By Dr Liza-Mare Syron

Journal articles

Syron LM, 2025, 'Weapons of conflict and friendship: the gumayi and yilimung in The Visitors by Jane Harrison', Studies in Theatre and Performance, 45, pp. 275 - 284, http://dx.doi.org/10.1080/14682761.2025.2525665

Bednarek M; Syron LM, 2023, 'Functions of dialogue in (television) drama: A case study of Indigenous-authored television narratives', Language and Literature, 32, pp. 3 - 27, http://dx.doi.org/10.1177/09639470221096601

Bollen J; Campbell A; Syron L-M, 2022, 'EDITORIAL: QUEER PERFORMANCE', AUSTRALASIAN DRAMA STUDIES, pp. 1 - 10, https://www.webofscience.com/api/gateway?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000923936100001&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1

Bollen J; Campbell A; Syron LM, 2022, 'EDITORIAL: QUEER PERFORMANCE', Australasian Drama Studies, 2022, pp. 1 - 10

Syron L-M, 2022, 'Koori Gras: A radical celebration of sparkling defiance', Australasian Drama Studies, pp. 11 - 11, https://www.adsa.edu.au/adsjournal

Syron L-M, 2021, 'Performing Indigenous Identities on the Contemporary Australian Stage', Theatre Research International, 46, pp. 102 - 103, http://dx.doi.org/10.1017/s0307883320000681

Hyland N; Syron L-M; Casey M, 2018, 'TURANGAWAEWAE: A PLACE TO STAND IN CONTEMPORARY INDIGENOUS PERFORMANCE IN AUSTRALASIA AND BEYOND', AUSTRALASIAN DRAMA STUDIES, pp. 1 - 16

Syron L-M, 2014, '’Catching Australian Theatre in the 2000s’ and ’Coranderrk: we will show country’', Journal of Australian Studies, 38, pp. 515 - 517, http://dx.doi.org/10.1080/14443058.2014.957754

Syron L-M, 2014, 'Scrapbooks, snapshots and memorabilia: hidden archives of performance', Performance paradigm, 10, pp. 119 - 121

Dwyer P; Syron L-M, 2009, 'Protocols of engagement: ’community cultural development’ encounters an urban Aboriginal experience', About performance, playing politics, pp. 169 - 191

Syron L-M, 2008, '’The Bennelong complex’: critical perspectives on Contemporary Indigenous Theatre and performance practice and the cross-cultural experience in Australia', Australasian Drama Studies, 53, pp. 74 - 83

Casey M; Syron L-M, 2005, 'The Challenges of benevolence: the role of indigenous actors', Journal of Australian Studies, 29, pp. 97 - 111, http://dx.doi.org/10.1080/14443050509388019

Syron LM, '’Addressing a Great Silence’: Black Diggers and the Aboriginal experience of war', New Theatre Quarterly, 31, pp. 223 - 231, http://dx.doi.org/10.1017/S0266464X15000457

Wilson D; Palmer Williams T; Brown K; Syron L-M, 'Engaging with local First Nations communities through the performing arts', Australasian Drama Studies, 73, pp. 69 - 100

Syron LM; Milne G, 'Indigenous performing arts training in Australia', Australasian Drama Studies, 57, pp. 148 - 162

Syron LM, 'Jane Harrison, Indig-Curious: Who cam play aboriginal roles? Platform paper no. 30 [Sydney: Corrency house, 2012]', Australasian Drama Studies, 61, pp. 190 - 193

Syron LM, 'Training Indigenous actors in Australia', Theatre, Dance and Performance Training, 5, pp. 211 - 215, http://dx.doi.org/10.1080/19443927.2014.910541

Syron L-M, 'Transnational connections: First Nations conversations through making performance', Australasian Drama Studies, pp. 108 - 129

Hyland N; Syron L-M; Casey M, 'Tūrangawaewae: a place to stand in contemporary Indigenous performance in Australasia and beyond', Australasian Drama Studies, 73, pp. 1 - 16

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