By Dr Andrew Navin Brooks

Books

Brooks A; Lorange A, 2021, Homework, Discipline

Brooks A, 2021, Inferno

Book Chapters

Brooks A, 2024, '‘This is/not was’: The Violence of Circulation and the Sonics of Submerged Language', in Groth H; Murphet J (ed.), The Edinburgh Companion to Literature and Sound Studies, Edinburgh University Press, Edinburgh, http://dx.doi.org/10.1515/9781399502313-020

Lorange A; Brooks A, 2023, ''If I write a Love poem it's against the police': The Abolitionist Poetics of the Riot', in Writing the Global Riot Literature in a Time of Crisis, Oxford University Press, http://dx.doi.org/10.1093/oso/9780192862594.003.0011

Brooks A, 2020, 'Myth-making in the Settler Colony: On Laziness, Representation and Refusal', in Attwood D; Russell F (ed.), Art of Laziness: Contemporary Art and Anti-Work Politics, Art + Australia, Melbourne, pp. 39 - 62, https://www.artandaustralia.com/publishing/titles/art-laziness-contemporary-art-and-post-work-politics

Brooks A, 2019, 'Cracks in the Archive', in Goodwin C (ed.), Permanent Recession: A Handbook on Art, Labour and Circumstance, Onomatopee, Unicum, pp. 179 - 188

Journal articles

Brooks A; Lorange A, 2024, '“Extraordinary powers for extraordinary times”: A conjunctural analysis of pandemic policing, common sense, and the abolitionist horizon', Crime, Media, Culture, 20, pp. 312 - 332, http://dx.doi.org/10.1177/17416590231205901

Brooks A, 2023, 'Anticipation, abolition, possibility: on riots, networked communication, and listening', Cultural Studies, 37, pp. 944 - 968, http://dx.doi.org/10.1080/09502386.2022.2077398

Lorange A; Brooks A, 2022, 'Endless Study, Infinite Debt: On study inside and outside the university classroom', Critical Studies in Teaching and Learning, 10, http://dx.doi.org/10.14426/cristal.v10iSI.516

Brooks A; Lorange A, 2022, 'Torrens Title: property, race and (infra)structures of feeling in the settler colony', Race and Class, 64, pp. 63 - 83, http://dx.doi.org/10.1177/03063968221098623

Brooks A, 2022, 'Always Incomplete: A Mixtape after Moten and Harney', Sydney Review of Books, https://sydneyreviewofbooks.com/review/always-incomplete-a-mixtape-after-moten-and-harney/

Brooks A, 2022, 'THE WHITE ALBUM : on racialized violence and the witnessing of the witness', Angelaki - Journal of the Theoretical Humanities, 27, pp. 72 - 84, http://dx.doi.org/10.1080/0969725X.2022.2046373

, 2022, 'Endless Study, Infinite Debt: On study inside and outside the university classroom', Critical Studies in Teaching and Learning, 10, http://dx.doi.org/10.14426/cristal.v10isi.1781

Brooks A; Lorange A; Grealy L, 2021, 'Everything Must Change', Infrastructural Inequalities Journal, https://infrastructuralinequalities.net/issue-2/everything-must-change/

Brooks A; Lorange A, 2021, 'There’s a riot goin’ on', Continuum, 35, pp. 123 - 136, http://dx.doi.org/10.1080/10304312.2021.1879020

Brooks A; Richardson M, 2021, 'On Witnessing a Riot', Lateral, http://dx.doi.org/10.25158/l10.2.8

Navin Brooks A; Brooks A, 2020, 'Fugitive Listening: Sounds from the Undercommons', Theory, Culture and Society, 37, pp. 25 - 45, http://dx.doi.org/10.1177/0263276420911962

Brooks A, 2020, 'Between Nothingness and Infinity', Art + Australia, pp. 118 - 127, https://www.artandaustralia.com/between-nothingness-and-infinity

Brooks A; Lorange A, 2020, '22nd Biennale of Sydney, “Nirin”', Art Agenda, https://www.art-agenda.com/features/328963/22nd-biennale-of-sydney-nirin

Brooks A, 2020, 'Listening beyond the border: Self-representation, witnessing, and the white sonic field', Law Text Culture, 24, pp. 96 - 116, http://dx.doi.org/10.14453/ltc.714

Brooks A; Lorange A; Grealy L; Lea T; Cornell C, 2019, 'Tending a Social Infrastructure', Infrastructural Inequalities Journal, https://infrastructuralinequalities.net/issue-1/introduction/

Brooks A, 2019, 'Listening to the indefinite', Runway Journal, 39, http://runway.org.au/listening-to-the-indefinite

Brooks A; Lorange A, 2019, 'no trouble here: : On Sally M. Nangala Mulda’s “Town Camp Anywhere”', Running Dog, https://rundog.art/no-trouble-here-sally-m-nangala-mulda/

Brooks A; Lorange A, 2019, 'Rifles or Ruffles', The Lifted Brow, 44, pp. 79 - 84, https://www.theliftedbrow.com/liftedbrow/2019/11/29/ruffles-or-rifles-by-astrid-lorange-and-andrew-brooks

Brooks A, 2019, 'The Murmur of the Crowd', Journal of Sonic Studies, 18, https://www.researchcatalogue.net/view/645599/645600

Brooks A; Melick T, 2019, 'The New Learning Centre', Art + Australia, https://www.artandaustralia.com/online/disruptions/new-learning-centre

Lorange A; Brooks A, 2017, 'Gossip and its Minor Discourses', Discipline, 4.5, pp. 35 - 50

Lorange A; Brooks A, 2017, 'Review: The National: New Australian Work', Art and Australia, http://www.artandaustralia.com/online/discursions/national-new-australian-art

Brooks A, 2015, 'Glitch/Failure: Constructing a Queer Politics of Listening', Leonardo Music Journal, 25, pp. 37 - 40, http://dx.doi.org/10.1162/LMJ_a_00932

Brooks A; Tan K, 2014, 'Notes on Translation', dasSUPERPAPER, 33, pp. 46 - 49

Curatorial Outputs

Brooks A; Lorange A, 2020, Endless Study, Infinite Debt: Protocols for listening in (and after) social isolation, exhibited at: Online - Liquid Architecture, 26 May 2020 - 14 June 2020, https://snacksyndicate.net/protocols/

Creative Written Works

Brooks A, 2021, Race Still Matters, Menzies-Pike C, (ed.), Sydney Review of Books, https://sydneyreviewofbooks.com/review/lentin-why-race-still-matters/

Brooks A; Lorange A; Lean T; Kilroy D, 2021, Abolition is a Verb, https://infrastructuralinequalities.net/issue-2/abolition-is-a-verb/

Brooks A; Bandesh F; Rahmati F, 2021, I Call it a Prison Because it is a Prison, https://infrastructuralinequalities.net/issue-2/i-call-it-a-prison-because-it-is-a-prison/

Brooks A; Lorange A, 2021, Cyprien Gaillard, Julia Stoschek Collection

Brooks A, 2021, Five Propositions on Listening and Breath, Intermission: Reflection on a Year of Upheaval, Plysa G; Schulz M; Gulik M, (eds.), Unsound

Brooks A; Melick T, 2020, University.xlsx, Sydney Review of Books, https://sydneyreviewofbooks.com/essay/university-xlsx/

Brooks A, 2020, Songs of Noise and Opacity: Toward a Sonic Politics of Solidarity, Nottingham Contemporary, https://thecontemporaryjournal.org/issues/sonic-continuum/songs-of-noise-and-opacity-toward-a-sonic-politics-of-solidarity

Brooks A, 2020, Wayward Revolutions, The Sydney Review of Books, https://sydneyreviewofbooks.com/review/hartman-wayward-lives-beautiful-experiments/

Brooks A, 2020, The Island: Part 1 and 2, Running Dog, https://rundog.art/the-island-vernon-ah-kee-part-one/

Brooks A; Lorange A; Smith J, 2019, ‘The Comfort Zone’s the Enemy of the Spirit, Jack!’: An Interview with Uncle Jimmy Smith, https://infrastructuralinequalities.net/issue-1/the-comfort-zones-the-enemy-of-the-spirit-jack-an-interview-with-uncle-jimmy-smith/

Brooks A; Lorange A; Cross D, 2019, ‘We All Live in Colonised Time’: An Interview with Dean Cross, https://infrastructuralinequalities.net/issue-1/we-all-live-in-colonised-time-an-interview-with-dean-cross/

Brooks A, 2019, Hell Pup, Panda's Friend, Brown B, (ed.)

Brooks A, 2019, Uncertain Accumulations, The Lifted Brow, Wolfers J; Maxwell J, (ed.), The Lifted Brow

Brooks A; Lorange A, 2018, Autumn/Winter

Brooks A, 2018, Snowden Sweater, SOd press, https://staleobjectsdepress.tumblr.com/post/171270121530/andrew-brooks-snowden-sweater

Brooks A; Lorange A, 2018, Warm Ties, Running Dog, https://rundog.art/warm-ties-helen-johnson/

Recorded / Rendered Creative Works

Brooks A; Lorange A, 2021, Ghosts, Sydney Review of Books, Sydney, Published: 09 August 2021, Recorded / Rendered Creative Works, https://sydneyreviewofbooks.com/essay/snack-syndicate-ghosts/

Creative Works (non-textual)

Lorange A; Brooks A, 2022, These Thoughts Large and Public, Take Hold of the Clouds, Victorian Trades Hall, 30 July 2022 - 31 July 2022, medium: Installation art, at: https://www.takeholdoftheclouds.com/

Lorange A; Brooks A, 2021, Supply Chain, Supply Chain, Bus Projects, 22 June 2021 - 17 July 2021, at: https://busprojects.org.au/program/snack-syndicate

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