ORCID as entered in ROS

Select Publications
2022, Artists and the People Ideologies of Art in Indonesia, National University of Singapore Press
,2023, 'Artistic Ideologies Individual and Society in Indonesian Art', in Kent E; Hooker V; Turner C (ed.), Living Art: Indonesian Artists Engage Politics, Society and History, ANU Press, Canberra, pp. 83 - 108, http://dx.doi.org/10.22459/LA.2022.02
,2023, 'Epilogue: Future Tense', in Living Art: Indonesian Artists Engage, Politics, Society and History, ANU Press, Canberra, http://dx.doi.org/10.22459/la.2022
,2023, 'Introduction', in Living Art: Indonesian Artists Engage Politics, Society and History, ANU Press, Canberra, http://dx.doi.org/10.22459/la.2022
,2023, 'New Indonesian Painting', in Turner C; Hooker V; Kent E (ed.), Living Art: Indonesian Artists Engage Politics, Society and History, ANU Press, Canberra
,2022, 'Wir müssen reden! Kunst, Fehler und Politik auf der documenta fifteen', in Drohne N; Duile T; Göpel R; Schlicher M; Schott C (ed.), Indonesien auf der documenta fifteen: Von der Kunst, in Dialog zu treten, pp. 7 - 14, https://suedostasien.net/wir-muessen-reden-kunst-fehler-und-politik-auf-der-documenta-fifteen/
,2021, 'Batik Journeys Between Three Worlds', in Murray K (ed.), Copihue: Garland Compendium Five, Garland Magazine
,2014, 'The Aesthetics of Collision and Failure: Heri Dono's Participatory Art Projects', in Kusmara R; Supangkat J (ed.), The World and I: Heri Dono's Art Odyssey, PT. Mondekorindo Seni Internasional, Jakarta, pp. 194 - 228
,Kent E; Hooker V; Turner C, (eds.), 2023, Living Art: Indonesian Artists Engage Politics, Society and History, ANU Press, Canberra, http://dx.doi.org/10.22459/la.2022
2023, 'A limited (and speculative) cartography of collectivity in Indonesian art', Artlink: Australian contemporary art quarterly, 43, pp. 16 - 23, https://www.artlink.com.au/articles/5040/a-limited-28and-speculative29-cartography-of-collect/
,2022, 'Letter to an Actor', Southeast of Now, 6, pp. 171 - 179
,2022, 'Cloaked identity: Mella Jaarsma's the Healer, the Feeder, the Warrior', TAASA Review, 31, pp. 19 - 20
,2020, 'Critical Recycling: Post-Consumer Waste as Medium and Meaning in Contemporary Indonesian Art', Southeast of Now: Directions in Contemporary and Modern Art in Asia, 4, pp. 73 - 98, http://dx.doi.org/10.1353/sen.2020.0003
,2019, 'Traditions of Dissent: Contemporary "Artivism" in Indonesia', TAASA Review, 28, https://taasa.org.au/taasa-review/?ReviewUUID=c556b33c-5364-4989-bc3d-4c748f962c2f
,2017, 'Input : Output Exploring Participatory Art Practice from Within', International Journal of Creative and Arts Studies, 1, pp. 1 - 1, http://dx.doi.org/10.24821/ijcas.v1i1.1568
,2013, 'Making it to Bandung', RIMA: Review of Indonesian and Malaysian Affairs, 47, pp. 139 - 150
,2017, Entanglement: Individual and Participatory Art Practice in Indonesia, The Australian National University, http://dx.doi.org/10.25911/5d5146060c32c
,2019, Arts: Visual Arts and Artists: Indonesia, , http://dx.doi.org/10.1163/1872-5309_ewic_com_002173
,2022, We need to talk! Art, offence and politics in Documenta 15, ANU College of Asia Pacific, , https://www.newmandala.org/we-need-to-talk-art-offence-and-politics-in-documenta-15/
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