By Professor Dorottya Fabian

Book Chapters

Fabian D, 2022, 'PERFORMANCE PRACTICES FOR BARO QUE AND CLASSICAL REPERTOIRE', in The Oxford Handbook of Music Performance: Development and Learning, Proficiencies, Performance Practices, and Psychology: Volume 1, pp. 327 - 352, http://dx.doi.org/10.1093/oxfordhb/9780190056285.013.17

Fabian D, 2022, 'Performance Practices for Baroque and Classical Repertoire', in McPherson GE (ed.), The Oxford Handbook of Music Performance Vol. 1, Oxford University Press, New York, pp. 327 - 352, http://dx.doi.org/10.1093/oxfordhb/9780190056285.013.17

Fabian D, 2018, 'Making the obscure familiar: Roger Covell's contribution to opera in Sydney', in Fabian D; Napier J (ed.), Diversity in Australia's Music: Themes Past, Present and for the Future, Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 185 - 199, http://www.cambridgescholars.com/diversity-in-australias-music

Napier J; Fabian D, 2018, 'Musical practices in Australia: Reflections on the past and present', in Fabian D; Napier J (ed.), Diversity in Australia's Music: Themes Past, Present, and for the Future, Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 2 - 21, http://www.cambridgescholars.com/diversity-in-australias-music

Napier J, 2018, 'The Company You Keep', in Fabian D; Napier J (ed.), Diversity in Australia's Music: Themes Past, Present and for the Future, Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 158 - 171

Fabian D, 2017, 'The recordings of Joachim, Ysaye and Sarasate in light of their reception by nineteenth-century British critics', in Classical and Romantic Music, pp. 97 - 118

Fabian D, 2017, 'Historical Performance Practice at the beginning of the new millennium', in Harer I; Rottensteiner G (ed.), Wissenschaft und Praxis – Altes und Neues. Festschrift 50 Jahre Institut 15: Alte Musik und Aufführungspraxis an der Kunstuniversität Graz, Leykam, Graz, pp. 131 - 143

Fabian D, 2017, 'Performing music: written traditions', in Ashley R; Timmers R (ed.), The Routledge Companion to Music Cognition, Routledge, New York, pp. 277 - 287

Fabian D, 2016, 'A Tribute to Roger Covell', in Fabian D; Maddock S (ed.), Roger Covell at 85: A Tribute by his Colleagues and Students, School of the Arts and Media, UNSW Australia, Sydney, pp. 2 - 6

Fabian D, 2015, 'Affect and Individual Difference: Towards a Holistic Account of Performance', in MUSICOLOGY OF PERFORMANCE: THEORY AND METHOD BASED ON BACH'S SOLOS FOR VIOLIN, OPEN BOOK PUBL, pp. 201 - 271, http://dx.doi.org/10.11647/OBP.0064.05

Fabian D, 2015, 'Analysis of Performance Features', in MUSICOLOGY OF PERFORMANCE: THEORY AND METHOD BASED ON BACH'S SOLOS FOR VIOLIN, OPEN BOOK PUBL, pp. 127 - 200, http://dx.doi.org/10.11647/OBP.0064.04

Fabian D, 2015, 'Conclusions and an Epilogue: The Complexity Model of Music Performance, Deleuze and Brain Laterality', in MUSICOLOGY OF PERFORMANCE: THEORY AND METHOD BASED ON BACH'S SOLOS FOR VIOLIN, OPEN BOOK PUBL, pp. 273 - 296, http://dx.doi.org/10.11647/OBP.0064.06

Fabian D, 2015, 'Dancing to Architecture?', in MUSICOLOGY OF PERFORMANCE: THEORY AND METHOD BASED ON BACH'S SOLOS FOR VIOLIN, OPEN BOOK PUBL, pp. 1 - +, http://dx.doi.org/10.11647/OBP.0064.01

Fabian D, 2015, 'Theoretical Matters', in MUSICOLOGY OF PERFORMANCE: THEORY AND METHOD BASED ON BACH'S SOLOS FOR VIOLIN, OPEN BOOK PUBL, pp. 25 - 74, http://dx.doi.org/10.11647/OBP.0064.02

Fabian D, 2015, 'Violinists, Violin Schools and Emerging Trends', in MUSICOLOGY OF PERFORMANCE: THEORY AND METHOD BASED ON BACH'S SOLOS FOR VIOLIN, OPEN BOOK PUBL, pp. 75 - 125, http://dx.doi.org/10.11647/OBP.0064.03

Fabian D; Timmers R; Schubert E, 2014, 'Afterthought', in , Oxford University PressOxford, pp. 352 - 356, http://dx.doi.org/10.1093/acprof:oso/9780199659647.005.0001

Fabian D, 2014, 'Commercial Sound Recordings and Trends in Expressive Music Performance', in Expressiveness in music performance, Oxford University PressOxford, pp. 58 - 79, http://dx.doi.org/10.1093/acprof:oso/9780199659647.003.0004

Schubert E; Fabian D, 2014, 'A taxonomy of listeners' judgments of expressiveness in music performance', in Fabian D; Timmers R; Schubert E (ed.), Expressiveness in Music Performance, Oxford University Press, pp. 283 - 303

Fabian D; Timmers R; Schubert E, 2014, 'Afterthought', in Fabian D; Timmers R; Schubert E (ed.), Expressiveness in Music Performance: Empirical approaches across styles and cultures, Oxford University Press, Oxford, pp. 353 - 356, http://ukcatalogue.oup.com/product/9780199659647.do

Fabian D, 2014, 'Commercial Sound Recordings and Trends in Expressive Music Performance: Why should experimental researchers pay attention?', in Fabian D; Timmers R; Schubert E (ed.), Expressiveness in music performance: empirical approaches across styles and cultures, Oxford University Press, Oxford, UK, pp. 58 - 79, http://ukcatalogue.oup.com/product/9780199659647.do

Fabian D; Timmers R; Schubert E, 2014, 'Introduction: Expressiveness in music Performance', in Fabian D; Timmers R; Schubert E (ed.), Expressiveness in Music Performance: Empirical approaches across styles and cultures, Oxford University Press, Oxford, pp. xxi - xxx, http://ukcatalogue.oup.com/product/9780199659647.do

Fabian DS, 2008, 'Classical Sound Recordings and Live Performances: Artistic and Analytical Perspectives', in Dogantan-Dack M (ed.), Recorded Music: Philosophical and Critical Reflections, Middlesex University Press, London, pp. 232 - 260

Fabian DS, 2006, 'The merits of archival research in music: reviews of Bach Awakening in England and Musical Entries at Stationers` Hall 1710-1818', in Musicology Australia, Musicological Society of Australia, Kensington, NSW, pp. 128 - 131

Schubert E; Fabian DS, 2005, 'An experimental investigation of musical character portrayed by piano versus harpsichord performances of a J. S. Bach excerpt', in Mackinlay E; Collins D; Owens S (ed.), Aesthetics and Experience in Music Performance Proceedings of the Musicological Society of Australia National Workshop Brisbane October 2003, Cambridge Scholars Publishing, Newcastle, UK, pp. 70 - 84

Fabian DS, 2005, 'Towards a Performance History of Bach's Sonatas and Partitas for Solo Violin: Preliminary Investigations', in Vikárius L; Lampert V (ed.), Essays in Honor of Laszlo Somfai on His 70th Birthday: Studies in the Sources and the Interpretation of Music, Scarecrow press, Lanham, Maryland (USA), pp. 87 - 108

Fabian DS, 2000, 'Novotny,Franz Anton', in The New Grove Dictionary of Music and Musicians Volume 18, Macmillan Press, London, pp. 222 - 223

Fabian DS, 1996, 'A Bach-interpretacio valtozo stilusa:Goldberg-variaciok 1945-1978', in Zenetudomanyi tanulmanyok Kroo Gyorgy tiszteletere, Magyar Zenetudomanyi es Zenekritikai Tarsasag, Budapest, pp. 26 - 41

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