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Select Publications
By Dr Neil Todd
Journal articles
, 2008, 'Ocular vestibular evoked myogenic potentials (OVEMPs) in superior canal dehiscence', Clinical Neurophysiology, 119, pp. e23 - e24, http://dx.doi.org/10.1016/j.clinph.2007.10.049
, 2008, 'Ocular vestibular evoked myogenic potentials in superior canal dehiscence', Journal of Neurology Neurosurgery and Psychiatry, 79, pp. 559 - 566, http://dx.doi.org/10.1136/jnnp.2007.126730
, 2008, 'Tuning and sensitivity of the human vestibular system to low-frequency vibration', Neuroscience Letters, 444, pp. 36 - 41
, 2007, 'Estimated source intensity and active space of the American alligator (Alligator Mississippiensis) vocal display', Journal of the Acoustical Society of America, 122, pp. 2906 - 2915, http://dx.doi.org/10.1121/1.2785811
, 2007, 'Ocular vestibular evoked myogenic potentials (OVEMPs) produced by air- and bone-conducted sound', Clinical Neurophysiology, 118, pp. 381 - 390
, 2007, 'Reply to "Embodied Rhythm" by Bruno Repp and "Do Preferred Beat Rate and Entrainment to the Beat Have a Common Origin in Movement?" by Laurel Trainor', Empirical Musicology Review, 2, pp. 110 - 112, http://dx.doi.org/10.18061/1811/28860
, 2007, 'The Contribution of Anthropometric Factors to Individual Differences in the Perception of Rhythm', Empirical Musicology Review, 2, pp. 1 - 13, http://dx.doi.org/10.18061/1811/24478
, 2006, 'When do auditory/visual differences in duration judgements occur?', Quarterly Journal of Experimental Psychology, 59, pp. 1709 - 1724, http://dx.doi.org/10.1080/17470210500314729
, 2006, 'Evidence for near‐field hearing in crocodilian vocal communication: Intensity of the American alligator (Alligator mississippiensis) vocal display', The Journal of the Acoustical Society of America, 119, pp. 3433 - 3433, http://dx.doi.org/10.1121/1.4786896
, 2006, 'Is all hearing cochlear?—revisited (again)', The Journal of the Acoustical Society of America, 119, pp. 3431 - 3432, http://dx.doi.org/10.1121/1.4786893
, 2005, 'Vestibular evoked potentials (VsEPs) produced by acoustic stimulation', Journal of the Neurological Sciences, 238, pp. S338 - S338
, 2005, 'Vestibular-evoked extraocular potentials produced by stimulation with bone-conducted sound', Clinical Neurophysiology, 116, pp. 1938 - 1948
, 2004, 'Towards an auditory account of speech rhythm: Application of a model of the auditory 'primal sketch' to two multi-language corpora', Cognition, 93, pp. 225 - 254, http://dx.doi.org/10.1016/j.cognition.2003.10.012
, 2004, 'Siamang gibbons exceed the saccular threshold: Intensity of the song of Hylobates syndactylus', Journal of the Acoustical Society of America, 115, pp. 3077 - 3080, http://dx.doi.org/10.1121/1.1736273
, 2002, 'Application of a model of the auditory primal sketch to cross‐linguistic differences in speech rhythm: Implications for the acquisition and recognition of speech', The Journal of the Acoustical Society of America, 111, pp. 2456 - 2456, http://dx.doi.org/10.1121/1.4778471
, 2002, 'Detection and representation of rhythm and tempo I: The rhythmogram', The Journal of the Acoustical Society of America, 111, pp. 2447 - 2447, http://dx.doi.org/10.1121/1.4778427
, 2002, 'Detection and representation of rhythm and tempo II: The modulation spectrogram', The Journal of the Acoustical Society of America, 111, pp. 2447 - 2447, http://dx.doi.org/10.1121/1.4778429
, 2002, 'On the perceptual and behavioral significance of saccular acoustic sensitivity', The Journal of the Acoustical Society of America, 111, pp. 2357 - 2357, http://dx.doi.org/10.1121/1.4777922
, 2002, 'A sensorimotor theory of temporal tracking and beat induction', Psychological Research, 66, pp. 26 - 39, http://dx.doi.org/10.1007/s004260100071
, 2001, 'Evidence for a behavioral significance of saccular acoustic sensitivity in humans', Journal of the Acoustical Society of America, 110, pp. 380 - 390, http://dx.doi.org/10.1121/1.1373662
, 2001, 'Reply to “Polarity of click and tone-evoked vestibulocollic reflexes” by J.G. Colebatch and G.M. Halmagyi1 1PII of original articles S0378-5955(00)00242-2.', Hearing Research, 152, pp. 175 - 176, http://dx.doi.org/10.1016/s0378-5955(00)00248-3
, 2000, 'Is hearing all cochlear (revisited)? Frequency tuning and intensity thresholds in acoustically stimulated, myogenic vestibular‐evoked potentials (MVEP)', The Journal of the Acoustical Society of America, 107, pp. 2900 - 2900, http://dx.doi.org/10.1121/1.428792
, 2000, 'A saccular origin of frequency tuning in myogenic vestibular evoked potentials?: implications for human responses to loud sounds', Hearing Research, 141, pp. 180 - 188, http://dx.doi.org/10.1016/S0378-5955(99)00222-1
, 2000, 'Vestibular responses to loud dance music: A physiological basis of the 'rock and roll threshold'?', Journal of the Acoustical Society of America, 107, pp. 496 - 500, http://dx.doi.org/10.1121/1.428317
, 1999, 'A sensory-motor theory of rhythm, time perception and beat induction', International Journal of Phytoremediation, 21, pp. 5 - 28, http://dx.doi.org/10.1076/jnmr.28.1.5.3124
, 1999, 'Motion in music: A neurobiological perspective', Music Perception, 17, pp. 115 - 126, http://dx.doi.org/10.2307/40285814
, 1996, 'Time discrimination and amplitude modulation (AM) detection', The Journal of the Acoustical Society of America, 100, pp. 2752 - 2752, http://dx.doi.org/10.1121/1.416897
, 1996, 'An auditory cortical theory of primitive auditory grouping', Network Computation in Neural Systems, 7, pp. 349 - 356, http://dx.doi.org/10.1088/0954-898X_7_2_016
, 1996, 'Visualization of rhythm, time and metre', Artificial Intelligence Review, 10, pp. 253 - 273, http://dx.doi.org/10.1007/BF00127682
, 1996, 'An auditory cortical theory of primitive auditory grouping.', Network Computation in Neural Systems, 7, pp. 349 - 356, http://dx.doi.org/10.1088/0954-898x/7/2/016
, 1995, 'The kinematics of musical expression', Journal of the Acoustical Society of America, 97, pp. 1940 - 1949, http://dx.doi.org/10.1121/1.412067
, 1994, 'A computational model of prosodic perception', The Journal of the Acoustical Society of America, 95, pp. 2950 - 2950, http://dx.doi.org/10.1121/1.409070
, 1994, 'Rhythmogram analysis of percussion performance', The Journal of the Acoustical Society of America, 95, pp. 2937 - 2937, http://dx.doi.org/10.1121/1.409168
, 1994, 'The Auditory “Primal Sketch”: A Multiscale Model of Rhythmic Grouping', Journal of New Music Research, 23, pp. 25 - 70, http://dx.doi.org/10.1080/09298219408570647
, 1993, 'Segmentation and stress in the rhythmic structure of music and speech: A wavelet model', The Journal of the Acoustical Society of America, 93, pp. 2363 - 2363, http://dx.doi.org/10.1121/1.406181
, 1993, 'Wavelet analysis of rhythm', The Journal of the Acoustical Society of America, 93, pp. 2290 - 2290, http://dx.doi.org/10.1121/1.406529
, 1993, 'Vestibular Feedback in Musical Performance: Response to Somatosensory Feedback in Musical Performance (Edited by Sundberg and Verrillo)', Music Perception, 10, pp. 379 - 382, http://dx.doi.org/10.2307/40285575
, 1992, 'Hierarchical event detection', The Journal of the Acoustical Society of America, 92, pp. 2380 - 2380, http://dx.doi.org/10.1121/1.404803
, 1989, 'A computational model of rubato', Contemporary Music Review, 3, pp. 69 - 88, http://dx.doi.org/10.1080/07494468900640061
, 1989, 'Towards a cognitive theory of expression: The performance and perception of rubato', Contemporary Music Review, 4, pp. 405 - 416, http://dx.doi.org/10.1080/07494468900640451
, 1985, 'A Model of Expressive Timing in Tonal Music', Music Perception, 3, pp. 33 - 57, http://dx.doi.org/10.2307/40285321
, 1985, 'Metre and rhythm in piano playing', Cognition, 20, pp. 61 - 77, http://dx.doi.org/10.1016/0010-0277(85)90005-8
, 1985, 'A MODEL OF EXPRESSIVE TIMING IN TONAL MUSIC + DURATION STRUCTURE AND RUBATO ON THE PIANO', MUSIC PERCEPTION, 3, pp. 33 - 57
, 'Do Humans Possess a Second Sense of Hearing?', AMERICAN SCIENTIST, 103, pp. 46 - 53
, 'VESTIBULAR FEEDBACK IN MUSICAL PERFORMANCE - RESPONSE TO SOMATOSENSORY FEEDBACK IN MUSICAL PERFORMANCE', MUSIC PERCEPTION, 10, pp. 379 - 382
Conference Papers
, 1998, 'A model of auditory image flow I: Architecture', in British Journal of Audiology, pp. 115
, 1998, 'A model of auditory image flow II: Detection of amplitude and frequency modulation', in British Journal of Audiology, pp. 115 - 116
, 1997, 'A sensory-motor theory of rhythm, time perception and beat induction', in JOURNAL OF NEW MUSIC RESEARCH, SWETS ZEITLINGER PUBLISHERS, BELGIUM, UNIV GHENT, GHENT, pp. 5 - 28, presented at Symposium on Foundations of Rhythm Perception, BELGIUM, UNIV GHENT, GHENT, 28 March 1997
, 1996, 'Absolute p-centres and the representation of temporal events: A theory of the auditory cortex II', in British Journal of Audiology, pp. 114
, 1996, 'Auditory streaming and the representation of time: A theory of the auditory cortex. I', in British Journal of Audiology, pp. 144 - 145