By Dr Gregory Dolgopolov

Book Chapters

Dolgopolov G, 2023, 'Forged Network-Narratives: Tolstoy’s The Forged Coupon and a cycle of adaptations in World Cinema', in Sobolev O; Smith A (ed.), Film Adaptations of Russian Classics Dialogism and Authorship, Edinburgh University Press, Edinburgh, https://edinburghuniversitypress.com/book-film-adaptations-of-russian-classics.html

Dolgopolov G, 2021, 'New Australian Crime Drama', in Ryan MD; McWilliams K (ed.), Australian Genre Film, pp. 74 - 89, https://www.routledge.com/Australian-Genre-Film/McWilliam-Ryan/p/book/9781138603141

Dolgopolov G, 2019, 'Legend No. 17', in Salys R (ed.), The Contemporary Russian Cinema Reader 2005-2016, Academic Studies Press, https://www.academia.edu/38686102/The_Contemporary_Russian_Cinema_Reader_2005-2016_Sampler_

Dolgopolov G, 2017, 'Lost and Found: Children in Indigenous Australian Cinema', in Donald SH; Wilson E; Wright S (ed.), Childhood and Nation in Contemporary World Cinema: Borders and Encounters, BLOOMSBURY PUBL INC, pp. 32 - 42

Dolgopolov G, 2015, 'Animal Kingdom', in Directory of World Cinema: Australia and New Zealand 2, pp. 99 - 100

Dolgopolov G, 2015, 'CRIME', in Ryan MD; Lealand D; Goldsmith B (ed.), Directory of World Cinema Australia and New Zealand 2, Intellect L & D E F A E, http://press.uchicago.edu/ucp/books/book/distributed/D/bo14239040.html

Dolgopolov G, 2015, 'Snowtown', in Directory of World Cinema Australia and New Zealand 2, Intellect L & D E F A E

Dolgopolov G; Stern L, 2015, ''Beware film star! Towards a performance and cultural analysis of Innokenty Smoktunovsky as Soviet film star'', in Bandhauer A; Royer M (ed.), Stars in World Cinema Screen Icons and Star Systems Across Culture, I.B. Tauris & Co. Ltd., London & New York, pp. 131 - 142, http://www.ibtauris.com/Books/The%20arts/Film%20TV%20%20radio/Films%20cinema/Stars%20in%20World%20Cinema%20Screen%20Icons%20and%20Star%20Systems%20Across%20Cultures.aspx?menuitem=%7BF4FB9C21-0D94-4D41-B092-6845ABC80FF6%7D

Dolgopolov G, 2013, 'High Stakes: The Vampire and the Double in Russian Cinema', in Och D; Strayer K (ed.), Transnational Horror Across Visual Media, Routledge, London, http://www.routledge.com/books/details/9780203567791/

Dolgopolov G, 2013, ''The Futures of Film Festivals in Sydney'', in Kaufman T; Bateman C; Poe J (ed.), Sydney Film Festival 1954 to Now: A Living Archive, Sydney Film Festival, Sydney, http://online.sffarchive.org.au/

Dolgopolov G, 2013, '‘Ethnic, Diasporic, Multicultural? The Film Festival as Policy and Practice’', in Jakubowicz A; Ho C (ed.), ‘For those who’ve come across the seas…’Australian Multiculturalism: Theory Policy and Practice', Australian Scholarly Publishing, North Melbourne, pp. 68 - 82, http://scholary.info/

Dolgopolov G, 2010, 'New Gulliver', in Beumers B (ed.), Directory of world cinema, Russia, Intellect, Bristol, UK, pp. 250 - 252

Dolgopolov G, 2010, 'New Gulliver', in Beumers B (ed.), DIRECTORY OF WORLD CINEMA RUSSIA, Intellect, Bristol, http://www.intellectbooks.co.uk/books/view-Book,id=4714/

Dolgopolov G, 2009, '“Excess in Oz: The Crazy Russian and the Quiet Australian”', in Simpson C; Murawska R; Lambert A (ed.), Diasporas of Australian Cinema, Intellect Books, Bristol, pp. 83 - 92

Dolgopolov G, 2009, 'Excess in Oz: The Crazy Russian and the Quiet Australian', in Simpson C; Murawska R; Lambert A (ed.), Diasporas of Australian Cinema, Intellect Books, Bristol, pp. 83 - 92

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