By Dr Gregory Dolgopolov

Journal articles

Dolgopolov G, 2022, '‘U311 Cherkasy, the little minesweeper of a Ukrainian film that gave the finger to the Russian Navy’', The Conversation, https://theconversation.com/u311-cherkasy-the-little-minesweeper-of-a-ukrainian-film-that-gave-the-finger-to-the-russian-navy-186559

Dolgopolov G, 2022, 'How Solntsepyok, a brutal 2021 propaganda film, primed Russians for war with Ukraine’', The Conversation, https://theconversation.com/how-solntsepyok-a-brutal-2021-propaganda-film-primed-russians-for-war-with-ukraine-185701

Dolgopolov G, 2022, 'Germinating the Ant Plant', Short Film Studies, 12, pp. 115 - 124, http://dx.doi.org/10.1386/sfs_00072_1

Dolgopolov G, 2021, 'Russian Screen Responses to the Pandemic', Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, 12 (2021), http://dx.doi.org/10.17892/app.2020.000111.249

Dolgopolov G, 2021, 'Pavel Kostomarov: To the Lake (Epidemiia, 2019) EPIDEMIC AND EXPOSURE THERAPY', KinoKultura, http://www.kinokultura.com/2021/72r-epidemiia.shtml

Dolgopolov G, 2021, 'Ghosting in the outback Noir', Coolabah, pp. 4 - 16, http://dx.doi.org/10.1344/co2021294-16

Dolgopolov G, 2021, 'Konstantin Buslov: Kalashnikov', KinoKultura, http://www.kinokultura.com/2021/71r-kalashnikov.shtml

Dolgopolov G, 2020, 'Elena Khazanova: Mistresses', KinoKultura, http://www.kinokultura.com/2020/67r-liubovnitsy.shtml

Dolgopolov G, 2019, 'Indigenous representations on screen and in print', METRO, pp. 18 - 20, https://www.webofscience.com/api/gateway?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000879240900008&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1

Dolgopolov G, 2018, 'Donbass', Film Ink, https://www.filmink.com.au/reviews/donbass/

Dolgopolov G, 2018, 'Aleksei Nuzhnyi: I’m Losing Weight', KinoKultura, 1, http://www.kinokultura.com/2018/62r-ya-khudeiu.shtml

Dolgopolov G, 2017, 'House on Trubnaya', Senses of Cinema, http://sensesofcinema.com/2017/soviet-cinema/the-house-on-trubnaya/

Dolgopolov G, 2017, 'Khrustalyov My Car', Senses of Cinema, http://sensesofcinema.com/2017/soviet-cinema/khrustalyov-my-car-2/

Dolgopolov G, 2016, 'Will to Truth ADAPTATION AND THE UNCANNY IN SIMON STONE'S THE DAUGHTER', METRO, pp. 6 - 11, https://www.webofscience.com/api/gateway?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000398088400001&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1

Dolgopolov G, 2016, 'GOLDSTONE', METRO, pp. 8 - 13, https://www.webofscience.com/api/gateway?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000398089600001&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1

Dolgopolov G; Carroll Harris LF; Stevens K, 2016, 'Distribution and film festivals: editorial introduction', Studies in Australasian Cinema, 10, pp. 97 - 99, http://dx.doi.org/10.1080/17503175.2016.1141921

Dolgopolov G, 2016, 'Vasilii Serikov: 22 Minutes', Kinokultura, 51, http://kinokultura.com/

Dolgopolov G, 2015, 'Odyssey Across the Outback Jeremy Sims' Last Cab to Darwin', METRO, pp. 68 - 73, https://www.webofscience.com/api/gateway?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000367103300012&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1

Stevens K; Harris LC; Dolgopolov G, 2015, 'Special section: Inside looking out -film festival reports', Studies in Australasian Cinema, 9, pp. 187 - 189, http://dx.doi.org/10.1080/17503175.2015.1058645

Dolgopolov G, 2015, '‘Possum (1997) – The Fractured Family and Turning Animal’', Short Film Studies, 6, pp. 57 - 60, http://dx.doi.org/10.1386/sfs.6.1.57_1

Dolgopolov G; Carroll Harris LF; Stevens K, 2015, 'Introductory essay: distribution', Studies in Australasian Cinema, 9, pp. 3 - 6, http://dx.doi.org/10.1080/17503175.2014.1002268

Dolgopolov G, 2015, 'Reeling in the beast: The anti-Russian, Russian 'Leviathan'', Metro Magazine, pp. 68 - 73, http://search.informit.com.au/documentSummary;res=IELAPA;dn=419749073949202

Dolgopolov G, 2014, '‘Sochi on screen: how Russia is being sold to Russians’', The Conversation, 17 Feb 2014, http://theconversation.com/

Dolgopolov G, 2014, ''Fissures in the fiction: The Broken Shore’', Metro Magazine, 180, pp. 68 - 70, http://www.metromagazine.com.au/

Dolgopolov G, 2014, '‘A future forlorn: David Michod's The Rover’', Metro Magazine, 182, pp. 28 - 33, http://www.metromagazine.com.au/

Dolgopolov G, 2014, '‘Beyond black and white: Indigenous cinema and the mainstream’', Metro Magazine, 181, pp. 78 - 83, http://www.metromagazine.com.au/index.html

Dolgopolov G, 2014, 'Heart of darkness: Wolf Creek 2', Metro Magazine, 180, pp. 24 - 29, http://www.metromagazine.com.au/

Dolgopolov G, 2013, 'The Surfeit of Film Festivals', ArtsHub, http://www.artshub.com.au/news-article/opinions/all-arts/the-surfeit-of-film-festivals-195744

Dolgopolov G, 2012, '‘Collaboration or Cooperation?’', LUMINA

Dolgopolov G, 2012, 'Loot', KinoKultura, http://www.kinokultura.com/2012/35r-bablo.shtml

Dolgopolov G, 2012, 'Night Watch: Transmedia, Game and Nation', Digital Icons, 8, http://www.digitalicons.org/

Dolgopolov G, 2011, '‘Alexander Nevsky’', Senses of Cinema, 58, http://www.sensesofcinema.com/2011/cteq/alexander-nevsky/

Dolgopolov G, 2011, '“A pointed condemnation of an effete Western society”: The Adventures of Barry McKenzie (Bruce Beresford, 1972)', Senses of Cinema, 58, http://www.sensesofcinema.com/2011/58/%E2%80%9Ca-pointed-condemnation-of-an-effete-western-society%E2%80%9D-the-adventures-of-barry-mckenzie-bruce-beresford-1972/

Dolgopolov G, 2011, 'Cinema, modernity, modernism: Selected papers from the XVth Biennial Conference of the Film and History Association of Australia and New Zealand (FHAANZ), University of New South Wales, Sydney, Australia', Studies in Australasian Cinema, 5, pp. 101 - 106, http://dx.doi.org/10.1386/sac.5.2.101_2

Dolgopolov G, 2011, 'The Petrov Affair: An ambivalent migrant narrative', Studies in Australasian Cinema, 5, pp. 121 - 130, http://dx.doi.org/10.1386/sac.5.2.121_1

Dolgopolov G, 2011, 'The political documentary in Australia today', Lumina, 8, pp. 276 - 290, http://search.informit.com.au.wwwproxy0.library.unsw.edu.au/search;rs=1;rec=11;action=showCompleteRec

Dolgopolov G, 2010, '‘Outback Camp Vamps: A Survey Of Australian Vampire Films’', Lumina Australian journal of Screen Arts and Business, pp. 103 - 124, http://www.aftrs.edu.au/explore/lumina/lumina-4-contents-page.aspx

Dolgopolov G, 2010, 'Asya's Happiness', Senses of Cinema, http://www.sensesofcinema.com/2009/cteq/asyas-happiness/

Dolgopolov G, 2010, 'The Needle', Senses of Cinema, http://www.sensesofcinema.com/2010/cteq/igla-the-needle/

Dolgopolov G, 2009, 'Asya’s Happiness', Senses of Cinema

Dolgopolov G, 2009, 'Don’t Think about White Monkeys', KinoKultura, 25

Dolgopolov G, 2009, 'The Mother', KinoKultura, 23

Balint R; Dolgopolov G, 2008, 'Film', Sydney Journal, 1, pp. 33 - 44, http://dx.doi.org/10.5130/sj.v1i2.659

Dolgopolov G, 2007, 'Ruslan and Ludmila', Senses of Cinema, 43, pp. Online Journal

Dolgopolov G, 2007, 'Vsevolod Plotkin: The Elevator (Lift, 2006)', KinoKultura, 16

Dolgopolov G, 2006, 'Imagining Iran: A Symposium on Iranian Cinema', Senses of Cinema, 38, pp. online

Dolgopolov G, 2000, 'World history in 60 seconds: How bank imperial re-edited Russian binary logic', Social Semiotics, 10, pp. 5 - 20, http://dx.doi.org/10.1080/103503300114522

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