Select Publications

Book Chapters

Attridge J, 2019, 'An Introduction to Modernist Work', in Attridge J; Rydstrand H (ed.), Modernist Work: Labor, Aesthetics, and the Work of Art, Bloomsbury, pp. 1 - 17,

Attridge J, 2018, 'Ford's The Good Soldier', in Haslam S; Colombino L; O’Malley S (ed.), The Routledge Research Companion to Ford Madox Ford, Routledge, Abingdon,

Attridge J, 2016, 'Conrad, G.E. Moore and Idealism', in Hampson R; Baxter KI (ed.), Conrad and Language, Edinburgh University Press, Edinburgh, pp. 44 - 63,

Attridge J, 2016, 'The Milieu is the Message: Henry James and Mediation', in Pryor S; Trotter D (ed.), Writing, Medium, Machine: Modern Technographies, Open Humanities Press, London, pp. 67 - 84,

Attridge J, 2015, 'Ford and Conrad', in Hawkes R; Chantler A (ed.), An Introduction to Ford Madox Ford, edn. Original, Ashgate, Farnham, pp. 23 - 36,

Attridge J, 2015, 'Mind, body and embarrassment in Henry James's The Awkward Age', in Taylor J (ed.), Modernism and Affect: Feeling in Modern Literature and Culture, Edinburgh University Press, Edinburgh, pp. 20 - 38,

Attridge J, 2014, ''A taboo on the mention of taboo': Englishness and taciturnity in Parade's End and André Maurois' Les Silences du colonel Bramble', in Hawkes R; Chantler A (ed.), Ford Madox Ford's Parade's End: The First World War, Culture, and Modernity, Rodopi, Amsterdam, pp. 23 - 37,

Attridge J, 2014, 'Mythomaniac modernism: lying and bullshit in Flann O'Brien', in McDonald R; Murphet J (ed.), Strange Enlightenments: Flann O'Brien and Modernism, Bloomsbury, New York, pp. 27 - 40,

Attridge J, 2013, 'Eclecticism and its discontents: Les Ecrits nouveaux (1917-22) and La Revue européenne (1923-31)', in Brooker P; Bru S; Thacker A; Weikop C (ed.), The Oxford Critical and Cultural History of Modernist Magazines: Volume III: Europe 1880 - 1940, edn. Original, Oxford University Press, Oxford, pp. 203 - 218

Attridge J, 2013, 'Episodic trust: self, society and sociology in A la recherche du temps perdu', in Attridge J; Rosenquist R (ed.), Incredible Modernism: Literature, Trust and Deception, edn. 2013, Ashgate, Farnham, pp. 199 - 214

Attridge J, 2013, 'Introduction: Literature, trust and deception', in Attridge J; Rosenquist R (ed.), Incredible Modernism: Literature, Trust and Deception, edn. 2013, Ashgate, Farnham, pp. 1 - 20

Attridge J, 2010, 'Liberalism and Modernism in the Edwardian Era: New Liberals at Ford's English Review', in Harding J (ed.), Ford Madox Ford, Modernist Magazines and Editing, edn. Original, Rodopi, Amsterdam, pp. 169 - 184

Attridge J, 2010, 'Murray Bail', in Shaffer BW (ed.), The Encyclopedia of Twentieth-Century Fiction, edn. Original, Wiley-Blackwell, UK

Attridge J, 2008, ''We Will Listen to None but Specialists': Ford, the rise of specialization, and the English Review', in Gasiorek A; Moore D (ed.), Ford Madox Ford. Literary Networks and Cultural Transformations, edn. Original, Rodopi, Amsterdam, pp. 29 - 42

Attridge J, 2005, ''I Don't Read Novels ... I Know What's in ‘em': Impersonality, Impressionism and Responsibility in Parade’s End', in Reynier C; Ganteau J-M (ed.), Impersonality and Emotion in Twentieth-Century British Literature, edn. Original, Montpellier, France

Edited Books

Attridge J; Rydstrand H, (ed.), 2019, Modernist Work: Labor, Aesthetics, and the Work of Art, Bloomsbury, New York,

Attridge J; Rosenquist R, (ed.), 2013, Incredible Modernism: Literature, Trust and Deception, Ashgate, Farnham

Journal articles

Attridge J, 2020, 'Live for Me: Vicarious Experience and Aesthetic Education in The Ambassadors and Wilhelm Meister’s Apprenticeship', Novel: A Forum on Fiction, vol. 53, pp. 37 - 56,

Attridge J, 2019, '"la vaste rumeur d'autrefois": noise, memory, and mediation in A la recherche du temps perdu', Modernism/modernity, vol. 26, pp. 617 - 637,

Attridge J, 2018, 'The Crisis of Liberalism: Contracts and Promises in Joyce's Political Journalism and Dubliners', Occasion, vol. 11,

Attridge J, 2017, 'Houellebecq's Occidentalism', Australian Humanities Review, pp. 65 - 78,

Attridge J, 2014, 'Nonsense, ordinary language philosophy and Flann O'Brien's The Third Policeman', Modern Fiction Studies, vol. 60, pp. 298 - 319,

Attridge J, 2013, 'Two types of secret agency: Conrad, causation and popular spy fiction', Texas Studies in Literature and Language, vol. 55, pp. 125 - 158,

Attridge J, 2012, 'Review essay: The Saddest Tory (review of Ford Madox Ford's Parade's End)', Modernism-Modernity, vol. 19, pp. 799 - 803,

Attridge J, 2011, ''Human expertness': Professionalism, Training, and the Prefaces to the New York Edition', Henry James Review, vol. 32, pp. 29 - 44,

Attridge J, 2011, 'The Lesson of the Master: Learning and Cognition in What Maisie Knew', Sydney Studies in English, vol. 37, pp. 22 - 43,

Attridge J, 2010, '"The Yellow-Dog Thing": Joseph Conrad, Verisimilitude, and Professionalism', ELH - English Literary History, vol. 77, pp. 267 - 296,

Attridge J, 2008, 'Steadily and Whole: Ford Madox Ford and Modernist Sociology', Modernism-Modernity, vol. 15, pp. 297 - 315,

Attridge J, 2004, 'Detourism: Murray Bail's Photographic Fiction', Journal of Commonwealth Literature, vol. 39, pp. 69 - 91,


Attridge J, 2018, How Conrad’s imperial horror story Heart of Darkness resonates with our globalised times,

Attridge J, 2018, How a US judge decided ‘artistic expression’ was a legitimate defence of discrimination,

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