Select Publications
Journal articles
2024, '“Extraordinary powers for extraordinary times”: A conjunctural analysis of pandemic policing, common sense, and the abolitionist horizon', Crime, Media, Culture, 20, pp. 312 - 332, http://dx.doi.org/10.1177/17416590231205901
,2023, 'Anticipation, abolition, possibility: on riots, networked communication, and listening', Cultural Studies, 37, pp. 944 - 968, http://dx.doi.org/10.1080/09502386.2022.2077398
,2022, 'Endless Study, Infinite Debt: On study inside and outside the university classroom', Critical Studies in Teaching and Learning, 10, http://dx.doi.org/10.14426/cristal.v10iSI.516
,2022, 'Torrens Title: property, race and (infra)structures of feeling in the settler colony', Race and Class, 64, pp. 63 - 83, http://dx.doi.org/10.1177/03063968221098623
,2022, 'Always Incomplete: A Mixtape after Moten and Harney', Sydney Review of Books, https://sydneyreviewofbooks.com/review/always-incomplete-a-mixtape-after-moten-and-harney/
,2022, 'THE WHITE ALBUM : on racialized violence and the witnessing of the witness', Angelaki - Journal of the Theoretical Humanities, 27, pp. 72 - 84, http://dx.doi.org/10.1080/0969725X.2022.2046373
,, 2022, 'Endless Study, Infinite Debt: On study inside and outside the university classroom', Critical Studies in Teaching and Learning, 10, http://dx.doi.org/10.14426/cristal.v10isi.1781
2021, 'Everything Must Change', Infrastructural Inequalities Journal, https://infrastructuralinequalities.net/issue-2/everything-must-change/
,2021, 'There’s a riot goin’ on', Continuum, 35, pp. 123 - 136, http://dx.doi.org/10.1080/10304312.2021.1879020
,2021, 'On Witnessing a Riot', Lateral, http://dx.doi.org/10.25158/l10.2.8
,2020, 'Fugitive Listening: Sounds from the Undercommons', Theory, Culture and Society, 37, pp. 25 - 45, http://dx.doi.org/10.1177/0263276420911962
,2020, 'Between Nothingness and Infinity', Art + Australia, pp. 118 - 127, https://www.artandaustralia.com/between-nothingness-and-infinity
,2020, '22nd Biennale of Sydney, “Nirin”', Art Agenda, https://www.art-agenda.com/features/328963/22nd-biennale-of-sydney-nirin
,2020, 'Listening beyond the border: Self-representation, witnessing, and the white sonic field', Law Text Culture, 24, pp. 96 - 116, http://dx.doi.org/10.14453/ltc.714
,2019, 'Tending a Social Infrastructure', Infrastructural Inequalities Journal, https://infrastructuralinequalities.net/issue-1/introduction/
,2019, 'Listening to the indefinite', Runway Journal, 39, http://runway.org.au/listening-to-the-indefinite
,2019, 'no trouble here: : On Sally M. Nangala Mulda’s “Town Camp Anywhere”', Running Dog, https://rundog.art/no-trouble-here-sally-m-nangala-mulda/
,2019, 'Rifles or Ruffles', The Lifted Brow, 44, pp. 79 - 84, https://www.theliftedbrow.com/liftedbrow/2019/11/29/ruffles-or-rifles-by-astrid-lorange-and-andrew-brooks
,2019, 'The Murmur of the Crowd', Journal of Sonic Studies, 18, https://www.researchcatalogue.net/view/645599/645600
,2019, 'The New Learning Centre', Art + Australia, https://www.artandaustralia.com/online/disruptions/new-learning-centre
,2017, 'Gossip and its Minor Discourses', Discipline, 4.5, pp. 35 - 50
,2017, 'Review: The National: New Australian Work', Art and Australia, http://www.artandaustralia.com/online/discursions/national-new-australian-art
,2015, 'Glitch/Failure: Constructing a Queer Politics of Listening', Leonardo Music Journal, 25, pp. 37 - 40, http://dx.doi.org/10.1162/LMJ_a_00932
,2014, 'Notes on Translation', dasSUPERPAPER, 33, pp. 46 - 49
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