By Dr Charlotte Farrell

Books

Trezise B; Farrell C; Tálamo A; White M, 2025, How to Play in Slow Time Creativity, Pedagogy, Process

Farrell C, 2021, Barrie Kosky on the Contemporary Australian Stage: Affect, Post-Tragedy, Emergency, http://dx.doi.org/10.4324/9780367809058

Book Chapters

Farrell C, 2021, 'Dramaturgies of Repetition and the Denial of Catharsis: Traumatic Breaking Points in Barrie Kosky’s Approach to Character', in Barrie Kosky’s Transnational Theatres, Springer Nature, pp. 105 - 122, http://dx.doi.org/10.1007/978-3-030-75028-2_5

Farrell C, 2016, 'Anarchiving the Curriculum', in The Go-To How-To Book of Anarchiving, Lulu.com, http://hdl.handle.net/1959.4/unsworks_44048

Farrell C, 2015, 'Moved to tears: Performance, affect, becoming, emergency', in Corporeality and Culture Bodies in Movement, pp. 21 - 34

Journal articles

Farrell C; Hay C, 2025, 'Belvoir Beyond the Boys' Club: Data Feminism and Australian Theatre', Australiasian Drama Studies, pp. 231 - 263, https://www.adsa.edu.au/dbpage.php?pg=view&dbase=newsletters&id=87#section_1353

Farrell C, 2024, 'Playing Dead: The Post-Tragic Impact of Child Actors in Simon Stone’s (2020) and Anne-Louise Sarks and Kate Mulvany’s (2012) Medea', Contemporary Theatre Review, 34, pp. 48 - 65, http://dx.doi.org/10.1080/10486801.2024.2316800

Farrell C, 2018, 'Trembling Specters: Barrie Kosky's Women of Troy as Post-Tragedy', Journal of Dramatic Theory and Criticism, 32, pp. 105 - 116, http://dx.doi.org/10.1353/dtc.2018.0008

Farrell C, 2015, 'Intimacy Across Visceral and Digital Performance', SOMATECHNICS, 5, pp. 105 - 108, http://dx.doi.org/10.3366/soma.2015.0151

Farrell, C ; Buck, H , 2014, 'Transduction: Refilming in the SAT Dome', Archée, périodique électronique, http://archee.qc.ca/ar.php?page=article&no=452

Farrell C, 2012, 'Barrie Kosky's The Lost Echo: Rethinking Tragic Catharsis through Affective Emergenc(e)y.', Peripeti, pp. 67 - 76

Farrell C, 2011, 'When Blood and Bones Cry Out: Journeys through the Soundscape of Healing and Reconciliation', MEDIA INTERNATIONAL AUSTRALIA, pp. 164 - 165, https://www.webofscience.com/api/gateway?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000298773700024&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1

Performances (Music, Theatre, Dance)

Farrell C; Gibson EM; Somasundaram N; Nassi I; Holloway M; Paul B; Gibson T, 2026, White Bay Power Station; Sydney, Publication: Workers' Wives, Performances (Music, Theatre, Dance), https://www.biennaleofsydney.art/events/working-memory-workers-wives/

Farrell C; Gibson E-M, 2023, Old Fitz Theatre, Publication: A Midsummer Night's Cream, Performances (Music, Theatre, Dance), https://www.redlineproductions.com.au/a-midsummer-nights-cream

Farrell C; Spence V, 2022, Performance Space, Sydney, Publication: Roundup, Performances (Music, Theatre, Dance), https://performancespace.com.au/programs/live-dreams-threshold/

Media

Farrell C, 2026, Mum Club is a necessarily confronting play and a tribute to Blak motherhood, http://dx.doi.org/10.64628/AA.xvwaetmj4

Farrell C, 2026, Queer Art in Churches, JOY Drive, Melbourne, Australia, https://joy.org.au/joydrive/2026/08/27/dr-charlotte-farrell-queer-art-in-churches/

Farrell C, 2026, The Long Global History of Queer Art in Churches, https://www.2ser.com/the-long-global-history-of-queer-art-in-churches

Farrell C, 2026, The Long, Global History of Queer Art in Churches, http://dx.doi.org/10.64628/AA.kf3heshrw

Trezise B; Farrell C; White M; Talamo A, 2025, How to Play in Slow Time: Creativity, Pedagogy, Process, http://dx.doi.org/10.6084/m9.figshare.28418735

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