By Dr Rochelle Haley

Journal articles

Haley R, 2018, 'Constructions of the moving body: drawing and dancing', Studies in Theatre and Performance, 38, pp. 289 - 301, http://dx.doi.org/10.1080/14682761.2018.1506966

Haley R, 2017, 'Elastic Perspective: The Diagonal Line and the Production of Deep Space', Drawing: Research, Theory, Practice, 2, pp. 63 - 80, http://dx.doi.org/10.1386/drtp.2.1.63_1

Haley R, 2016, 'Drawing the Immaterial Object of Dance', Studio Research Journal, http://studioresearch.com.au/wp/wp-content/uploads/2016/12/STUDIO-RESEARCH-Issue-4-November-2016.pdf

Haley R, 2015, 'The Aesthetics of Change: Dancing the Line', THE INTERNATIONAL JOURNAL OF THE IMAGE, 6, pp. 1 - 12, http://dx.doi.org/10.18848/2154-8560/CGP/50301

Conference Papers

Haley R, 2015, 'Drawing the Immaterial Object of Dance', in Wright P; Platz W (ed.), Drawing International Brisbane: ego, artefact, arena, Griffith Centre for Creative Arts Research, Queensland College of Art, Griffith University, Brisbane, Australia, pp. 1 - 15, presented at Drawing International Brisbane: ego, artefact, arena, Queensland College of Art, Griffith University, Brisbane, Australia, 30 September 2015 - 02 October 2015, http://www.gccar.com.au/projects/dig/dib-2015/proceedings

Haley R, 2013, 'Redraw', in Almeida P; Duarte M; Barbosa J (eds.), Drawing in the University Today, Research Institute in Art, Design and Society (12ADS) Univeristy of Porto, Faculty of Fine Arts, University of Porto, Portugal, pp. 513 - 514, presented at Drawing in the University Today - International Meeting on Drawing, Image and Research, Faculty of Fine Arts, University of Porto, Portugal, 31 May 2013 - 01 June 2013, http://www.i2ads.org/dut2013/

Conference Presentations

Haley R; Leigh SW, 2018, 'Vicarious Movement: Human-Drone Interactive Painting', presented at ICRA 2018 Robots and Art Program CREATIVE COMPLIANCE, BRISBANE CONVENTION AND EXHIBITION CENTRE, 24 May 2018 - 24 May 2018, http://roboticart.org/icra2018/

Haley R, 2018, 'Watch-Dance-Draw: a practice connecting movement and line', presented at Documents, Alternatives: a symposium of artistic process and practice, Bath School of Art and Design, United Kingdom, 20 April 2018 - 20 April 2018, https://www.eventbrite.com/e/documents-alternatives-a-symposium-of-artistic-process-and-practice-tickets-44219811647?utm_source=eb_email&utm_medium=email&utm_campaign=new_event_email&utm_term=viewmyevent_button

Haley R, 2017, 'Bodies and Spaces: Afterglow, an expanded painting and performance', presented at THE START AND END OF THE BODY, Interchange Festival, Critical Path, Sydney, 10 November 2017 - 12 November 2017, http://criticalpath.org.au/interchange-festival-sunday-12-nov/

Haley R, 2016, 'Constructions of the Moving Body', presented at The Alternative Document, Lincoln Performing Arts Centre University of Lincoln, 12 February 2016 - 13 February 2016, http://eprints.lincoln.ac.uk/20003/6/The%20Alternative%20Document%20Symposium%20Schedule.pdf

Haley R, 2015, 'Elastic Perspective: The Diagonal Line and the Production of Deep Space', presented at Transversal Practices: Matter, Ecology and Relationality VI Conference on New Materialisms, The Victorian College of the Arts, The University of Melbourne, Australia., 27 September 2015 - 29 September 2015, http://www.newmats2015.net/

Haley R, 2014, 'Towards an Aesthetics of Change', presented at Fifth International Conference on the Image, Berlin, Germany, 29 October 2014 - 30 October 2014, http://ontheimage.com/the-conference-2014

Creative Written Works

Spurr S, 2015, Processural Painting and Movement’s Elusive Capture, Haley R, (ed.), Galerie Pompom

Haley R, 2014, A Loose Subjectivity, Australian Centre for Photography, http://www.acp.org.au/index.php/publications/photofiles

Haley R, 2006, Substance Over Surface; Centennial Avenue series by Debra Philips, Australian Centre for Photography, http://www.acp.org.au/index.php/publications/photofiles

Recorded / Rendered Creative Works

Haley R, 2017, Vicarious Movement Testing, Editor(s): Stebs S, Published: 08 November 2017, Recorded / Rendered Creative Works

Haley R, 2016, Patternation: Rochelle Haley in Conversation, Hazelhurst Regional Gallery & Arts Centre, video, Published: 10 January 2016, Duration: 00:02:44, Recorded / Rendered Creative Works, http://www.sutherlandshire.nsw.gov.au/files/assets/website/documents/community/hazelhurst/patternation_ebook_website.pdf

Haley R, 2014, Interview with Rochelle Haley, National Association for the Visual Arts, vimeo, video, Published: 12 June 2014, Duration: 00:04:40, Recorded / Rendered Creative Works, https://visualarts.net.au/vodcasts/2014/rochelle-haley/

Haley R, 2012, Rochelle Haley: Dead Precious, DasPlatforms, DasPlatforms, video, Published: 04 September 2012, Duration: 00:05:09, Recorded / Rendered Creative Works, https://www.youtube.com/watch?v=ofRbjXa5q5Q

Creative Works (non-textual)

Haley R, 2024, Like Nobody's Watching, 52 ACTIONS, Museum & Art Gallery of the Northern Territory , NT, 02 March 2024 - 02 June 2024, medium: cotton drill, calico, cotton thread, dye, ink, pastel, oil stick, charcoal, chalk, conte, magnets, bamboo wadding, feather down, and improvisational performance prompts., at: https://www.magnt.net.au/52-actions

Haley R, 2024, A Sun Dance, A Sun Dance, National Gallery of Australia, ACT, 24 February 2024 - 24 February 2024, medium: Durational Performance, at: https://nga.gov.au/exhibitions/a-sun-dance/

Haley R, 2023, Like Nobody's Watching, 52 ACTIONS, Singleton Arts and Cultural Centre, NSW, 02 December 2023 - 11 February 2024, medium: cotton drill, calico, cotton thread, dye, ink, pastel, oil stick, charcoal, chalk, conte, magnets, bamboo wadding, feather down, and improvisational performance prompts., at: https://singletonartsandculturalcentre.com.au/whats-on/52-actions/

Haley R, 2023, Skylight Arcade, Hobart Current Epoch, Tasmanian Museum and Art Gallery & Hobart CBD, 17 November 2023 - 12 February 2024, medium: Recycled acrylic laser cut discs, stainless steel rings, aluminium tracking, at: https://hobartcurrent.com/epoch/

Haley R, 2023, Like Nobody's Watching, 52 ACTIONS, Jervis Bay Maritime Museum & Gallery, 27 June 2023 - 07 October 2023, medium: cotton drill, calico, cotton thread, dye, ink, pastel, oil stick, charcoal, chalk, conte, magnets, bamboo wadding, feather down, and improvisational performance prompts., at: https://mgnsw.org.au/sector/exhibitions/now-showing/52-actions/

Haley R, 2023, Like Nobody's Watching, 52 ACTIONS, Wangaratta Art Gallery, 22 April 2023 - 04 June 2023, medium: cotton drill, calico, cotton thread, dye, ink, pastel, oil stick, charcoal, chalk, conte, magnets, bamboo wadding, feather down, and improvisational performance prompts., at: https://www.wangarattaartgallery.com.au/Exhibitions/Past-Exhibitions/52-Actions

Haley R, 2022, Like Nobody's Watching, 52 ACTIONS, Penrith Regional Gallery, 27 August 2022 - 20 November 2022, medium: cotton drill, calico, cotton thread, dye, ink, pastel, oil stick, charcoal, chalk, conte, magnets, bamboo wadding, feather down, and performance 20min duration, at: https://www.penrithregionalgallery.com.au/events/52-actions/

Haley R, 2022, In the wings, Australian Theatre for Young People, Australian Theatre for Young People, Pier 2/3 Walsh Bay, 14 February 2022 - 14 February 2023, medium: Acrylic paint, repurposed acrylic sheeting, stainless steel rings, aluminium head rail., at: https://atyp.com.au/

Haley R, 2022, Dance on a couch by an open window (after Boyd), From Impulse To Action, Bundanon Art Museum, Illaroo, 29 January 2022 - 12 June 2022, medium: acrylic paint, beech timber, canvas, calico, cotton drill, fabric dye, crayon, pastel, ink, charcoal, feather down, magnets, rope, and performance., at: https://www.bundanon.com.au/whats-on/from-impulse-to-action/#:~:text=At%20its%20heart%2C%20From%20impulse,artists%20past%2C%20present%20and%20future.

Haley R, 2022, Ribbons, Streets As Shared Spaces, Bathurst, Ribbon Gang Lane, Bathurst, 24 January 2022 - 29 January 2024, medium: acrylic discs, stainless steel rings, aluminium headrail, 210 x 290cm, at: https://bathurstart.com.au/art-artists/public-art/public-art-projects/

Haley R, 2022, Ora Veil, Urashima Taro, Ora Restaurant, Waterloo, 18 January 2022 - 31 December 2023, medium: acrylic discs, stainless steel rings, aluminium headrail

Haley R, 2021, Double Column, Double Veil, LOOKING AT PAINTING, Casula Powerhouse Arts Centre, 18 October 2021 - 23 January 2022, medium: Acrylic paint, hand-dyed synthetic fringing, at: https://www.casulapowerhouse.com/visit/looking-at-painting

Haley R, 2021, Nurses Walk, Art Installations at The Rocks, Surgeon's Court, The Rocks, Sydney CBD, 08 October 2021 - 09 October 2022, medium: acrylic discs, steel rings, at: https://artpharmacy.com.au/projects/temporary-art-installations-at-the-rocks

Haley R, 2021, Ever Sun Laneways, City Art Laneways, Wilmot Street Sydney, 22 January 2021 - 11 July 2021, medium: acrylic discs, steel, wire, at: https://www.cityartsydney.com.au/artwork/ever-sun/

Haley R, 2020, Ever Sun, LIVEWORKS FESTIVAL OF EXPERIMENTAL ART, Performance Space, Carriageworks, 21 October 2020 - 25 October 2020, medium: Acrylic discs, steel rings, acrylic paint, dimensions variable, at: https://performancespace.com.au/program/

Haley R, 2020, Pitch Forward, Postcards from Motherhood, The Mill, Adelaide, 06 October 2020 - 30 October 2020, medium: acrylic, resin, dye and metallic pigment on board, 60x45cm and acrylic paint, mural dimensions variable, at: https://www.themilladelaide.com/events/2020/10/15/exhibition-catalogue-postcards-from-motherhood

Haley R, 2019, The Invention of Depth, Flat Earth Society, Cement Fondu Sydney, 12 October 2019 - 08 December 2019, medium: Painting, Installation and Dance Performance, at: https://cementfondu.org/flat-earth-society/

Haley R, 2019, Tone, Dive, Sydney Contemporary, Carriageworks Sydney, 11 September 2019 - 15 September 2019, medium: Ink, pigment, dye, enamel and resin on board, at: https://sydneycontemporary.com.au/galleries/

Haley R, 2019, Interval Exhibition, Interval, Galerie pompom Sydney, 04 September 2019 - 29 September 2019, medium: Body of 15 new works, dye, pigment and resin on board, at: https://www.galeriepompom.com/galerie-pompom--exhibition-2019--rochelle-haley.html

Haley R, 2019, Pitch #5, Sunshine Coast Art Prize, Caloundra Regional Gallery, 25 July 2019 - 15 September 2019, medium: acrylic, dye, enamel and resin on board, at: https://gallery.sunshinecoast.qld.gov.au/Art-Prizes/Sunshine-Coast-Art-Prize/Previous-Winners/2019-Winners/Finalists-2019

Haley R; Behrens M, 2019, In Search of Long Life, Holy Trinity, Witch's Hammer, Hemlock, Second Sight: Witchcraft, Ritual, Power, University of Queensland Art Museum, 01 March 2019 - 29 June 2019, medium: watercolour on paper, at: https://art-museum.uq.edu.au/second-sight-witchcraft-ritual-power

Haley R, 2018, Marquetry Score, John Fries Award 2018 Finalist Exhibition, UNSW Galleries, Paddington, Sydney, 28 September 2018 - 03 November 2018, medium: acrylic and cement render on board, 90 x 120 cm, acrylic wall mural, dimensions variable, gold vinyl 180cm diameter, at: http://www.johnfriesaward.com/exhibition/john-fries-award-2018-finalist-exhibition/

Haley R, 2018, Interval, Pitch, Tone, SPRING 1883, The Hotel Windsor, Melbourne, 01 August 2018 - 04 August 2018, medium: acrylic, dye, enamel and resin on board, at: https://spring1883.com/

Haley R, 2018, Reach, Documents, Alternatives #3, Bath School of Art and Design (BSAD), United Kingdom, 20 April 2018 - 12 May 2018

Haley R, 2018, Vicarious Movement: human-machine paintings, Otherly Space/Knowledge, ACT Festival, Asia Culture Center, Gwangju, South Korea, 02 March 2018 - 24 March 2018, medium: drone assisted spray painting on canvas

Haley R, 2018, Constructions of the Moving Body (after Trisha Brown’s Accumulation) #6-8, Documents, Alternative #2, Verge Gallery, University of Sydney, 18 January 2018 - 25 February 2018, medium: 3 works of watercolour on paper 40 x 30 cm, at: https://verge-gallery.net/2017/11/18/january-18-february-24-sca-graduate-showcase-documents-alternatives/

Haley R, 2017, Constructions of the Moving Body (After Trisha Brown's Accumulation) #2-5, DOCUMENTS, ALTERNATIVES (#1), Airspace Gallery, Stoke on Trent, UK, 17 November 2017 - 16 December 2017, medium: Body of work, watercolour and pastel on translucent paper 31 x 23cm, at: http://eprints.lincoln.ac.uk/29734/2/documents_alternatives_1

Haley R, 2017, Vicarious Movement: human-machine painting (Blue Red & Green), Re/pair, The Big Anxiety Festival, UNSW Art & Design Black Box, Sydney, 08 November 2017 - 10 November 2017, medium: drone assisted spray painting on canvas, at: https://www.thebiganxiety.org/events/repair/

Haley R, 2017, Afterglow: An expanded painting performance collaboration, Afterglow: An expanded painting performance collaboration, Hazelhurst Regional Gallery &​ Arts Centre, 23 September 2017 - 24 September 2017, medium: Painting, installation, costume, dance, at: http://www.sutherlandshire.nsw.gov.au/Community/Hazelhurst/Exhibitions/Previous-Exhibitions/2017/Afterglow

Haley R, 2017, Flow – White Purple Blue, Red Gold Green, Blue Purple Magenta, Green Blue, Bronze Blue Indigo Cyan, Blue Green Magenta, Gold Bronze Vermillion, Sydney Contemporary, Carriageworks, Sydney, 07 September 2017 - 10 September 2017, medium: Series of 7 works of ink, dye and resin on board, at: https://sydneycontemporary.com.au/galleries-2017/galerie-pompom/

Haley R, 2017, Flow - Blue pink black white, Blue indigo lilac, ACU Art Collection, The Leadership Centre, Australian Catholic University, 02 August 2017 - 30 July 2019, medium: Two works of ink, dye and resin 120cm x 90cm, at: http://www.acu.edu.au/staff/our_university/newsroom/new_archive/leading_the_charge!

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