ORCID as entered in ROS

Select Publications
2023, 'Artistic Ideologies Individual and Society in Indonesian Art', in Kent E; Hooker V; Turner C (ed.), Living Art: Indonesian Artists Engage Politics, Society and History, ANU Press, Canberra, pp. 83 - 108, http://dx.doi.org/10.22459/LA.2022.02
,2023, 'Epilogue: Future Tense', in Living Art: Indonesian Artists Engage, Politics, Society and History, ANU Press, Canberra, http://dx.doi.org/10.22459/la.2022
,2023, 'Introduction', in Living Art: Indonesian Artists Engage Politics, Society and History, ANU Press, Canberra, http://dx.doi.org/10.22459/la.2022
,2023, 'New Indonesian Painting', in Turner C; Hooker V; Kent E (ed.), Living Art: Indonesian Artists Engage Politics, Society and History, ANU Press, Canberra
,2022, 'Wir müssen reden! Kunst, Fehler und Politik auf der documenta fifteen', in Drohne N; Duile T; Göpel R; Schlicher M; Schott C (ed.), Indonesien auf der documenta fifteen: Von der Kunst, in Dialog zu treten, pp. 7 - 14, https://suedostasien.net/wir-muessen-reden-kunst-fehler-und-politik-auf-der-documenta-fifteen/
,2021, 'Batik Journeys Between Three Worlds', in Murray K (ed.), Copihue: Garland Compendium Five, Garland Magazine
,2014, 'The Aesthetics of Collision and Failure: Heri Dono's Participatory Art Projects', in Kusmara R; Supangkat J (ed.), The World and I: Heri Dono's Art Odyssey, PT. Mondekorindo Seni Internasional, Jakarta, pp. 194 - 228
,