Select Publications
Books
2019, Allegory in Iranian Cinema The Aesthetics of Poetry and Resistance, Bloomsbury Publishing, London, https://www.bloomsbury.com/us/allegory-in-iranian-cinema-9781780762982/
,2013, Directory of World Cinema: Germany 2, Intellect (UK), Bristol
,2012, Directory of World Cinema: Germany, Langford M, (ed.), Intellect Books, Bristol
,2006, Allegorical Images Tableau, Time and Gesture in the Cinema of Werner Schroeter, Intellect Books, United Kingdom
,Book Chapters
2024, 'Once upon a time in Iran', in The I.B. Tauris Handbook of Iranian Cinema, pp. 3 - 21
,2024, 'Silence and the temporality of the everyday: The cinematic modernism of Marva Nabili's The Sealed Soil (1978)', in The I.B. Tauris Handbook of Iranian Cinema, pp. 317 - 330
,2021, 'Seeking Love in the Interstices: Acousmatic Listening and Counter-Memory in Abbas Kiarostami's Shirin', in Wittmann M; Holl U (ed.), Counter-Memories in Iranian Cinema, EUP, Edinburgh, pp. 146 - 166
,2021, '04 Far From Home', in Introductions to In der Fremde, saxpublishers, Vienna, pp. 29 - 36
,2021, 'Tales and the Cinematic Divan of Rakhshan Banietemad', in Ghorbankarimi M (ed.), ReFocus: the Films of Rakhshan Banietemad, EUP, Edinburgh, pp. 57 - 78
,2020, 'Sohrab Shahid Saless and the Political Economy of the New German Cinema', in ReFocus: the Films of Sohrab Shahid Saless Exile, Displacement and the Stateless Moving Image, Edinburgh University Press, pp. 79 - 100
,2018, 'Werner Schroeter's Salome (1971)', in Grundmann R (ed.), Werner Schroeter, Austrian Film Museum, Vienna, pp. 78 - 91
,2017, 'Santouri', in Jahed P (ed.), Directory of World Cinema: Iran 2, Intellect (UK), Bristol, pp. 169 - 170
,2017, 'Secret Ballot', in Jahed P (ed.), Directory of World Cinema: Iran 2, Intellect (UK), Bristol, pp. 280 - 282
,2017, 'The Circle', in Jahed P (ed.), Directory of World Cinema: Iran 2, Intellect (UK), Bristol, pp. 148 - 150
,2017, 'Two Women', in Jahed P (ed.), Directory of World Cinema: Iran 2, Intellect (UK), Bristol, pp. 398 - 400
,2017, 'Majid Majidi', in Jahed P (ed.), Directory of World Cinema: Iran 2, Intellect (UK), Bristol, pp. 70 - 79
,2015, 'Iranian Cinema and Social Media', in Faris DM; Rahimi B (ed.), Social Media in Iran Politics and Society after 2009, SUNY Press, New York, pp. 251 - 270, http://www.sunypress.edu/p-6138-social-media-in-iran.aspx
,2015, 'I'm Ready for my Close-Up Mr Ayatollah! The Ideology of Female Stardom in Iranian Cinema', in Bandhauer A; Royer M (ed.), Stars in World Cinema: Screen Icons and Star Systems Across Cultures, I.B. Tauris, London, pp. 119 - 130
,2013, 'Costume Film', in Langford M (ed.), Directory of World Cinema: Germany 2, Intellect (UK), Bristol, pp. 159 - 166
,2013, 'German Cinema and the Genre Film', in Langford M (ed.), Directory of World Cinema: Germany 2, Intellect (UK), Bristol, pp. 6 - 11
,2013, 'Sport Film', in Langford M (ed.), Directory of World Cinema: Germany 2, Intellect (UK), Bristol, pp. 41 - 52
,2012, '"German Cinema and the Vicissitudes of History"', in Langford M (ed.), The Directory of World Cinema: Germany, Intellect, Bristol, pp. 6 - 13, http://www.intellectbooks.co.uk/books/view-Book,id=4789/
,2012, '"Vergangenheitsbewaeltigung: Coming to Terms with the Past"', in Langford M (ed.), The Directory of World Cinema: Germany, Intellect, Bristol, pp. 204 - 215, http://www.intellectbooks.co.uk/books/view-Book,id=4789/
,2012, 'Cultural Diversity in Iranian Cinema', in Jahed P (ed.), Directory of World Cinema: Iran, Intelect, Bristol, pp. 258 - 266
,2011, '"Serenades"', in Beirne R; Bennett J (ed.), Making Film and Television Histories: Australia and New Zealand, I. B. Tauris, London, pp. 252 - 256, http://www.ibtauris.com/Books/The%20arts/Film%20TV%20%20radio/Television/Making%20Film%20and%20Television%20Histories%20Australia%20and%20New%20Zealand.aspx?menuitem=%7BB571EE45-263D-4532-A616-771699D984CA%7D
,2008, 'Lola and the Vampire: Technologies of Time and Movement in German Cinema', in Bennett B; Furstenau M; Mackenzie A (ed.), Cinema and Technology: Cultures, Theories, Practices, Palgrave Macmillan, Basingstoke & New York, pp. 187 - 200
,2008, 'Negotiating the Sacred Body in Iranian Cinema(s): National, Physical and Cinematic Embodiment in Majid Majidi`s Baran (2002)', in Coleman EB; Fernandes-Dias MS (ed.), Negotiating the Sacred II: Blasphemy and Sacrilege in the Arts, ANU E Press, Canberra, Australia, pp. 161 - 171
,1995, 'Film Figures: Rainer Werner Fassbinder's The Marriage of Maria Braun and Alexander Kluge's The Female Patriot', in Jayamanne E (ed.), Kiss Me Deadly: Feminism and Cinema for the Moment, Power Publications, Sydney, pp. 147 - 179
,Edited Books
Langford M; Ghorbankarimi M; Khosroshahi Z, (eds.), 2024, The I.B. Tauris Handbook of Iranian cinema, Bloomsbury, https://www.bloomsbury.com/au/ib-tauris-handbook-of-iranian-cinema-9780755648160/
Journal articles
2019, 'Reflecting on the UNSW Scientia Education Academy: A case study for inspiring educational excellence', Asian Journal of the Scholarship of Teaching and Learning, 9, pp. 232 - 244, http://nus.edu.sg/cdtl/engagement/publications/ajsotl-home/asian-journal-of-the-scholarship-of-teaching-and-learning
,2018, 'Filmsaz iraní dar Berlin: Tashabohat va tafavothaye zendegi shahid sales ba kargardan mihman film “dar ghorbat" [Iranian Filmmaker in Berlin: Similarities and differences of Shahid Sales’s life with guest workers of the film entitled “In der Fremd”]', Farhangemrooz (Iranian journal of Human Science), pp. 110 - 113
,2016, 'Sohrab Shahid Saless: An Iranian Filmmaker in Berlin', Screening the Past, http://www.screeningthepast.com/2016/12/sohrab-shahid-saless-an-iranian-filmmaker-in-berlin/
,2012, 'Tending the Wounds of the Nation: Gender in Contemporary Iranian War Cinema', Screening the Past, http://www.screeningthepast.com/2012/12/tending-the-wounds-of-the-nation-gender-in-contemporary-iranian-war-cinema/
,2010, 'Pasiones y edades de Schroeter', Cahiers du Cinema Rencentres Internationales supplement, 33, pp. XXIV - XXV, http://www.caimanediciones.es/sumario_num33.html
,2010, 'Practical Melodrama: From Recognition to Action in Tahmineh Milani's Fereshteh Trilogy', Screen, 51, pp. 341 - 364, http://screen.oxfordjournals.org/content/51/4/341.abstract
,2009, 'Teaching ethnic diversity with film: Essays and resources for educators in history, social studies, literature and film studies', Journal of Popular Film and Television, 37, pp. 148 - 148, http://dx.doi.org/10.1080/01956050903218182
,2007, 'Allegory and the Aesthetics of Becoming-Woman in Marziyeh Meshkini`s The Day I Became a Woman', Camera Obscura, 64, pp. 1 - 41
,2007, 'Iran and its Others: Locating Cultural Diversity in Iranian Cinema', International Journal of Diversity in Organizations, Communities and Nations, 6, pp. 151 - 158
,2007, 'The Hollywood System', Australasian Journal of American Studies, 26(1), pp. 95 - 109
,2003, 'Alexander Kluge', Senses of Cinema, http://archive.sensesofcinema.com/contents/directors/03/kluge.html
,2003, 'Werner Schroeter', Senses of Cinema, http://archive.sensesofcinema.com/contents/directors/03/schroeter.html
,Conference Presentations
2010, 'Dissimulating Dissent: ‘Honest Shadows’ in Asghar Farhadi’s About Elly (2009)', presented at Cinema, Modernity, Modernism FHAANZ, UNSW, Sydney, 30 November 2010 - 03 December 2010
,2008, 'Practical Melodrama: Private Lives and Public Space in Tahmineh Milani’s ‘Fereshteh’ Trilogy', presented at Visual Representations of Iran, University of St Andrews, 13 June 2008 - 16 June 2008
,2006, 'Iran and its Others: Locating Cultural Diversity in Iranian Cinema', presented at Transformations Conference 2006: Cultural and the Environment in Human Development, Australian National University, 27 November 2006 - 29 November 2006
,2006, 'Hidden Histories and Multiple Reactions: Past, Present and Future in the Films of Tahmineh Milani', presented at Telling Stories: The XIIIth Biennial Conference of the Film and History Association, Melbourne, 16 November 2006 - 19 November 2006
,2005, 'Becoming-Bodies in Iranian Cinema(s): Majid Majidi’s Baran', presented at Imagining Iran: A Symposium on Iranian Cinema,, School of Media, Film and Theatre, University of NSW, 18 November 2005
,2005, 'Negotiating the Sacred Body in Iranian Cinema', presented at Negotiating the Sacred 2 Centre for Cross-Cultural Communication,, ANU, 03 November 2005 - 04 November 2005
,2005, 'Lola and the Vampire: Technologies of Time and Movement in German Cinema', presented at Cinema and Technology, Lancaster University, 06 April 2005 - 09 April 2005
,Reports
2011, A Year of Triumph and Tragedy: Iranian Cinema and the First Iranian Film Festival Australia (IFFA), Senses of Cinema of Incorporated, http://sensesofcinema.com/2011/festival-reports/a-year-of-triumph-and-tragedy-iranian-cinema-and-the-first-iranian-film-festival-australia-iffa-2/
,2009, Displaced Allegories: post-revolutionary Iranian cinema, Senses of Cinema of Incorporated
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