Select Publications

Journal articles

Schmidt T, 2021, 'What if we think of the classroom as a work of art? Performance, collaboration, and social engagement considered as pedagogic practices', Arts and Humanities in Higher Education: an international journal of theory, research and practice, vol. 20, pp. 345 - 364, http://dx.doi.org/10.1177/1474022220966944

Paraha T; Pollitt J; Raheem A; Schmidt T, 2021, 'Ensemblography: Making Collaboration through Performing Writing', Global Performance Studies, vol. 4, http://dx.doi.org/10.33303/gpsv4n2a2

Schmidt T; Cervera F; Schwadron H, 2020, 'Towards Planetary Performance Pedagogy: Digital Companions in Multipolar Classrooms', Theatre, Dance and Performance Training, vol. 12, pp. 20 - 39, http://dx.doi.org/10.1080/19443927.2020.1829694

Schmidt T, 2020, 'Real Theatre: Essays in Experience', CONTEMPORARY THEATRE REVIEW, vol. 30, pp. 417 - 418, http://dx.doi.org/10.1080/10486801.2020.1772594

Damian Martin D; Schmidt T, 2019, 'Sites of Appearance, Matters of Thought: Hannah Arendt and Performance Philosophy', Performance Philosophy, vol. 5, pp. 1 - 7, http://dx.doi.org/10.21476/pp.2019.51291

Damian Martin D; Green S; Nizard C; Schmidt T; Shulman M; Solga K, 2019, 'Tactics: practical and imagined', Research in Drama Education: The Journal of Applied Theatre and Performance, vol. 24, pp. 438 - 445, http://dx.doi.org/10.1080/13569783.2019.1615833

Schmidt T, 2019, 'Anna Teresa Scheer, Christoph Schlingensief: Staging Chaos, Performing Politics, and Theatrical Phantasmagoria London: Bloomsbury, 2018. 296 p. £75.00. ISBN: 978-1-350-00105-3.', New Theatre Quarterly, vol. 35, pp. 192 - 192, http://dx.doi.org/10.1017/S0266464X19000198

Schmidt T, 2019, 'Christoph Schlingensief: Staging Chaos, Performing Politics, and Theatrical Phantasmagoria, by Anna Teresa Scheer (review)', New Theatre Quarterly, vol. 35, pp. 95 - 95, http://dx.doi.org/10.1017/S0266464X18000702

Schmidt T, 2018, 'What’s left on the page', Performance Research, vol. 23, pp. 343 - 346, http://dx.doi.org/10.1080/13528165.2018.1514775

Schmidt T; Daddario W, 2018, 'Crisis and the Im/possibility of Thought', Performance Philosophy, vol. 4, pp. 1 - 8, http://dx.doi.org/10.21476/PP.2018.41225

Daddario W; Dhamankar J; Loayza M; McKenzie J; Meerzon Y; Nauha T; Schmidt T; Stojnić A, 2018, 'What is Refugee?', Performance Philosophy, vol. 4, pp. 206 - 233, http://dx.doi.org/10.21476/PP.2018.41198

Schmidt T, 2018, 'How we talk about the work is the work: Performing critical writing', Performance Research, vol. 23, pp. 37 - 43, http://dx.doi.org/10.1080/13528165.2018.1464751

Schmidt T, 2017, 'What Kind of Work Is This? Performance and Materialisms in the Gallery', Performance Paradigm, vol. 13, pp. 7 - 28, https://www.performanceparadigm.net/index.php/journal/article/view/191

Schmidt T, 2017, 'Editorial - Performance Philosophy Vol 3(1)', Performance Philosophy, vol. 3, pp. 1 - 3, http://dx.doi.org/10.21476/PP.2017.31169

Cull Ó Maoilearca L; Gotman K; Katsouraki E; Schmidt T, 2017, 'Editorial - Performance Philosophy Vol 2(2)', Performance Philosophy, vol. 2, pp. 162 - 171, http://dx.doi.org/10.21476/PP.2017.22132

Cull Ó Maoilearca L; Schmidt T; Watt D, 2016, 'Editorial - Performance Philosophy Vol 2(1)', Performance Philosophy, vol. 2, pp. 1 - 4, http://dx.doi.org/10.21476/PP.2016.21121

Schmidt T, 2016, 'The Illuminated Theatre: Studies on the Suffering of Images, by Joe Kelleher (review)', TDR/The Drama Review, vol. 60, pp. 158 - 159, http://dx.doi.org/10.1162/DRAM_r_00603

Schmidt T, 2015, 'The philosopher as stage-hand', Performance Philosophy, vol. 1, pp. 106 - 108, http://dx.doi.org/10.21476/PP.2015.1111

Schmidt T, 2015, '"We're People Who Do Shows": Back to Back Theatre: Performance, Politics, Visibility, edited by Helena Grehan and Peter Eckersall (review)', TDR: The Drama Review, vol. 59, pp. 190 - 192, http://dx.doi.org/10.1162/DRAM_r_00442

Kartsaki E; Schmidt T, 2015, 'Editorial : On Repetition', Performance Research, vol. 20, pp. 1 - 3, http://dx.doi.org/10.1080/13528165.2015.1095886

Schmidt T, 2015, 'Some people will do anything to keep themselves from being moved', Performance Research, vol. 20, pp. 4 - 9, http://dx.doi.org/10.1080/13528165.2015.1095891

Schmidt T; Pinder J; Owen L; Zimmerman AL; Roberts D; Hope S; Amsler S, 2014, 'Beyond Glorious: The Radical in Engaged Practices', Contemporary Theatre Review, vol. 24, pp. 284 - 288, http://dx.doi.org/10.1080/10486801.2014.895537

Schmidt T, 2014, 'Christoph Schlingensief: Art without Borders, edited by Tara Forrest and Anna Teresa Scheer (review)', Contemporary Theatre Review, vol. 24, pp. 125 - 126, http://dx.doi.org/10.1080/10486801.2013.864064

Schmidt T, 2013, 'Outsider Theatre: A journey through Back to Back’s Hell House', Performance Research, vol. 18, pp. 139 - 148, http://dx.doi.org/10.1080/13528165.2013.789263

Schmidt T, 2013, 'Troublesome Professionals: On the speculative reality of theatrical labour', Performance Research, vol. 18, pp. 15 - 26, http://dx.doi.org/10.1080/13528165.2013.807161

Schmidt T, 2012, 'Site-Specific Performance, by Mike Pearson (review)', Modern Drama, vol. 55, pp. 278 - 280, http://dx.doi.org/10.1353/mdr.2012.0027

Schmidt T, 2012, 'The Theatre of Richard Maxwell and the New York City Players, by Sarah Gorman (review)', Contemporary Theatre Review, vol. 22, pp. 422 - 424, http://dx.doi.org/10.1080/10486801.2012.697724

Cash L; Schmidt T, 2011, '"Everything we do is done by invitation. That invitation comes from oneself or from another person." (John Cage)', Dance Theatre Journal, vol. 24, pp. 2 - 3, http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000309145700001&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a

Schmidt T, 2011, 'Christoph Schlingensief and the Bad Spectacle', Performance Research, vol. 16, pp. 27 - 33, http://dx.doi.org/10.1080/13528165.2011.606047

Schmidt T, 2011, 'This Is Happening in Real Time: A Response to Beside the A Side by Graeme Miller and John Smith', Dance Theatre Journal, vol. 24, pp. 5 - 9

Schmidt T, 2010, '"We Say Sorry": Apology, the Law, and Theatricality', Law Text Culture, vol. 14, pp. 55 - 78, http://ro.uow.edu.au/ltc/vol14/iss1/5

Schmidt T, 2010, 'Anti-messianic Theatre: Confronting Expectation at London's SPILL Festival', Dance Theatre Journal, vol. 23, pp. 22 - 27

Schmidt T, 2010, 'Unsettling Representation: Monuments, Theatre, and Relational Space', Contemporary Theatre Review, vol. 20, pp. 283 - 295, http://dx.doi.org/10.1080/10486801.2010.488834

Paterson M; Schmidt T, 2009, 'Critical Border-Crossing: Open Dialogues at Performance Saga / BONE 11', Dance Theatre Journal, vol. 23, pp. 5 - 9

Schmidt T, 2008, 'Response to Dancing with a Dead Man's Things', DANCE THEATRE JOURNAL, vol. 23, pp. 40 - 41, http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000260159700008&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1

Schmidt T, 2008, 'WE NEED TO TALK about Live Art', DANCE THEATRE JOURNAL, vol. 23, pp. 5 - 12, http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000260159700002&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1

Schmidt T, 2008, 'Richard Maxwell and the Paradox of Theatre', Platform, vol. 3, pp. 8 - 21, https://www.royalholloway.ac.uk/dramaandtheatre/documents/pdf/platform/031/maxwell.pdf

Schmidt T, 2008, 'Surviving Words: Writing about Doran George's The Mourner's Dance', Dance Theatre Journal, vol. 23, pp. 35 - 41


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