Select Publications

Book Chapters

Schmidt T; Paraha T, 2020, 'Blackout: Thinking with darkness', in Cull Ó Maoilearca L; Lagaay A (ed.), The Routledge Companion to Performance Philosophy, pp. 437 - 446, http://dx.doi.org/10.4324/9781003035312-51

Schmidt T; Damian Martin D; Green S; Nizard C; Shulman M; Solga K, 2020, 'Tactics, Practical and Imagined', in Solga K (ed.), Theatre and Performance in the Neoliberal University Responses to an Academy in Crisis, Routledge, New York and London, pp. 233 - 241, http://dx.doi.org/10.4324/9781003007289-20

Schmidt T, 2020, 'The art of making an appearance: towards a theatrical politics', in Allsopp R; Kipphoff K (ed.), Blind Spot: Staring down the void, Performance Research Books, Aberystwyth, pp. 146 - 159

Schmidt T, 2019, 'Actions', in Schmidt T (ed.), Agency: A Partial History of Live Art, Intellect, Bristol, pp. 251 - 254, https://www.intellectbooks.com/agency

Schmidt T, 2019, 'Bodies', in Schmidt T (ed.), Agency: A Partial History of Live Art, Intellect, Bristol, pp. 17 - 20, https://www.intellectbooks.com/agency

Schmidt T, 2019, 'Communities', in Schmidt T (ed.), Agency: A Partial History of Live Art, Intellect, Bristol, pp. 193 - 196, https://www.intellectbooks.com/agency

Schmidt T, 2019, 'Institutions', in Schmidt T (ed.), Agency: A Partial History of Live Art, Intellect, Bristol, pp. 129 - 134, https://www.intellectbooks.com/agency

Schmidt T, 2019, 'Introduction', in Schmidt T (ed.), Agency: A Partial History of Live Art, Intellect, Bristol, pp. 10 - 14

Schmidt T, 2019, 'Spaces', in Schmidt T (ed.), Agency: A Partial History of Live Art, Intellect, Bristol, pp. 73 - 78, https://www.intellectbooks.com/agency

Schmidt T, 2019, 'How Does Theatre Think Through Work?', in Bleeker M; Kear A; Kelleher J; Roms H (ed.), Thinking Through Theatre and Performance, Bloomsbury, London, pp. 158 - 170, https://www.bloomsbury.com/uk/thinking-through-theatre-and-performance-9781472579638/

Schmidt T, 2017, 'Is This What Democracy Looks Like? The Politics of Representation and the Representation of Politics', in Fisher T; Katsouraki E (ed.), Performing Antagonism: Theatre, Performance & Radical Democracy, Palgrave Macmillan, pp. 101 - 130, http://dx.doi.org/10.1057/978-1-349-95100-0_6

Schmidt T, 2016, '"When I think of him, I think of angels": Introducing JARMAN (all this maddening beauty)', in Caridad Svich: JARMAN (all this maddening beauty) and Other Plays, Intellect, Bristol and Chicago, pp. 15 - 19

Paterson M; Schmidt T, 2013, 'A Dialogue on Infection', in Keidan L; Wright A (ed.), The Live Art Almanac Volume 3, Oberon/Live Art Development Agency, pp. 273 - 284

Schmidt T, 2013, 'Acting, Disabled: Back to Back Theatre and the Politics of Appearance', in Carroll J; Giles S; Jürs-Munby K (ed.), Postdramatic Theatre and the Political: International Perspectives on Contemporary Performance, Bloomsbury, pp. 189 - 207

Schmidt T, 2013, 'Together in the Here & Now: The Final National Review of Live Art, Glasgow', in Keidan L; Wright A (ed.), The Live Art Almanac Volume 3, Live Art Development Agency and Oberon Books, London, pp. 264 - 266

Schmidt T, 2011, 'After this, birdsong', in Goat Island: A Last, A Quartet -- DVD and Reading Companion, Goat Island and Lucy Cash, pp. 16 - 25

Schmidt T, 2011, 'Culture Crash', in Brine D; Gantner V; Keidan L; Mitchell CJ; Mitchelson A; Pecelli MVP (ed.), The Live Art Almanac Vol. 2, Live Art Development Agency, pp. 165 - 168

Schmidt T, 2008, 'Helen Paris: Vena Amoris', in Brine D (ed.), The Live Art Almanac, Live Art Development Agency, pp. 123 - 124

Edited Books

Schmidt T, (ed.), 2019, Agency: A Partial History of Live Art, Intellect, Bristol and Chicago

Schmidt T; Kartsaki E, (ed.), 2015, On Repetition, Performance Research, Aberystwyth

Journal articles

Schmidt T; Cervera F; Schwadron H, 2020, 'Towards Planetary Performance Pedagogy: Digital Companions in Multipolar Classrooms', Theatre, Dance and Performance Training, vol. 12, pp. 20 - 39, http://dx.doi.org/10.1080/19443927.2020.1829694

Schmidt T, 2020, 'What if we think of the classroom as a work of art? Performance, collaboration, and social engagement considered as pedagogic practices', Arts and Humanities in Higher Education: an international journal of theory, research and practice, http://dx.doi.org/10.1177/1474022220966944

Schmidt T, 2020, 'Real Theatre: Essays in Experience', CONTEMPORARY THEATRE REVIEW, vol. 30, pp. 417 - 418, http://dx.doi.org/10.1080/10486801.2020.1772594

Damian Martin D; Schmidt T, 2019, 'Sites of Appearance, Matters of Thought: Hannah Arendt and Performance Philosophy', Performance Philosophy, vol. 5, pp. 1 - 7, http://dx.doi.org/10.21476/pp.2019.51291

Damian Martin D; Green S; Nizard C; Schmidt T; Shulman M; Solga K, 2019, 'Tactics: practical and imagined', Research in Drama Education: The Journal of Applied Theatre and Performance, vol. 24, pp. 438 - 445, http://dx.doi.org/10.1080/13569783.2019.1615833

Schmidt T, 2019, 'Anna Teresa Scheer, Christoph Schlingensief: Staging Chaos, Performing Politics, and Theatrical Phantasmagoria London: Bloomsbury, 2018. 296 p. £75.00. ISBN: 978-1-350-00105-3.', New Theatre Quarterly, vol. 35, pp. 192 - 192, http://dx.doi.org/10.1017/S0266464X19000198

Schmidt T, 2019, 'Christoph Schlingensief: Staging Chaos, Performing Politics, and Theatrical Phantasmagoria, by Anna Teresa Scheer (review)', New Theatre Quarterly, vol. 35, pp. 95 - 95, http://dx.doi.org/10.1017/S0266464X18000702

Schmidt T, 2018, 'What’s left on the page', Performance Research, vol. 23, pp. 343 - 346, http://dx.doi.org/10.1080/13528165.2018.1514775

Schmidt T; Daddario W, 2018, 'Crisis and the Im/possibility of Thought', Performance Philosophy, vol. 4, pp. 1 - 8, http://dx.doi.org/10.21476/PP.2018.41225

Daddario W; Dhamankar J; Loayza M; McKenzie J; Meerzon Y; Nauha T; Schmidt T; Stojnić A, 2018, 'What is Refugee?', Performance Philosophy, vol. 4, pp. 206 - 233, http://dx.doi.org/10.21476/PP.2018.41198

Schmidt T, 2018, 'How we talk about the work is the work: Performing critical writing', Performance Research, vol. 23, pp. 37 - 43, http://dx.doi.org/10.1080/13528165.2018.1464751

Schmidt T, 2017, 'What Kind of Work Is This? Performance and Materialisms in the Gallery', Performance Paradigm, vol. 13, pp. 7 - 28, https://www.performanceparadigm.net/index.php/journal/article/view/191

Schmidt T, 2017, 'Editorial - Performance Philosophy Vol 3(1)', Performance Philosophy, vol. 3, pp. 1 - 3, http://dx.doi.org/10.21476/PP.2017.31169

Cull Ó Maoilearca L; Gotman K; Katsouraki E; Schmidt T, 2017, 'Editorial - Performance Philosophy Vol 2(2)', Performance Philosophy, vol. 2, pp. 162 - 171, http://dx.doi.org/10.21476/PP.2017.22132

Cull Ó Maoilearca L; Schmidt T; Watt D, 2016, 'Editorial - Performance Philosophy Vol 2(1)', Performance Philosophy, vol. 2, pp. 1 - 4, http://dx.doi.org/10.21476/PP.2016.21121

Schmidt T, 2016, 'The Illuminated Theatre: Studies on the Suffering of Images, by Joe Kelleher (review)', TDR/The Drama Review, vol. 60, pp. 158 - 159, http://dx.doi.org/10.1162/DRAM_r_00603

Schmidt T, 2015, 'The philosopher as stage-hand', Performance Philosophy, vol. 1, pp. 106 - 108, http://dx.doi.org/10.21476/PP.2015.1111

Schmidt T, 2015, '"We're People Who Do Shows": Back to Back Theatre: Performance, Politics, Visibility, edited by Helena Grehan and Peter Eckersall (review)', TDR: The Drama Review, vol. 59, pp. 190 - 192, http://dx.doi.org/10.1162/DRAM_r_00442

Kartsaki E; Schmidt T, 2015, 'Editorial : On Repetition', Performance Research, vol. 20, pp. 1 - 3, http://dx.doi.org/10.1080/13528165.2015.1095886

Schmidt T, 2015, 'Some people will do anything to keep themselves from being moved', Performance Research, vol. 20, pp. 4 - 9, http://dx.doi.org/10.1080/13528165.2015.1095891

Schmidt T; Pinder J; Owen L; Zimmerman AL; Roberts D; Hope S; Amsler S, 2014, 'Beyond Glorious: The Radical in Engaged Practices', Contemporary Theatre Review, vol. 24, pp. 284 - 288, http://dx.doi.org/10.1080/10486801.2014.895537

Schmidt T, 2014, 'Christoph Schlingensief: Art without Borders, edited by Tara Forrest and Anna Teresa Scheer (review)', Contemporary Theatre Review, vol. 24, pp. 125 - 126, http://dx.doi.org/10.1080/10486801.2013.864064

Schmidt T, 2013, 'Outsider Theatre: A journey through Back to Back’s Hell House', Performance Research, vol. 18, pp. 139 - 148, http://dx.doi.org/10.1080/13528165.2013.789263

Schmidt T, 2013, 'Troublesome Professionals: On the speculative reality of theatrical labour', Performance Research, vol. 18, pp. 15 - 26, http://dx.doi.org/10.1080/13528165.2013.807161

Schmidt T, 2012, 'Site-Specific Performance, by Mike Pearson (review)', Modern Drama, vol. 55, pp. 278 - 280, http://dx.doi.org/10.1353/mdr.2012.0027

Schmidt T, 2012, 'The Theatre of Richard Maxwell and the New York City Players, by Sarah Gorman (review)', Contemporary Theatre Review, vol. 22, pp. 422 - 424, http://dx.doi.org/10.1080/10486801.2012.697724

Cash L; Schmidt T, 2011, '"Everything we do is done by invitation. That invitation comes from oneself or from another person." (John Cage)', Dance Theatre Journal, vol. 24, pp. 2 - 3, http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000309145700001&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a

Schmidt T, 2011, 'Christoph Schlingensief and the Bad Spectacle', Performance Research, vol. 16, pp. 27 - 33, http://dx.doi.org/10.1080/13528165.2011.606047

Schmidt T, 2011, 'This Is Happening in Real Time: A Response to Beside the A Side by Graeme Miller and John Smith', Dance Theatre Journal, vol. 24, pp. 5 - 9

Schmidt T, 2010, '"We Say Sorry": Apology, the Law, and Theatricality', Law Text Culture, vol. 14, pp. 55 - 78, http://ro.uow.edu.au/ltc/vol14/iss1/5


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