ORCID as entered in ROS
https://orcid.org/0000-0003-3294-0534
Select Publications
Books
2020, Proceedings of the 8th International Conference on Kansei Engineering and Emotion Research, Shoji H; Koyama S; Kato T; Muramatsu K; Yamanaka T; Lévy P; Chen K; Lokman AM, (eds.), Springer Singapore, http://dx.doi.org/10.1007/978-981-15-7801-4
Journal articles
, 2024, 'Calming effects of repetition in music for children with sensory sensitivities: Findings from two experimental studies', Arts in Psychotherapy, 87, http://dx.doi.org/10.1016/j.aip.2023.102115
, 2023, 'Going online: Successes and challenges in delivering group music instrument and aural learning for older adult novices during the COVID-19 pandemic', Musicae Scientiae, 27, pp. 596 - 615, http://dx.doi.org/10.1177/10298649221097953
, 2023, 'Musical Activity as Avoidance-Based Emotion Regulation During the COVID-19 Pandemic: Evidence Across Continents', Empirical Studies of the Arts, http://dx.doi.org/10.1177/02762374231196083
, 2022, 'Encouraging help-seeking and engagement in a mental health app: What young people want', Frontiers in Digital Health, 4, http://dx.doi.org/10.3389/fdgth.2022.1045765
, 2022, 'Creativity in lockdown: Understanding how music and the arts supported mental health during the COVID-19 pandemic by age group', Frontiers in Psychology, 13, http://dx.doi.org/10.3389/fpsyg.2022.993259
, 2022, 'MoodyTunes: A Mixed Methods Usability Study of an App for Adolescent Mental Health', PSYCHOMUSICOLOGY, 32, pp. 24 - 32, http://dx.doi.org/10.1037/pmu0000286
, 2022, 'The Magnetic Urtext: Restoration as Music Interpretation', Frontiers in Psychology, 13, http://dx.doi.org/10.3389/fpsyg.2022.844009
, 2022, 'Illuminating Music: Impact of Color Hue for Background Lighting on Emotional Arousal in Piano Performance Videos', Frontiers in Psychology, 13, http://dx.doi.org/10.3389/fpsyg.2022.828699
, 2022, 'AMMRI: a computational assessment tool for music novices’ replication and improvisation tasks', Journal of New Music Research, 51, pp. 262 - 277, http://dx.doi.org/10.1080/09298215.2023.2270973
, 2022, 'Increasing Music Preference Through Guided Self-Framing: A Comparison of Historical and Imaginative Approaches', Psychology of Aesthetics, Creativity, and the Arts, http://dx.doi.org/10.1037/aca0000488
, 2022, 'A Workflow and Digital Filters for Correcting Speed and Equalization Errors on Digitized Audio Open-Reel Magnetic Tapes', Journal of the Audio Engineering Society, 70, pp. 495 - 509, http://dx.doi.org/10.17743/jaes.2022.0009
, 2021, 'The Role of Artistic Creative Activities in Navigating the COVID-19 Pandemic in Australia', Frontiers in Psychology, 12, http://dx.doi.org/10.3389/fpsyg.2021.696202
, 2021, 'Erratum: Multimedia Archives: New Digital Filters to Correct Equalization Errors on Digitized Audio Tapes (Advances in Multimedia (2021) 2021 (5410218) DOI: 10.1155/2021/5410218)', Advances in Multimedia, 2021, http://dx.doi.org/10.1155/2021/9845489
, 2021, 'Multimedia archives: New digital filters to correct equalization errors on digitized audio tapes', Advances in Multimedia, 2021, http://dx.doi.org/10.1155/2021/5410218
, 2020, 'Imaginative Enrichment Produces Higher Preference for Unusual Music Than Historical Framing: A Literature Review and Two Empirical Studies', Frontiers in Psychology, 11, http://dx.doi.org/10.3389/fpsyg.2020.01920
, 2019, 'Unusualness as a predictor of music preference', Musicae Scientiae, 23, pp. 426 - 441, http://dx.doi.org/10.1177/1029864917752545
, 2019, 'Psycho-historical contextualization for music and visual works: A literature review and comparison between artistic mediums', Frontiers in Psychology, 10, pp. 182, http://dx.doi.org/10.3389/fpsyg.2019.00182
, 2018, 'Using psychological principles of memory storage and preference to improve music recommendation systems', Leonardo Music Journal, 28, pp. 77 - 81, http://dx.doi.org/10.1162/lmj_a_01045
, 2018, 'Emptying Rooms: When the Inverted-U Model of Preference Fails—An Investigation Using Music With Collative Extremes', Empirical Studies of the Arts, 36, pp. 199 - 221, http://dx.doi.org/10.1177/0276237417732683
, 2017, 'Back to the inverted-U for music preference: A review of the literature', Psychology of Music, 45, pp. 886 - 909, http://dx.doi.org/10.1177/0305735617697507
, 2015, 'Performing Lieder: Expert Perspectives and Comparison of Vibrato and Singer's Formant With Opera Singers', Journal of Voice, http://dx.doi.org/10.1016/j.jvoice.2014.10.020
, 2015, 'Performing Lieder: Expert Perspectives and Comparison of Vibrato and Singer's Formant With Opera Singers', Journal of Voice, 29, pp. 645.e15 - 645.e32, http://dx.doi.org/10.1016/j.jvoice.2014.10.020
Conference Papers
, 2023, 'Knocking on a yellow door: interactions among knocking sounds, colours, and emotions', in Proceedings of the 10th Convention of the European Acoustics Association Forum Acusticum 2023, European Acoustics Association, presented at
, 2021, 'A workflow and novel digital filters for compensating speed and equalization errors on digitized audio open-reel tapes', in ACM International Conference Proceeding Series, pp. 224 - 231, http://dx.doi.org/10.1145/3478384.3478409
, 2020, 'Key Clarity is Blue, Relaxed, and Maluma: Machine Learning Used to Discover Cross-Modal Connections Between Sensory Items and the Music They Spontaneously Evoke', in Advances in Intelligent Systems and Computing, pp. 214 - 223, http://dx.doi.org/10.1007/978-981-15-7801-4_22
, 2018, 'A simple algorithm for music recommendation, built on established psychological principles', in Ventura MD (ed.), New music concepts: 5th International conference, ICNMC, Abeditore, Italy, presented at
https://orcid.org/0000-0003-3294-0534