By Dr Thomas William Smith

Conference Papers

Smith TW, 2016, 'Performing the Generic', Goldmsiths College London, presented at Fringes, outsides and undergrounds: The aesthetics and politics of unpopular music, Goldmsiths College London, 07 May 2016 - 08 May 2016, http://www.gold.ac.uk/pmru/fringe-conference/

Conference Presentations

Smith T, 2023, 'Quantitative Collapse: The Things We Like', presented at Serendipity Arts Festival - Listening Academy, Goa, India, 15 December 2023 - 23 December 2023, https://www.serendipityartsfestival.com/program/the-listening-academy-goa

Smith T, 2023, 'Quantitative Collapse: The Things We Like', presented at Modulating Realities, Sarai CSDS, Delhi, India, 14 December 2023 - 15 December 2023, https://sarai.net/events/modulating-realities/

Smith T, 2023, 'Narrative 002: Disaster (Jackson)', presented at Study In On AI + Race + Art, Victorian College of The Arts, Melbourne, 02 December 2023 - 02 December 2023, https://www.artandaustralia.com/58_2/p180/study-in-on-ai-race-art

Smith T, 2023, 'Quantitative Collapse: The Things We Like', presented at Automation Cultures, University of Western Australia, Perth, 17 November 2023 - 19 November 2023, https://automationcultures.com/

Smith T, 2023, 'Quantitative Collapse: The Things We Like', presented at Data Relations Summer School, Australian Centre for Contemporary Art, Melbourne, 16 February 2023 - 20 February 2023, https://acca.melbourne/programs/data-relations-summer-school-schedule/

Smith T; Orlando R; Stern J; Dockray S; Zile E, 2022, 'Logical Conclusions/Automation Effects: Artists and Curators' Panel', presented at ADM + S Annual Symposium 2022, RMIT, Melbourne, 20 July 2022 - 22 July 2022, https://www.youtube.com/watch?v=2uifZOgBGKs&list=PLE_y90GftjpaZ1sO0iJjcxwfk32qI4UEH&index=16

Smith T; Lim M; Stern J; Zile E; Orlando R; Sadowski J; Rahel S; McLean L; O'Connor VW; Dockray S, 2022, 'Logical Conclusions/ Automation Effects', presented at ADM + S Annual Symposium 2022, Miscellania, Melbourne, 20 July 2022 - 21 July 2022, https://www.admscentre.org.au/event/logical-conclusions-automation-effects/

Performances (Music, Theatre, Dance)

Bown O; Nichols J; Van Gelder P; Priest G; Altman L; Smith T; Whillas A, 2015, Seymour Centre, Vivid Festival, Sydney, Publication: Infosthetic Orchestra, Performances (Music, Theatre, Dance)

Recorded / Rendered Creative Works

Smith TW, 2016, VLC, Transaction, Image, Published: 14 May 2016, Recorded / Rendered Creative Works, https://audiblevision.wordpress.com/

Smith TW, 2015, The New Spirit, Editor(s): Stern J; Zuvela D, Published: 24 September 2015, Recorded / Rendered Creative Works, http://www.liquidarchitecture.org.au/artists/tom-smith/

Smith TW, 2014, Real Life Human Resources, Editor(s): smith T, Published: 20 December 2014, Recorded / Rendered Creative Works, http://firstdraft.org.au/exhibitions/reallifehumanresources/

Creative Works (non-textual)

Smith T, 2022, Narrative 001: The Things We Like, Capture All: A Sonic Investigation, Online - ongoing, 01 August 2022 - 17 April 2024, medium: Single Channel Video, Duration 18:44, at: https://disclaimer.org.au/contents/capture-all/

Smith T, 2021, Waking Life: The Dreamwork Model, Freedom of Sleep, Fondation Fiminco, Paris, 16 April 2021 - 16 May 2021, medium: Single channel video, duration 17:38, at: https://www.fondationfiminco.com/en/event-fiminco/freedom-of-sleep/

Van Gelder PK; Smith T, 2017, Iron Star, Sounding the Future, UTS Gallery, 01 August 2017 - 22 September 2017, at: http://art.uts.edu.au/index.php/exhibitions/sounding-the-future/

Media

Smith T; McLean L; Tulika A; Suri S; Helaluddin S; Falak U; Schwerdtfeger M, 2022, Liquid Architecture x Sarai: Capture All, Apple Music/Liquid Architecture, , https://liquidarchitecture.org.au/events/capture-all

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