By Dr Rachael Ann Swain

Book Chapters

Lo J; Pigram D; Swain R, 2025, 'Performance and Makarrata: Indigenising interculturalism', in Elgar Companion to the Arts and Global Multiculturalism, Edward Elgar Publishing, pp. 307 - 325, http://dx.doi.org/10.4337/9781035310036.00031

Swain R, 2020, 'Cut the Sky—Dramaturgies to Disrupt the Anthropocene', in New World Choreographies, pp. 107 - 146, http://dx.doi.org/10.1007/978-3-030-46551-3_4

Swain R, 2020, 'Gudirr Gudirr—Culturally Situated Neo-Expressionism', in New World Choreographies, pp. 69 - 106, http://dx.doi.org/10.1007/978-3-030-46551-3_3

Swain R, 2020, 'Introduction: Contested Land', in New World Choreographies, pp. 1 - 34, http://dx.doi.org/10.1007/978-3-030-46551-3_1

Swain R, 2020, 'The Dramaturgies of Listening to Country', in New World Choreographies, pp. 35 - 67, http://dx.doi.org/10.1007/978-3-030-46551-3_2

Swain R, 2019, 'Dancing in the Gap', in Routledge Companion to Theatre and Politics, pp. 134 - 138, http://dx.doi.org/10.4324/9780203731055-34

Swain R, 2014, 'Burning daylight: Contemporary indigenous dance, loss and cultural intuition', in Ethics and the Arts, pp. 99 - 112, http://dx.doi.org/10.1007/978-94-017-8816-8_10

Swain R, 2014, 'Time and a Mirror: Towards a Hybrid Dramaturgy for Intercultural-Indigenous Performance', in New Dramaturgy International Perspectives on Theory and Practice, pp. 145 - 163

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