By Associate Professor Bryoni Alison Trezise

Journal articles

Wake C; Trezise BA, 2009, 'Introduction to After Effects: Performing the Ends of Memory', Performance Paradigm, 5, http://www.performanceparadigm.net/journal/issue-51/articles/introduction-after-effects-performing-the-ends-of-memory/

Trezise BA; Wake C, 2009, 'On the Ethics of Non-Disclosure: a Roundtable with Urban Theatre Projects and Collaborators', Performance Paradigm, 5, pp. n/a - n/a, http://www.performanceparadigm.net/journal/issue-52/interview/on-the-ethics-of-non-disclosure-a-roundtable-with-urban-theatre-projects-and-collaborators/

Trezise BA, 2008, 'Ambivalent Apparitions: The Pop-Psychic Art of TV Medium John Edward', Performance Research, 13, pp. 100 - 110

Trezise BA, 2008, 'Living History Museums: Undoing History Through Performance', Theatre Journal, 60, pp. 677 - 678

Trezise BA, 2008, 'Recovering Memories: Versions of a Misreremembered Australian Body', Australian Feminist Law Journal, 29, pp. 155 - 175

Trezise BA, 2008, 'The Red Velvet Seat', Amateur Filmmaking. The Home, The Archive, The Web., 49, pp. 507 - 510

Trezise BA, 2008, 'The Red Velvet Seat: Women`s Writing on the First Fifty Years of Cinema', Amateur Filmmaking. The Home, The Archive, The Web., 49, pp. 507 - 510

Media

Trezise B; Farrell C; White M; Talamo A, 2025, How to Play in Slow Time: Creativity, Pedagogy, Process, http://dx.doi.org/10.6084/m9.figshare.28418735

Trezise B, 2020, Creativity: The expert position of not knowing, https://newsroom.unsw.edu.au/creativity-expert-position-not-knowing

Trezise B, 2020, Why creative education is vital for our post-COVID future, https://www.canberratimes.com.au/story/6764510/why-creative-education-is-vital-for-our-post-covid-future/

Trezise B, 2020, How children going viral is shaping our world, https://blog.oup.com/2020/05/how-children-going-viral-is-shaping-our-world/

Trezise B, 2020, The Value of Creative Play, https://www.abc.net.au/radio/sydney/programs/evenings/evenings/12155788

Trezise B, 2020, The value of play and creativity in isolation, https://www.unsw.edu.au/newsroom/news/2020/04/the-value-of-play-and-creativity-in-isolation

Trezise B, 2019, The Shadow Whose Prey the Hunter Becomes review: Back to Back Theatre’s exciting reframing of disability, https://theconversation.com/the-shadow-whose-prey-the-hunter-becomes-review-back-to-back-theatres-exciting-reframing-of-disability-124003

Trezise B, 2019, In Suzie Miller’s Prima Facie, theatre finds a voice of reckoning on sexual assault and the law, https://theconversation.com/in-suzie-millers-prima-facie-theatre-finds-a-voice-of-reckoning-on-sexual-assault-and-the-law-117588

Trezise B, 2018, Wayne Blair as Jeremy and Jada Alberts as Simone in Sydney Theatre Company’s Production of The Long Forgotten Dream. © Heidrun Lohr The Long Forgotten Dream raises uneasy questions about performance and colonisation, https://theconversation.com/the-long-forgotten-dream-raises-uneasy-questions-about-performance-and-colonisation-100823

Trezise B, 2018, The Town Hall Affair brings Germaine Greer’s 1970s feminist debate roaring into the present, https://theconversation.com/the-town-hall-affair-brings-germaine-greers-1970s-feminist-debate-roaring-into-the-present-89236

Trezise B, 2017, Mr Burns: post-apocalyptic Simpsons musical shows theatre’s future is dazzling, https://theconversation.com/mr-burns-post-apocalyptic-simpsons-musical-shows-theatres-future-is-dazzling-77951

Trezise B, 2016, ‘A wise man’s art’: Twelfth Night and cross-mobility casting, https://theconversation.com/a-wise-mans-art-twelfth-night-and-cross-mobility-casting-63321

Other

Trezise B; Wake C; Gray N, 2026, Australian Creative Histories and Futures, Submission to 2026 National Research Infrastructure Roadmap Consultations, Department of Education, https://www.education.gov.au/system/files/2025-10/211_Roadmap%20Survey_Australian%20Creative%20Histories%20and%20Futures.pdf

Trezise BA, 2016, 'Entertaining Children: The Participation of Youth in the Entertainment Industry' [Book review], Theatre Research International 41.3 (October 2016), pp. 277-278, Cambridge University Press (CUP): HSS Journals - No Cambridge Open, http://dx.doi.org/10.1017/S0307883316000456

Trezise BA, 2016, Entertaining Children: The Participation of Youth in the Entertainment Industry [Book Review], Cambridge University Press (CUP): HSS Journals - No Cambridge Open, http://dx.doi.org/10.1017/S0307883316000456

Trezise BA, 2010, Book review. Theatre & series, edited by Jen Harvie and Dan Rebellato

Trezise BA, 2008, The Theatre of Societas Raffaello Sanzio [Book Review], http://search.informit.com.au/documentSummary;dn=792584418967423;res=IELHSS

Trezise BA, 2008, Book review. Living History Museums: Undoing History Through Performance

Trezise BA, 2008, Book review. The Red Velvet Seat: Women`s Writing on the First Fifty Years of Cinema

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