp. 5 - 14, http://dx.doi.org/10.1111/var.12148

Patrick SWJ; Biddle J, 2018, 'Not just ceremony, not just dance, not just idea: Milpirri as hyperrealism, a key word discussion', Visual Anthropology Review, vol. Vol 34, pp. 27 - 35, http://dx.doi.org/10.1111/var.12148

BiddLE J; Hibberd L; Taylor C, 2016, 'The Phone Booth Project Martu Media Memories: A Conversation in Three Parts', PUBLIC-ART CULTURE IDEAS, vol. 27, pp. 110 - 121, http://dx.doi.org/10.1386/public.27.54.110_7

Biddle J, 2016, 'Sentience and Sentimentality in Remembering Yayayi', The Cine-Files, vol. 10, pp. 1 - 4, http://www.thecine-files.com/biddle2016/

Biddle JL; Stefanoff L, 2015, 'What is Same but Different and why does it matter?', CULTURAL STUDIES REVIEW, vol. 21, pp. 97 - 120, http://dx.doi.org/10.5130/csr.v21i1.4418

Biddle , 2015, '''My Name is Danny': Indigenous Animation as Hyperrealism'', Angelaki: Journal of the Theoretical Humanities, vol. 20, pp. 105 - 113, http://dx.doi.org/10.1080/0969725X.2015.1065127

Biddle J; Newth T; McMicken D, 2015, 'Milpirri: Jennifer Biddle in Discussion with 'Tracks' Dance Company', Cultural Studies Review, vol. 21, pp. 132 - 148, http://dx.doi.org/10.5130/csr.v21i1.4421

Biddle J; Stefanoff L, 2015, 'What is 'Same but Different': Why experimentation in desert art matters', Cultural Studies Review, vol. 21, pp. 97 - 120

Biddle JL, 2012, 'A Politics of Proximity: Tjanpi and Other Experimental Desert Arts', Studies in Material Thinking, vol. 8, pp. 1 - 15, http://www.materialthinking.org/sites/default/files/papers/SMT_V8_P10_Biddle.pdf

Biddle JL, 2012, 'Making (not taking) history: Yiwarra Kuju The Canning Stock Route', Art Monthly Australia, vol. August, pp. 32 - 36

Biddle JL, 2010, 'Art under Intervention: the radical ordinary of June Walkujukurr Richards', Art Monthly Australia, vol. 3, pp. 35 - 39

Biddle JL, 2009, 'Wurra Wiyi', Voices of the Land: Federation for the Aboriginal and Torres Strait Islander Languages, vol. 3

Biddle JL, 2008, 'Festering Boils and Screaming Canvases: Culture as Contagion or Why Place No Longer Matters', Emotion, Space and Society, vol. 1, pp. 97 - 101, http://dx.doi.org/10.1016/j.emospa.2009.02.006

Biddle JL, 2006, 'Breasts, bodies, art : Central Desert women's paintings and the politics of the aesthetic encounter', Cultural Studies Review, vol. 12, pp. 16 - 31

Biddle JL, 2005, 'Empathic Vision: Affect, Trauma and Contemporary Art [Book Review]', Australian and New Zealand Journal of Art, vol. 6, pp. 120 - 123

Biddle J, 2003, 'Country, Skin, Canvas: The Intercorporeal Art of Kathleen Petyarre', Australian and New Zealand Journal of Art, vol. 4, pp. 61 - 76, http://dx.doi.org/10.1080/14434318.2003.11432725

Biddle JL, 2002, 'The Warlpiri alphabet and other colonial fantasies', Visual Communication, vol. 1, pp. 267 - 291, http://dx.doi.org/10.1177/147035720200100301

Biddle J, 2002, 'Bruises that won't heal: Melancholic identification and other ethnographic hauntings', Mortality, vol. 7, pp. 96 - 110, http://dx.doi.org/10.1080/13576270120102526

Biddle J, 2002, 'The Warlpiri Alphabet and Other Colonial Fantasies', Visual Communication, vol. 3, pp. 267 - 291

Biddle J, 1997, 'Shame', Australian Feminist Studies, vol. 12, pp. 227 - 240

Biddle J, 1996, 'When Writing is not Writing', Australian Aboriginal Studies, vol. 1, pp. 21 - 33

Biddle J, 1993, 'The anthropologist's body, or what it means to break your neck in the field', The Australian Journal of Anthropology, vol. 4, pp. 184 - 197

Conference Presentations

Biddle J, 2015, 'Introduction – We are in WonderLAND: New Experimental Art from Central Australia', presented at We are in WonderLAND Symposium, National Institute for Experimental Art and UNSW Galleries, Sydney, 15 May 2015 - 15 May 2015, https://artdesign.unsw.edu.au/whats-on/events/we-are-wonder-land-symposium-0

Biddle J; Stefanoff L; Croft B; Watkins P, 2015, '[Convened Symposium]', presented at We are in Wonderland: New Experimental art from Central Australia: Exhibition,, UNSW Galleries, - , http://www.niea.unsw.edu.au/events/we-are-wonder-land-new-experimental-art-central-australia-exhibition

Biddle J, 2014, 'Indigenous Animation as Hyper-Realism', presented at Hyper-Realism and other forms of ‘faking it with the truth, American Anthropological Association Annual Meeting, Washington, DC, 03 December 2014 - 07 December 2014, https://aaa.confex.com/aaa/2014/webprogram/INSTALLATIONS.html

Biddle J, 2013, 'Animation as radial realism', presented at Desert Animations, National Institute of Experimental Art, UNSW Art & Design, 04 April 2013 - 04 April 2013, http://www.niea.unsw.edu.au/events/screening-desert-animations

Biddle J, 2013, 'Experimentation in Same but Different: Innovation and Experimentation in Desert Arts', presented at Same but Different - Experimentation and Innovation in Desert Arts II, Desert Knowledge Precinct, South Stuart Highway, Alice Springs., 25 March 2013 - 25 March 2013, http://www.niea.unsw.edu.au/events/forum-same-different-experimentation-and-innovation-desert-arts-ii

Biddle J, 2012, 'Keynote – Animus, Sentience and Sentient in Desert Animations', presented at Materialities, Economies, Empiricism and Things: SSAA Annual Conference, University of Sydney, 04 December 2012 - 06 December 2012, http://csaa.asn.au/postgrad/2012/09/csaa-conference-2012-materialities-economies-empiricism-things/

Biddle J, 2012, 'A Politics of Proximity: Tjanpi and other experimental Western Desert Art', presented at National Institute of Experimental Art, UNSW Art and Design, 14 August 2012 - 12 August 2012


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