ORCID as entered in ROS
https://orcid.org/0000-0003-0594-8725
Select Publications
Books
, 2024, The Hydrocene: Eco-Aesthetics in the Age of Water, Routledge, London, UK, http://dx.doi.org/10.4324/9781003397304
Book Chapters
, 2024, 'hydro(s)cenic glossary of sardina pilchardus, hydrofeminism, and puddles (suspended) in the hydrocommons', in Riga E (ed.), Office of Hydrocommons, The Office of Hydrocommons, Athens, Greece, pp. 14 - 19, https://officeofhydrocommons.com/
, 2022, 'Between us a forest: a series of contaminated letters', in PUBLIC MEMORY, PUBLIC ART Reflections on Monuments and Memorial Art Today, Public Art Agency Sweden, Stockholm, Sweden, pp. 136 - 141, https://artandtheory.org/products/public-memory-public-art-reflections-on-monuments-and-memorial-art-today
, 2022, 'Fritto Misto (or Cannibalism in Venice and how to Ingest Wet Geographies)', in Venice and the Anthropocene. An Ecocritical Guide, Wetlands Books, Venice, Italy, pp. 95 - 100, https://wetlandsbooks.com/it/catalogo/barene/venice-and-the-anthropocene
, 2021, 'Erotics of the Swamp', in Trophy: Signe Johanessen, Ystads konstmuseum, Ystads, Sweden, pp. 11 - 44
Journal articles
, 2024, 'The Hydrocene as disruptive, embodied, conceptual epoch', European Alternatives Journal, pp. 28 - 28, https://euroalter.com/journal/
, 2024, 'Att kelpa tillsammans (Kelping Together)', Ord & Bild, pp. 51 - 55, https://www.tidskriftenordobild.se/ordoblogg/category/ordampbild-3-4-2024-vatten
, 2023, 'Misty Bodies of Water and Artistic Relationality in the Hydrocene', Oceania, 93, pp. 335 - 343, http://dx.doi.org/10.1002/ocea.5382
, 2022, 'Waves as a hydro-choreographic material in the hydrocene', Maska, 37, pp. 78 - 86, http://dx.doi.org/10.1386/maska_00131_1
, 2021, 'Revealing the Hydrocene: Reflections on Watery Research', Przegląd Kulturoznawczy, 2021, pp. 431 - 445, http://dx.doi.org/10.4467/20843860pk.21.031.14351
Conference Papers
, 2022, 'Collective Brewing: Imbuing a wet methodology of educator-practice', Online, presented at
, 2019, 'Precipitational Learning in the Hydrocene', in Precipitational Learning Practices: Watery thinking towards cultivating 'response-ability' between art and the climate crisis, ACUADS, University of Melbourne, RMIT Melbourne, presented at
Conference Presentations
, 2024, 'hydro(s)cenic glossary of sardinops sagax (australian sardines), megaptera novaeangliae (humpback whales) and macrocystis pyrifera (giant kelp) adrift in the (hydro)commons', presented at AAANZ (Art Association of Australia and New Zealand) 2024 Conference, ANU, Canberra, 04 December 2024 - 06 December 2024, https://aaanz.info/aaanz-home/conferences/2024-conference-australian-national-university/
, 2023, 'The Blue Turn in Contemporary Art', presented at AAANZ (Art Association of Australia and New Zealand) Conference 2023, Gold Coast, Griffith University, 06 December 2023 - 08 December 2023, https://aaanz.info/aaanz-home/conferences/2023-conference-griffith-university/
, 2023, 'Soaking in the Hydrocene as disruptive epoch', presented at Deep Sea Babies: Navigating between Dystopias and Utopias for the Blue Planet, Krakow, Poland, 13 April 2023 - 15 April 2023, https://ocean-archive.org/collection/375
, 2022, 'The seismograph and the sniffer dog feel their feelings', presented at Nature Feelz: Perspectives and reflections on ecological emotions, Sydney Environment Institute, University of Sydney, 05 December 2022 - 08 December 2022, https://www.sydney.edu.au/sydney-environment-institute/events/past-events/2022/december/nature-feelz--perspectives-and-reflections-on-ecological-emotion.html
, 2022, 'More-than-humans as artistic collaborators in the Hydrocene', presented at Streams Environmental Humanities Conference, Stockholm, Sweden, 03 August 2022 - 06 August 2022, https://www.meetstreams.com/schedule/
Curatorial Outputs
, 2024, Relational Ecologies, exhibited at: Australian Centre for Contemporary Art (ACCA) Melbourne/Narrm,, 06 December 2024 - 16 March 2025, https://acca.melbourne/cacp-relational-recologies-intensive/
, 2024, Deeptime Coastline: walking series, exhibited at: Various sites across the Illawarra, 12 October 2024 - 20 October 2024, https://www.artdesign.unsw.edu.au/unsw-galleries/bianca-hester-lithic-bodies
, 2024, Curator of Lithic Bodies, exhibited at: UNSW Galleries, Sydney and Clifton School of Art, Wollongong, 27 September 2024 - 24 November 2024, https://www.artdesign.unsw.edu.au/unsw-galleries/bianca-hester-lithic-bodies
, 2022, A precipitational score to carry you between the art school and the gallery , exhibited at: Sydney, 22 March 2022 - 13 June 2022, Biennale of Sydney, https://www.biennaleofsydney.art/wp-content/uploads/2021/11/Bronwyn_BaileyCharteris.pdf
Theses / Dissertations
, 2023, The Hydrocene: Curatorial theory of the confluence of art, water and the climate crisis in eco-aesthetics, UNSW, http://dx.doi.org/10.26190/unsworks/24922
Creative Written Works
, 2024, vessels for imminence or what to carry and when, Curatorial essay, Australian Centre for Contemporary Art (ACCA), https://content.acca.melbourne/uploads/2024/12/The-Charge-That-Binds-Essay.pdf
, 2024, Situations For Long Views: Diana Baker Smith And The Archive As Affinity, Art and Australia, https://artandaustralia.com/59_2/p273/situations-for-long-views-diana-baker-smith-and-the-archive-as-affinity
, 2024, all the heres and nows brought into relief traversing stratigraphic integrity and transversal planes, UNSW Galleries, https://www.artdesign.unsw.edu.au/unsw-galleries/bianca-hester-lithic-bodies
, 2024, adrift in surrealist matrilineal tides: the new monuments of Christopher Bassi, Ames Yavuz Gallery, https://amesyavuz.com/exhibitions/new-monument/
, 2022, I’m raining in your lungs: A precipitational score for the Hydrocene, https://klima-magazine.com/en/issues/liquid-futures
, 2020, The Tracing Tentacles of Rosana Antolí, Centro Centro, https://www.centrocentro.org/en/exhibition/golden-age-pulse-throb-drift
, 2019, Beginning to erode some thoughts on hydrofeminism in Venice, C-Print, https://www.c-print.se/post/beginning-to-erode-some-thoughts-on-hydrofeminism-in-venice
Creative Works (non-textual)
, 2024, Lithic Bodies (Illawarra iteration), Lithic Bodies (Illawarra iteration), Clifton School of Arts, Clifton, 12 October 2024 - 27 October 2024, medium: Mixed media installation, at: https://www.biancahester.com/projects/lithic-bodies
, 2024, A scatter of particles in the geologic strata adjacent to the dead-zone, 252 million years, Lithic Bodies, UNSW galleries, 27 September 2024 - 24 November 2024, medium: Photographic print on laminated glass, galvanised steel, rubber, at: https://www.artdesign.unsw.edu.au/unsw-galleries/bianca-hester-lithic-bodies
, 2024, Carbon afterlives, Lithic Bodies, UNSW galleries, 27 September 2024 - 24 November 2024, medium: Bronze sculpture, seawater, at: https://www.artdesign.unsw.edu.au/unsw-galleries/bianca-hester-lithic-bodies
, 2024, Extinction Lines, Lithic Bodies, UNSW Galleries, 27 September 2024 - 24 November 2024, medium: Video installation, at: https://www.artdesign.unsw.edu.au/unsw-galleries/bianca-hester-lithic-bodies
, 2024, Fragments of plant life from both sides of the extinction boundary, summoned by the ground, Lithic Bodies, UNSW galleries, 27 September 2024 - 24 November 2024, medium: Patinated bronze with surface impressions of plant life from geologic periods including the Permian, Triassic, and Holocene, galvanised steel, neodymium magnets, blast furnace rubble, at: https://www.artdesign.unsw.edu.au/unsw-galleries/bianca-hester-lithic-bodies
, 2024, Lithic Bodies, Lithic Bodies, UNSW galleries, 27 September 2024 - 24 November 2024, medium: Mixed media installation, at: https://www.artdesign.unsw.edu.au/unsw-galleries/bianca-hester-lithic-bodies
, 2024, Lithic Bodies, Lithic Bodies, UNSW Galleries, 27 September 2024 - 24 November 2024, medium: Video, sculpture, screenprint, photography, walking, at: https://www.artdesign.unsw.edu.au/unsw-galleries/bianca-hester-lithic-bodies
, 2024, Ongoing archive of residues and material afterlives, Lithic Bodies, UNSW Galleries, 27 September 2024 - 24 November 2024, medium: Photography, installation, at: https://www.artdesign.unsw.edu.au/unsw-galleries/bianca-hester-lithic-bodies
, 2024, Registering survival at 252 million years in Gondwana, Lithic Bodies, UNSW Galleries, 27 September 2024 - 24 November 2024, medium: Screenprint, at: https://www.artdesign.unsw.edu.au/unsw-galleries/bianca-hester-lithic-bodies
, 2024, Replaced particle for particle through water’s unrelenting movement towards the lowest reaches of the ground, Lithic Bodies, UNSW Galleries, 27 September 2024 - 24 November 2024, medium: Polymerised gypsum, reclaimed granulated blast furnace aggregate, sand, scrim, galvanised mesh, at: https://www.artdesign.unsw.edu.au/unsw-galleries/bianca-hester-lithic-bodies
, 2024, Strata, Lithic Bodies, UNSW galleries, 27 September 2024 - 24 November 2024, medium: Screenprint installation (22 screen prints, galvanised steel shelving), at: https://www.artdesign.unsw.edu.au/unsw-galleries/bianca-hester-lithic-bodies
Other
, 2024, Deeptime Coastline: Public Symposium, Clifton School of Arts, https://www.biancahester.com/projects/lithic-bodies
, 2023, Memo Review: Shelley Lasica, When I Am Not There, Memo Review, https://www.memoreview.net/reviews/shelley-lasica-when-i-am-not-there-by-bronwyn-bailey-charteris
, 2023, A Parliament Of Eyes: The National 4 In Review, Melbourne, Australia, https://artandaustralia.com/58_1/review-the-national-4.html
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https://orcid.org/0000-0003-0594-8725