ORCID as entered in ROS
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Select Publications
2023, 'Functions of dialogue in (television) drama: A case study of Indigenous-authored television narratives', Language and Literature, 32, pp. 3 - 27, http://dx.doi.org/10.1177/09639470221096601
,2022, 'EDITORIAL: QUEER PERFORMANCE', AUSTRALASIAN DRAMA STUDIES, pp. 1 - 10, https://www.webofscience.com/api/gateway?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000923936100001&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1
,2022, 'EDITORIAL: QUEER PERFORMANCE', Australasian Drama Studies, 2022, pp. 1 - 10
,2022, 'Koori Gras: A radical celebration of sparkling defiance', Australasian Drama Studies, pp. 11 - 11, https://www.adsa.edu.au/adsjournal
,2021, 'Performing Indigenous Identities on the Contemporary Australian Stage. By Susanne Julia Thurow. Abingdon and New York: Routledge, 2020. Pp. 206. AU$201.00 Hb; AU$181.00 eBook.', Theatre Research International, 46, pp. 102 - 103, http://dx.doi.org/10.1017/s0307883320000681
,2014, '’Catching Australian Theatre in the 2000s’ and ’Coranderrk: we will show country’', Journal of Australian Studies, 38, pp. 515 - 517, http://dx.doi.org/10.1080/14443058.2014.957754
,2014, 'Scrapbooks, snapshots and memorabilia: hidden archives of performance', Performance paradigm, 10, pp. 119 - 121
,2009, 'Protocols of engagement: ’community cultural development’ encounters an urban Aboriginal experience', About performance, playing politics, pp. 169 - 191
,2008, '’The Bennelong complex’: critical perspectives on Contemporary Indigenous Theatre and performance practice and the cross-cultural experience in Australia', Australasian Drama Studies, 53, pp. 74 - 83
,2005, 'The Challenges of benevolence: the role of indigenous actors', Journal of Australian Studies, 29, pp. 97 - 111, http://dx.doi.org/10.1080/14443050509388019
,'’Addressing a Great Silence’: Black Diggers and the Aboriginal experience of war', New Theatre Quarterly, 31, pp. 223 - 231, http://dx.doi.org/10.1017/S0266464X15000457
,'Engaging with local First Nations communities through the performing arts', Australasian Drama Studies, 73, pp. 69 - 100
,'Indigenous performing arts training in Australia', Australasian Drama Studies, 57, pp. 148 - 162
,'Jane Harrison, Indig-Curious: Who cam play aboriginal roles? Platform paper no. 30 [Sydney: Corrency house, 2012]', Australasian Drama Studies, 61, pp. 190 - 193
,'Training Indigenous actors in Australia', Theatre, Dance and Performance Training, 5, pp. 211 - 215, http://dx.doi.org/10.1080/19443927.2014.910541
,'Transnational connections: First Nations conversations through making performance', Australasian Drama Studies, pp. 108 - 129
,'Tūrangawaewae: a place to stand in contemporary Indigenous performance in Australasia and beyond', Australasian Drama Studies, 73, pp. 1 - 16
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