By Associate Professor Fiona Morrison

Books

Morrison F, 2019, Christina Stead and the Matter of America, University of Sydney Press, Sydney, http://dx.doi.org/10.2307/j.ctvscxs57

, 2011, Selected Prose of Dorothy Hewett, Morrison , (ed.), University of Western Australia Press, Perth

Morrison ; Parker M, 2006, Masters in Pieces: The English Canon for the Twenty-first century, Cambridge University Press, Melbourne

, 2003, The Little Hotel, Morrison ; Harris M, (ed.), Richmond (ETT), Sydney

Book Chapters

Morrison F; Rooney B, 2024, 'Introduction: Time, Tide and History', in Morrison F; Rooney B (ed.), Time, Tide and History: Eleanor Dark's Fiction, Sydney University Press, Sydney, pp. 1 - 20

Morrison F, 2024, 'Scales of Relation: Eleanor Dark's Waterway, the Aquatic Pastoral and Communal Mourning', in Morrison F; Rooney B (ed.), Time, Tide and History: Eleanor Dark's Fiction, Sydney University Press, Sydney, pp. 159 - 178, https://www.jstor.org/stable/jj.15454034.13

Morrison F, 2023, 'Henry Handel Richardson, Christina Stead and the Transnational Novel of Provincial Development.', in Carter D (ed.), The Cambridge History of the Australian Novel, Cambridge University Press, New York, pp. 218 - 235

Morrison F, 2023, '’Rich and Strange’: Christina Stead and the Australian Transnational Novel', in Birns N (ed.), The Cambridge Companion to the Australian Novel, Cambridge Universtiy Press, New York

Morrison F, 2014, '““This Intricate Lasting Nature”: Passage, Pastoral Elegy and the Pedagogy of Loss in Shirley Hazzard’s The Evening of the Holiday.”', in Olubas B (ed.), Shirley Hazzard: new critical essays, University of Sydney Press, Sydney, pp. 13 - 23, https://sup-estore.sydney.edu.au/jspcart/cart/Product.jsp?nID=958&nCategoryID=1

Morrison F, 2014, '“Bursting with Voice and Doubleness: Vernacular presence and visions of inclusiveness in Tim Winton’s Cloudstreet.”', in McCredden L; O'Reilly N (ed.), Tim Winton: Critical Essays., UWAP, Nedlands, pp. 49 - 74, http://uwap.uwa.edu.au/products/tim-winton-critical-essays

Morrison , 2012, '‘The American Introduction: Perfect Readers, Unread Books and Christina Stead’s The Man Who Loved Children.', in Kirkpatrick P (ed.), Republics of Letters: Literary Communities in Australia, University of Sydney Press, Sydney, pp. 127 - 136, http://fmx01.ucc.usyd.edu.au/jspcart/cart/Product.jsp?nID=655&nCategoryID=30

Morrison F, 2011, 'Introduction', in Selected Prose of Dorothy Hewett, University of Western Australia Press, Nedlands, pp. 2 - 28

Morrison , 2010, 'The Rhetoric of Sensation: Austen, Bronte and the Gothic Romance.', in Scoping the syllabus : papers from the English Association English Teachers Conference 2010, English Association, Sydney, pp. 107 - 116

Morrison , 2008, 'To Have Loved and Lost: Life Writing and the Rhetoric of Consolation', in New Directions, English Association Sydney, Sydney, pp. 110 - 121

Morrison F, 2003, 'Introduction', in Morrison F (ed.), The Little Hotel. By Christina Stead., Richmond, Sydney, pp. ix - xiv

Morrison , 2000, '“’The Cruel Book’: Political Satire and the Female Satirist in I'm Dying Laughing.”', in Harris M (ed.), The Magic Phrase: Critical Essays on Christina Stead. Rpt. in Twentieth-Century Literary Criticism. Ed. Lawrence J. Trudeau. Vol. 244. Detroit: Gale, 2011. 183-192. Print., University of Queensland Press, St Lucia, pp. 224 - 240

Edited Books

Morrison F; Rooney B, (ed.), 2024, Time Tide and History: Eleanor Dark's Fiction, Sydney University press, Sydney

Journal articles

Morrison F, 2021, '"'Deep Digging': Henry Handel Richardson, Transnational Allegory and the Unsettled Epic', Affirmations: of the modern, 7, pp. 72 - 83, https://affirmationsmodern.com/

Morrison F, 2018, 'The Antiphonal Time of Violence in Leah Purcell's' The Drover's Wife', Southerly: a review of Australian literature, 78, pp. 173 - 191, https://search.informit.com.au/documentSummary;dn=422638758895079;res=IELLCC

Morrison F, 2017, '“A transfiguration of my local patriotism”: Christina Stead, the figure of oceanic totality and ‘A Night on the Indian Ocean’.', Westerly, 2, pp. 87 - 100, https://westerlymag.com.au/issues/62-2/

Morrison F, 2016, '‘A Vermeer in the Hayloft’: Christina Stead, Unjust Neglect and Transnational Improprieties of Place and Kind', Australian Literary Studies, http://dx.doi.org/10.20314/als.a746944c30

Morrison F; Rooney, B, 2016, 'Introduction "Rediscovering Christina Stead"', Australian Literary Studies

Morrison F, 2014, '“‘Foxy Lady’: Radical Chic and Rhetorical Markets in Christina Stead’s Letty Fox: Her Luck.”', Antipodes: A Global Journal of Australian/New Zealand Literature, 27, pp. 111 - 122

Morrison F, 2013, '“Modernist/Provincial/Pacific: Christina Stead, Katherine Mansfield and the Expatriate Hometown.”', JASAL Special Issue: The Colonies, 13, http://www.nla.gov.au/openpublish/index.php/jasal/article/view/2897

Morrison F, 2012, 'Nine Lives: Postwar Women Writers Making their Mark', AUSTRALIAN FEMINIST STUDIES, 27, pp. 225 - 227, http://dx.doi.org/10.1080/08164649.2012.683385

Morrison , 2012, 'Leaving the Party: Dorothy Hewett, Literary Politics and the Long 1960s', Southerly, 72, pp. 36 - 50, http://search.informit.com.au/documentSummary;dn=787139479570750;res=IELLCC

Morrison , 2011, 'I must have a mask to hide behind’: Signature, Imposture and Henry Handel Richardson.', Journal of the Association for the Study of Australian Literature (JASAL). Rpt in Twentieth-Century Literary Criticism. Ed. Lawrence J. Trudeau. Vol. 327. Detroit: Gale, Cengage Learning, 2016. Prod. Layman Poupard. 219-322. Print., Archive Madness, pp. 1 - 12

Morrison , 2010, 'The Quality of ‘Life’: Dorothy Hewett’s Literary Criticism.', Journal of the Association for the Study of Australian Literature (JASAL), Common Readers and Cultural Critics, pp. 1 - 10

Morrison , 2009, 'The Elided Middle: Christina Stead’s For Love Alone and the Colonial Voyage In.', Southerly, 69, pp. 155 - 174

Morrison , 2001, '“On Foreign Ground: Expatriate Masculinity and the Unhomely Woman in Henry Handel Richardson’s Maurice Guest.” Rpt in Twentieth-Century Literary Criticism. Ed. Lawrence J. Trudeau. Vol. 327. Detroit: Gale, Cengage Learning, 2016. Prod. Layman Poupard. 219-322. Print.', Southerly, 61, pp. 64 - 79

Morrison , 1999, '“Figures of the Many and the One: Gender, Genre and Narrative Structure in Tim Winton's Cloudstreet.”', Sydney Studies in English, 25, pp. 133 - 155

Conference Papers

Morrison , 2001, '“Anglo-Celtic Elegy: Reading the Cultural Hyphen.”', in Origins and Revivals, Centre for Celtic Studies, Sydney, Sydney, pp. 457 - 470

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