Select Publications
Books
2021, Homework, Discipline
,2014, How Reading is Written: A Brief Index to Gertrude Stein, Wesleyan University Press, http://www.upne.com/0819575111.html
,Book Chapters
2024, 'The Sound a Sentence Makes: On Poetry, Judgement, and Hearing', in Groth H; Murphet J (ed.), The Edinburgh Companion to Literature and Sound Studies, Edinburgh Companions to Litera, pp. 19 - 31
,2023, ''If I write a Love poem it's against the police': The Abolitionist Poetics of the Riot', in Writing the Global Riot Literature in a Time of Crisis, Oxford University Press, http://dx.doi.org/10.1093/oso/9780192862594.003.0011
,2021, 'The Work of Poetry', in Disney D; Hall M (ed.), New Directions in Contemporary Australian Poetry, Palgrave Macmillan, pp. 193 - 203, http://dx.doi.org/10.1007/978-3-030-76287-2_16
,2012, 'The Objects Have Been Equal to the Occasion', in Butler on Whitehead: On the Occasion, Lexington Books, pp. 165 - 184
,Journal articles
2023, '“Extraordinary powers for extraordinary times”: A conjunctural analysis of pandemic policing, common sense, and the abolitionist horizon', Crime, Media, Culture, http://dx.doi.org/10.1177/17416590231205901
,2022, 'Endless Study, Infinite Debt: On study inside and outside the university classroom', Critical Studies in Teaching and Learning, 10, http://dx.doi.org/10.14426/cristal.v10iSI.516
,2022, 'Torrens Title: property, race and (infra)structures of feeling in the settler colony', Race and Class, 64, pp. 63 - 83, http://dx.doi.org/10.1177/03063968221098623
,2022, 'READING HISTORY AGAINST THE STATE SECRET: carlos soto román’s “chile project: [re-classified],” the remediated archive, and the poetics of redaction', Angelaki - Journal of the Theoretical Humanities, 27, pp. 17 - 29, http://dx.doi.org/10.1080/0969725X.2022.2046356
,2022, 'Endless Study, Infinite Debt: On study inside and outside the university classroom', Critical Studies in Teaching and Learning, 10, http://dx.doi.org/10.14426/cristal.v10isi.1781
2021, 'Everything Must Change', Infrastructural Inequalities Journal, https://infrastructuralinequalities.net/issue-2/everything-must-change/
,2021, 'There’s a riot goin’ on', Continuum, 35, pp. 123 - 136, http://dx.doi.org/10.1080/10304312.2021.1879020
,2020, '22nd Biennale of Sydney, “Nirin”', Art Agenda, https://www.art-agenda.com/features/328963/22nd-biennale-of-sydney-nirin
,2019, 'Tending a Social Infrastructure', Infrastructural Inequalities Journal, https://infrastructuralinequalities.net/issue-1/introduction/
,2019, 'Poetry, Law and the News: Re-reading the Australian Constitution', Australian Humanities Review, pp. 47 - 61, http://australianhumanitiesreview.org/2019/05/27/poetry-law-and-the-news-re-reading-the-australian-constitution/
,2019, 'no trouble here: : On Sally M. Nangala Mulda’s “Town Camp Anywhere”', Running Dog, https://rundog.art/no-trouble-here-sally-m-nangala-mulda/
,2019, 'Rifles or Ruffles', The Lifted Brow, 44, pp. 79 - 84, https://www.theliftedbrow.com/liftedbrow/2019/11/29/ruffles-or-rifles-by-astrid-lorange-and-andrew-brooks
,2018, 'Teaching Post-Pornography', Cultural Studies Review, 24, pp. 137 - 149, http://dx.doi.org/10.5130/csr.v24i1.5303
,2017, 'On paranoia and conspiracy: Recent art from Western Australia', Artlink: Australian contemporary art quarterly, 37, pp. 58 - 63
,2017, 'Gossip and its Minor Discourses', Discipline, 4.5, pp. 35 - 50
,2017, 'Review: The National: New Australian Work', Art and Australia, http://www.artandaustralia.com/online/discursions/national-new-australian-art
,2017, 'Creativity and the Lyric Address', TEXT Journal, http://www.textjournal.com.au/speciss/issue40/Lorange.pdf
,2015, 'Review of 24 Frames Per Second', Artlink: Australian contemporary art quarterly, 35, https://www.artlink.com.au/articles/4372/24-frames-per-second/
,2015, 'Review: Barrett, Estelle and Bolt, Barbara, Carnal Knowledge: Towards a ‘New Materialism’ through the arts', Somatechnics, 4, pp. 194 - 196, http://dx.doi.org/10.3366/soma.2014.0123
,Conference Posters
(eds.), 2014, 'Non-directive Feedback Loop', UNSW, pp. 35 - 36, presented at Moving Feedback Forward: Innovation and Opportunity, UNSW, 09 May 2014 - 09 May 2014
,Conference Presentations
2016, 'A Poetics of Computation: critical approaches to reading and writing with data', presented at Electronic Visualisation and the Arts Australasia, University of Canberra, Canberra, Australia, 05 March 2016 - 06 March 2016
,Curatorial Outputs
2020, Endless Study, Infinite Debt: Protocols for listening in (and after) social isolation, exhibited at: Online - Liquid Architecture, 26 May 2020 - 14 June 2020, https://snacksyndicate.net/protocols/
,2018, Infrastructural Inequalities Exhibition and Public Program, exhibited at: Artspace, Woolloomooloo, 27 September 2018 - 07 October 2018, https://www.artspace.org.au/program/public-programs/2018/infrastructural-inequalities-public-program/
,2016, Hell Broth, exhibited at: Firstdraft, Woolloomooloo, 04 February 2016 - 26 February 2016, Hell Broth, http://firstdraft.org.au/exhibitions/hellbroth/
,Creative Written Works
2021, Abolition is a Verb, https://infrastructuralinequalities.net/issue-2/abolition-is-a-verb/
,2021, Cyprien Gaillard, Julia Stoschek Collection
,2020, Sentences, Paragraphs, Essays, Poems, Sydney Review of Books, Sydney Review of Books, https://sydneyreviewofbooks.com/review/diana-hamilton-trisha-low/
,2020, Labour and Other Poems, Cordite Books, https://corditebooks.org.au/products/labour-and-other-poems
,2019, ‘The Comfort Zone’s the Enemy of the Spirit, Jack!’: An Interview with Uncle Jimmy Smith, https://infrastructuralinequalities.net/issue-1/the-comfort-zones-the-enemy-of-the-spirit-jack-an-interview-with-uncle-jimmy-smith/
,2019, ‘We All Live in Colonised Time’: An Interview with Dean Cross, https://infrastructuralinequalities.net/issue-1/we-all-live-in-colonised-time-an-interview-with-dean-cross/
,2018, Autumn/Winter
,2018, Forging the Declaration, Sydney Review of Books, Menzies C, (ed.), Sydney Review of Books, https://sydneyreviewofbooks.com/forging-the-declaration-vincent-namatjira/
,2018, Warm Ties, Running Dog, https://rundog.art/warm-ties-helen-johnson/
,2017, Doughnut, The Lifted Brow, The Lifted Brow, https://www.theliftedbrow.com/liftedbrow/2018/2/4/doughnut-by-justin-clemens-astrid-lorange
,2017, Chemical Collapse, Chemical Collapse, Melick T, (ed.), Slug, http://www.slug.directory/1-chemical-collapse-astrid-lorange/
,2016, Reading Paintings and Poems, Blackbox Manifold, http://www.manifold.group.shef.ac.uk/issue16/AstridLorangeEssayBM16.pdf
,2016, On Transmission Detox, On Transmission Detox, Museum of Contemporary Art, https://www.mca.com.au/artists-and-works/artist-commissions/marian-tubbs-transmission-detox-2015/transmission-detox-astrid-lorange/
,2015, Techniques Against Optimism, Westpace Journal, Westspace
,2014, On Language as Material, On Language as Material, dasSUPERPAPER
,2014, Pathetic Tower, Pathetic Tower, Make Now Press
,2014, FOOD TURNS INTO BLOOD, FOOD TURNS INTO BLOOD, Gauss-PDF
,2014, Embarrassment, Glitch, Poetry, Embarrassment, Glitch, Poetry, dasSUPERPAPER
,2013, One That Made It Alike, One That Made It Alike, Vagabond Press
,Recorded / Rendered Creative Works
2021, Ghosts, Sydney Review of Books, Sydney, Published: 09 August 2021, Recorded / Rendered Creative Works, https://sydneyreviewofbooks.com/essay/snack-syndicate-ghosts/
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