Select Publications

Books

Kelly C, 2017, Gallery Sound, Ex:centrics, Bloomsbury Publishing USA, New York, https://ebookcentral-proquest-com.wwwproxy1.library.unsw.edu.au/lib/unsw/detail.action?docID=4891168#

Kelly C, 2009, Cracked Media: The Sound of Malfunction, MIT Press, Cambridge, Mass.

Book Chapters

Kelly C; Van Gelder P, 2020, 'Livening Things Up: Australian Hand Built Electronic Instruments', in Collins N (ed.), , Routledge, London

Kelly C, 2019, 'A Brief Introduction to the Sound Arts in Australia', in Weibel P (ed.), Sound Art: Sound as a Medium of Art, MIT Press, Cambridge, Mass., pp. 668 - 675

Kelly C, 2011, 'Art sonore ou son dans l’art?', in Gonseth M-O (ed.), Bruits: Echos  du  patrimoine  culturel  immatériel, Musée d'ethnographie, Neuchâtel, pp. 120 - 125

Kelly C, 2011, 'Sound in Art', in Kelly C (ed.), Sound, edn. Documents of Contemporary Art, MIT Press, Cambridge, Mass.

Kelly C, 2008, 'The Performance of Australian Experimental Musics: From Shattered Glass to Feedback Instruments.', in Homan S; Mitchell T (ed.), Sounds of then, sounds of now: Popular Music in Australia, ACYS Publishing, Hobart

Kelly C, 2007, 'Yasunao Tone: Technology/Noise', in Shiner E; Tomii R (ed.), Making A Home: Japanese Contemporary Arts in New York, Yale University Press, New York

Journal articles

Kelly C, 2018, 'Materials of Sound: Sound As (More Than) Sound', Journal of Sonic Studies, https://www.researchcatalogue.net/view/456784/456785

Kelly C; Poladian L; Barbour MB, 2013, 'Resource Use and the Study Habits in a First-Year Mathematics Service Unit', Proceedings of The Australian Conference on Science and Mathematics Education, http://ojs-prod.library.usyd.edu.au/index.php/IISME/article/view/6987/7597

Kelly C; Gibson R, 2013, 'Contemporary Art & The Noise of TENDING', Interference: A Journal of Audio Culture, http://www.interferencejournal.com/

Kelly C, 2003, 'Damaged Sound: Glitching and Skipping Compact Discs in the Audio of Yasunao Tone, Nicolas Collins and Oval.', Leonardo Music Journal, vol. 13, pp. 47 - 52

Kelly C, 2003, 'The Object of Performance: Performativity in Contemporary Laptop Performance', Contemporary Music Review, vol. 22, pp. 59 - 65

Kelly C, 2002, 'Yasunao Tone’s Wounded and Skipping Compact Discs: From Improvisation and Indeterminate Composition to Glitching CDs', Leonardo Electronic Almanac, vol. 10

Conference Papers

Kelly C, 2016, 'Walking and listening in the contemporary art gallery', in Walking and listening in the contemporary art gallery, Translational Research in Creative Practice, University of Queensland, presented at Translational Research in Creative Practice, University of Queensland, 02 November 2016 - 02 November 2016

Kelly C, 2016, 'The Sound of Materials', in The Sound of Materials, XXIII Festival Internacional de Arte Sonoro y Musica Electroacustica, Universitat Politecnica de Valencia, Spain, presented at XXIII Festival Internacional de Arte Sonoro y Musica Electroacustica, Universitat Politecnica de Valencia, Spain, 17 November 2016 - 17 November 2016, http://www.upv.es/entidades/BBAA/infoweb/fba/info/979376normali.html

Kelly C, 2016, 'Noise in the Gallery', in Noise in the Gallery, die Reihe, Beitrage zu auditiver Kunst und Kultur, Universitat der Kunste Berlin, presented at die Reihe, Beitrage zu auditiver Kunst und Kultur, Universitat der Kunste Berlin, 16 July 2015 - 16 July 2016

Kelly C, 2016, 'The Sound of (Dirty) Materials', in The Sound of (Dirty) Materials, Dirt, Punk, Trash, University of Amsterdam, presented at Dirt, Punk, Trash, University of Amsterdam, 01 December 2016 - 01 December 2016

Kelly C, 2016, 'The Empty Sounding Gallery: Embodied Audiences in the Art Space', in The Empty Sounding Gallery: Embodied Audiences in the Art Space, Autotune Everything: Art and the Sonic, Melbourne, presented at Autotune Everything: Art and the Sonic, Melbourne, 18 August 2016 - 20 August 2016

Kelly C, 2016, 'Intervention and Isolation: Sound in Public Art Space', in Intervention and Isolation: Sound in Public Art Space, Aisthesis and the Common: Reconfiguring the Public Sphere, McGill University, Montreal, presented at Aisthesis and the Common: Reconfiguring the Public Sphere, McGill University, Montreal, 18 March 2016 - 19 March 2016

Kelly C, 2015, 'Dirt(y) Media in Australian Contemporary Art', in Dirt(y) Media in Australian Contemporary Art, ENCODE, Dept. of Culture and Literature and the Centre for Peace Studies, UiT Tromsø, Norway., presented at ENCODE, Dept. of Culture and Literature and the Centre for Peace Studies, UiT Tromsø, Norway., 07 June 2015 - 07 June 2015

Kelly C, 2015, 'Noise in the Gallery: Intervention and Isolation in the Gallery Arts', in Noise in the Gallery: Intervention and Isolation in the Gallery Arts, Amsterdam Institute for Humanities Research (AIHR), University of Amsterdam, presented at Amsterdam Institute for Humanities Research (AIHR), University of Amsterdam, 18 June 2015 - 18 June 2015

Kelly C, 2015, 'Dirt[y] Media', in Dirt[y] Media, Sonorities, Goldsmiths, University of London, presented at Sonorities, Goldsmiths, University of London, 17 April 2015 - 17 April 2015, https://www.gold.ac.uk/calendar/?id=8528

Kelly C, 2015, 'The Empty Sounding Gallery: Embodied Audiences in the Art Space', in The Empty Sounding Gallery: Embodied Audiences in the Art Space, Sound Studies: Art, Experience, Politics, University of Cambridge, presented at Sound Studies: Art, Experience, Politics, University of Cambridge, 08 July 2015 - 10 July 2015

Kelly C, 2014, 'Dirt[y] Media', in Dirt[y] Media, NECS 2014, Milan, Italy, presented at NECS 2014, Milan, Italy, 19 June 2014 - 21 June 2014

Kelly C, 2014, 'Listening: the practice of close listening within sound culture', in Listening: the practice of close listening within sound culture, Cultural Studies and the New Uses of Literacy Symposium, UNSW, presented at Cultural Studies and the New Uses of Literacy Symposium, UNSW, 04 April 2014 - 05 April 2014

Kelly C, 2013, 'Dirty Media', in Dirty Media, Creative Imperfections, Amsterdam, presented at Creative Imperfections, Amsterdam, 28 November 2013 - 28 November 2013

Kelly C, 2012, 'Glitching the Document', in Glitching the Document, Expanded Documentary Symposium, University of Wollongong, presented at Expanded Documentary Symposium, University of Wollongong, 06 September 2012 - 07 September 2012

Kelly C, 2011, 'Marginalia in the Sound Work of Joyce Hinterding and Christian Marclay [Keynote]', in Marginalia in the Sound Work of Joyce Hinterding and Christian Marclay [Keynote], Marginalia: Towards an Invisible College, Whitechapel Gallery, London, presented at Marginalia: Towards an Invisible College, Whitechapel Gallery, London, 03 November 2011 - 03 November 2011

Curatorial Outputs

Kelly C, 2018, Material Sound, exhibited at: MAMA, Albury, 09 February 2018 - 29 April 2018, Material Sound, https://www.mamalbury.com.au/see-and-do/exhibitions/past-exhibitions/material-sound

Kelly C, 2014, Liquid Architecture (Sydney), exhibited at: Sydney, 04 October 2014 - 05 October 2014, Liquid Architecture (Sydney), https://www.artdesign.unsw.edu.au/whats-on/events/liquid-architecture-sydney

Kelly C, 2013, Sound Full: Sound in Contemporary Australian and New Zealand Art, exhibited at: City Gallery Wellington, 19 October 2013 - 09 February 2014, Sound Full: Sound in Contemporary Australian and New Zealand Art, http://citygallery.org.nz/exhibitions/sound-full-sound-contemporary-australian-and-new-zealand-art

Kelly C; Kreisler A, 2012, Sound Full: Sound in Contemporary Australian and New Zealand Art, exhibited at: Dunedin Public Art Gallery; Dunedin, New Zealand, 17 July 2012 - 11 November 2012, Sound Full: Sound in Contemporary Australian and New Zealand Art

Kelly C; White A, 2011, High Reflections, exhibited at: Red Rattler, Sydney, 25 May 2011 - 26 May 2011, High Reflections

Kelly C, 2010, SuperDeluxe @ Artspace curated by caleb.k in the Sydney Biennale, exhibited at: Artspace, Sydney, 19 June 2010, SuperDeluxe @ Artspace curated by caleb.k in the Sydney Biennale

Kelly C, 2010, Caleb Kelly Presents, exhibited at: Issue Project Room, New York, 07 April 2010, Caleb Kelly Presents

Kelly C, 2006, Mistral: acoustic sound, exhibited at: Artspace, Sydney, 12 May 2006 - 27 May 2006, Mistral: acoustic sound

Kelly C, 2005, Typhoon: Performing Sound, exhibited at: Artspace, Sydney, 21 May 2005 - 22 October 2005, Typhoon: Performing Sound

Kelly C, Materials, Sound + Black Mountain College, exhibited at: Asheville, North Carolina, 07 June 2019 - 30 August 2019, http://www.blackmountaincollege.org/material-sound/

Creative Written Works

Kelly C, 2020, Immateriality, Sound and the Art Gallery, Reina Sofía National Museum of Contemporary Art, Spain

Kelly C, 2019, Tangible/Intangible: The Sound of Sculpture, Govett-Brewster Art Gallery

Kelly C, 2019, Assembling Music, Angelica Mesiti, Assembly, Australian Pavilion at the Venice Biennale Catalogue, Australia Council for the Arts

Kelly C, 2018, Material Sound: Sound as more than Sound, Murray Arts Museum Albury

Kelly C, 2017, Between Air and Electricity: Microphones and Loudspeakers as Musical Instruments., Journal of Sonic Studies

Kelly C, 2017, Everyday Materials: Ross Manning’s Dissonant Materiality, Dissonant Rhythms, Institute of Modern Art

Kelly C, 2015, Field Day, Listening and its not, Patrick Farmer, (ed.), SARU & Compost and Height

Kelly C, 2014, Materials, Das Super Paper, no.33, Kelly C, (ed.)

Kelly C, 2014, Thoughts on the Representation of Sound, Wolf Notes

Kelly C, 2014, Sound and Art, Oxford Art Online, Grove Dictionary of Art, Oxford University Press

Kelly C, 2013, Sound Full: Sound in Contemporary Australian and New Zealand Art, Sound Full: Sound in Contemporary Australian and New Zealand Art, Dunedin Public Art Gallery


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