By Dr Keru Cai

Journal articles

Cai K, 2024, 'Lu Xun’s Heteromodal Realism', Modern Language Quarterly, 85, pp. 253 - 278, http://dx.doi.org/10.1215/00267929-11196151

Keru CAI, 2023, 'The Spatiality of Poverty in Modern Chinese Realism', Comparative Literature, 75, pp. 327 - 347, http://dx.doi.org/10.1215/00104124-10475445

Cai K, 2022, 'The Proximity Effect: Agency and Isolation in Eileen Chang's "Love in a Fallen City"', Concentric Literary and Cultural Studies, 48, pp. 59 - 84, http://dx.doi.org/10.6240/concentric.lit.202203_48(1).0003

Cai K, 2022, 'Maxim Gorky in china: 1920s Commentary and Shen Congwen’s "Three Men and One Woman"', CLEAR: Chinese Literature, Essays, Articles, and Reviews

Cai K, 2020, 'Looking, reading, and intertextuality in Ding Ling’s “shafei nüshi de riji” 莎菲女士的日記 (miss sophia’s diary)', Prism, 17, pp. 298 - 325, http://dx.doi.org/10.1215/25783491-8690404

Cai K, 2020, 'The Temporality of Poverty: Realism in Lao She's Camel Xiangzi', Modern Chinese Literature and Culture, 32, pp. 1 - 36, http://dx.doi.org/10.3366/mclc.2020.0003

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