Select Publications

Books

Brannigan E, 2014, Bodies of Thought: 12 Australian Choreographers, Brannigan E; Baxter V, (ed.), Wakefield Press, http://www.wakefieldpress.com.au/product.php?productid=1172&cat=0&page=&featured=Y

Brannigan ED, 2011, Dancefilm: Choreography and the Moving Image, 1st, Oxford University Press, New York

Book Chapters

Brannigan E, 2019, 'Whatever Happened to Dance Criticism?', in Thomas H; Prickett S (ed.), Routledge Companion to Dance Studies., Routledge, Oxon, UK, pp. 207 - 220, http://dx.doi.org/10.4324/9781315306551

Brannigan E; Thomson L; Day M, 2018, 'Research as Co-Habitation: Experimental Composition across Theory and Practice', in Blades H; Meehan E (ed.), Performing Process Sharing Dance and Choreographic Practice, Intellect (UK), Bristol, pp. 218 - 263, http://www.intellectbooks.com/performing-process

Brannigan E, 2018, 'Dance in the Gallery: Process and Memory', in Wycherley M (ed.), Invisible Histories, Limerick City Gallery, Limerick, Ireland

Brannigan E; Wait N, 2018, 'Non-Competitive Body States: Corporeal Freedom and Innovation in Contemporary Dance', in Dodds S (ed.), The Oxford Handbook of Dance and Competition, Oxford University Press, New York, pp. 283 - 304, http://dx.doi.org/10.1093/oxfordhb/9780190639082.001.0001

Brannigan ED, 2016, 'Yvonne Rainer's 'Lives of Performers': an 'undisciplined' encounter with the avant-garde', in Rosenberg D (ed.), The Oxford Handbook of Screendance Studies, edn. 1, Oxford University Press, New York, pp. 517 - 536

Brannigan ED, 2015, ''Dancing as Materiality: accumulation, texture, adornment and movement in Justene Williams' "The Curtain Breathed Deeply".', in Day C; Glass-Kantor A (ed.), Justene Williams - The Curtain Breathed Deeply, Artspace, Monash University Museum of Art, Sydney, pp. 45 - 47

Brannigan ED, 2014, 'Bodies of Thought', in Baxter V; Brannigan E (ed.), Bodies of Thought: 12 Australian Choreographers, Wakefield Press, Kent Town, S. Aust, pp. 1 - 3, http://www.wakefieldpress.com.au/product.php?productid=1172&cat=0&page=&featured=Y

Brannigan ED, 2014, 'Choreographing Texture', in Bodies of Thought: 12 Australian Choreographers, Wakefield Press, Kent Town SA, pp. 138 - 142, http://www.wakefieldpress.com.au/product.php?productid=1172&cat=0&page=&featured=Y

Brannigan ED, 2014, 'Dance and the World: The Duality of Craft and Content', in Bodies of Thought: 12 Australian Choreographers, Wakefield Press, Kent Town SA, pp. 46 - 47

Brannigan ED, 2014, 'Dance Theatre: Expanding the Form', in Bodies of Thought: 12 Australian Choreographers, pp. 92 - 93

Brannigan ED, 2014, 'Dance: Dance and Film', in Kelly M (ed.), The Oxford Encyclopaedia of Aesthetics, edn. 2nd, Oxford University Press, New York, NY

Brannigan ED, 2014, 'Dancing at the Intersections of Time, Space and Language', in Bodies of Thought: 12 Australian Choreographers, Wakefield Press, Kent Town SA, pp. 132 - 133

Brannigan ED, 2014, 'Between Dance Practice and Choreography', in Brannigan E; Baxter V (ed.), Bodies of Thought: 12 Australian Choreographers, Wakefield Press, Kent Town, South Aust, pp. 6 - 8, http://www.wakefieldpress.com.au/product.php?productid=1172&cat=0&page=&featured=Y

Brannigan ED; Card A, 2003, 'Choreography', in Whiteoak J; Scott-Maxwell A (ed.), Currency Companion to Music & Dance in Australia, edn. Original, Currency House Inc., Sydney, pp. 130 - 131

Journal articles

Brannigan E, 2019, 'Red Shoes', The International Journal of Screendance, vol. 10, http://dx.doi.org/10.18061/ijsd.v10i0.6822

Brannigan E, 2019, 'Talking Back: What Dance might make of Badiou’s philosophical project', Performance Philosophy, vol. 4, pp. 354 - 373, http://dx.doi.org/10.21476/PP.2019.42240

Brannigan E, 2017, 'Context, Discipline, and Understanding: The Poetics of Shelley Lasica’s Gallery-Based Work', Performance Paradigm, vol. 13, pp. 97 - 117, http://www.performanceparadigm.net/index.php/journal/article/view/196/193

Brannigan E; Mathews H, 2017, 'Performance, Choreography, and the Gallery: Materiality, Attention, Agency, Sensation, and Instability', Performance Paradigm, vol. 13, pp. 1 - 6, https://www.performanceparadigm.net/index.php/journal/article/view/190

Brannigan ED; Mees C, 2016, 'Breaths, Falls and Eddies in All this Can Happen: A Dialogue'', The International Journal of Screendance, vol. 5, http://dx.doi.org/10.18061/ijsd.v7i0.5463

Brannigan ED, 2016, 'Positively Unassertive: Dancing in the Art Gallery of NSW', Contemporary Visual Art + Culture Broadsheet, vol. 45, pp. 26 - 29

Brannigan E; Newton R, 2016, 'Propositions for Doing Dancing', Runway

Brannigan ED, 2016, 'Soft is Fast: Simone Forti in the 1960s and After', Performance Paradigm, http://www.performanceparadigm.net/index.php/journal/article/view/182

Brannigan ED, 2016, 'Spirals within Spirals: Vortex Temporum at Sydney Festival', The Conversation, https://theconversation.com/spirals-within-spirals-vortex-temporum-at-the-sydney-festival-52687

Brannigan ED, 2015, ''Choreography and the Gallery: Curation as Revision'', Dance Research Journal, vol. 47, pp. 5 - 25, http://dx.doi.org/10.1017/S0149767715000054

Brannigan ED, 2015, 'What is it that Dances Something Else?', Critical Dialogues, vol. 5, pp. 12 - 13, http://criticalpath.org.au/resource_category/critical-dialogues/

Brannigan ED, 2015, 'Writing Dancing (Sydney)', Critical Dialogues, vol. 5, pp. 4 - 8, http://criticalpath.org.au/resource_category/critical-dialogues/

Brannigan ED, 2015, ''Danse: An Anthology. ED. Noémie Solomon'', Dance Research Journal, vol. 47, pp. 107 - 111, http://dx.doi.org/10.1017/S0149767715000054

Brannigan ED, 2013, 'The Anatomy of Dance Composition', Choreologia, pp. 65 - 69

Brannigan ED, 2012, 'Laurence Louppe’s Poetics of Contemporary Dance (London: Dancebooks, 2010)', Dance Research Journal, vol. 44, pp. 101 - 104

Brannigan ED, 2012, 'Transposing Style: Martin Del Amo’s new Solo Works', Brolga, vol. 36, pp. 25 - 30

Brannigan ED, 2011, 'Carrie Lambert-Beatty, Being Watched: Yvonne Rainer and the 1960s', Dance Research Journal, vol. 42, pp. 114 - 117

Brannigan ED, 2010, 'Moving Across Disciplines: Dance and the Moving Image', Platform Papers

Brannigan E, 2009, 'Micro-choreographies: The close-up in dancefilm', International Journal of Performance Arts and Digital Media, vol. 5, pp. 121 - 139, http://dx.doi.org/10.1386/padm.5.2-3.121/1

Brannigan ED, 2009, 'Karen Pearlman, Cutting Rhythms', Brolga, vol. 31, pp. 37 - 38

Brannigan ED, 2009, 'Micro-choreographies: The Close-up in Dancefilm', International Journal of Performance Arts and Digital Media, vol. 5, pp. 121 - 139

Brannigan ED; Brannigan E, 2009, 'The Life of Dance', What I Think about When I Think about Dancing, pp. 89 - 90

Brannigan ED, 2003, '‘La Loïe’ as Pre-Cinematic Performance – Descriptive Continuity of Movement’', Senses of Cinema, vol. 28, http://archive.sensesofcinema.com/contents/03/28/la_loie.html

Brannigan ED, 2003, 'Erin Brannigan reviews Bill Nichols (ed), Maya Deren and the American Avant-garde', Screening the Past, vol. Issue 15

Brannigan ED, 2003, 'Erin Brannigan reviews Rainer Rother, Leni Riefenstahl: the seduction of genius', Screening the Past, vol. Issue

Brannigan ED, 2003, 'Great Directors: Yvonne Rainer,', Senses of Cinema, http://www.sensesofcinema.com/contents/directors/03/rainer.html

Brannigan ED, 2002, 'Maya Deren, dance and gestural encounters in Ritual in Transfigured Time', Senses of Cinema, vol. 22

Brannigan ED, 2002, 'Sherril Dodds, Dance on Screen: Genres and Media from Hollywood to Experimental Art', Research In Dance Education, vol. 3, pp. 89 - 90

Brannigan ED, 1998, 'Motion Pictures', Writings on Dance, vol. 17, pp. 1 - 84

Conference Presentations

Brannigan ED, 2016, 'From Monochromes to Choreography: Rauschenberg’s Relationship with Dance', presented at Tate Modern Public Program, Tate Modern, London, 19 December 2016 - 19 December 2016, http://www.tate.org.uk/whats-on/tate-modern/talk-and-lecture/robert-rauschenberg/monochromes-choreography-rauschenbergs

Brannigan ED, 2016, 'Between Pose and Flow: Choreographics Exhibition, Carriageworks Sydney 2007', presented at Geste et corps dessinant : un enjeu entre art et technique, Musée des Arts et Métiers – le CNAM - et l’Institut Acte de l’Université Paris 1 et du CNRS, Paris, 06 December 2016 - 06 December 2016, http://www.arts-et-metiers.net/musee/journee-detude-geste-et-corps-dessinant-un-enjeu-entre-art-et-technique

Brannigan ED, 2016, 'Creative Practice Across Music and Dance', presented at Il Corpo nel Suono, 2° convegno internazionale sui temi delle relazioni tra musica e danza, Accademia Nazionale di Danza, Roma, Italy, - , http://www.ilcorponelsuono.com/

Brannigan ED, 2016, 'Intermedial Composition: Dance and the Contemporary Arts', presented at Lightmoves Festival of Screendance, Limerick, Ireland, - , https://static1.squarespace.com/static/5784f47b6a4963df86dfea3c/t/588a2b51db29d65fe815a1cf/1485450089175/light-moves-2016-brochure-web.pdf

Brannigan ED, 2016, 'Mobile Strategies: Cage, Rauschenberg, Paxton, and the ‘Body’ in Mid-century Minimalism', presented at Performing Mobilities Assembly, Performance Studies International, Melbourne, -


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