By Professor Dorottya Fabian

Journal articles

Zhou D; Fabian D, 2023, 'Velocity and Virtuosity: An Empirical Investigation of Basic Tempo in Contemporary Performances of Two Large-scale Works of Chopin and Liszt', Empirical Musicology Review, 16, pp. 176 - 204, http://dx.doi.org/10.18061/emr.v16i2.8114

Zhou DQ; Fabian D, 2019, 'A Three-Dimensional Model for Evaluating Individual Differences in Tempo and Tempo Variation in Musical Performance', Musicae Scientiae, 25, pp. 252 - 267, http://dx.doi.org/10.1177/1029864919873124

Fabian D, 2017, 'Analyzing Difference in Recordings of Bach’s Violin Solos with a Lead from Gilles Deleuze', Music Theory Online, 23, pp. 1 - 23, http://dx.doi.org/10.30535/mto.23.4.4

Fabian D, 2017, 'Performers, Composers, Scores and Editions: Commentary on Huisman, Gingras, Dhondt, and Leman', Empirical Musicology Review, 12, pp. 72 - 74, http://dx.doi.org/10.18061/emr.v12i1-2.5244

Fabian D, 2015, 'From Stage to Page: Studying the Performance of Music', Open Book Publishers, http://dx.doi.org/10.11647/obp.0173.0012

Bangert D; Schubert E; Fabian D, 2015, 'Practice thoughts and performance action: Observing processes of musical decision-making', Music Performance Research, 7, pp. 27 - 46, https://openmusiclibrary.org/article/160507/

Bangert D; Schubert E; Fabian D, 2014, 'A spiral model of musical decision-making', Frontiers in Psychology, 5, pp. 1 - 11, http://dx.doi.org/10.3389/fpsyg.2014.00320

Bangert D; Fabian D; Schubert E; Yeadon D, 2014, 'Performing solo Bach: A case study of musical decision-making', Musicae Scientiae, 18, pp. 35 - 52, http://dx.doi.org/10.1177/1029864913509812

Fabian DS, 2013, 'Ornamentation in Recent Recordings of J.S. Bach’s Solo Sonatas and Partitas for Violin', Min-Ad: Israel Studies in Musicology Online, 11, pp. 1 - 21, http://www.biu.ac.il/hu/mu/min-ad/

Sung A; Fabian D, 2011, 'Variety in Performance: A comparative Analysis of Recorded Performances of Bach's Sixth Suite for Solo Cello from 1961 to 1998', EMPIRICAL MUSICOLOGY REVIEW, 6, pp. 20 - 42, http://dx.doi.org/10.18061/1811/49760

Fabian DS; Sung A, 2011, 'Variety in Performance: A comparative Analysis of Recorded Performances of Bach’s Sixth Suite for Solo Cello from 1961 to 1998', Empirical Musicology Review, 6, pp. 23 - 42

Fabian D; Schubert E; Pulley R, 2010, 'A baroque traumerei: The performance and perception of two violin renditions', Musicology Australia, 32, pp. 27 - 44, http://dx.doi.org/10.1080/08145851003793986

Fabian DS; Schubert E; Pulley R, 2010, 'A Baroque Traumerei: The performance and perception of two violin renditions', Musicology Australia, 32, pp. 25 - 42

Fabian DS; Schubert E, 2010, 'A new perspective on the performance of dotted rhythms', Early Music, 38, pp. 585 - 588, http://dx.doi.org/10.1093/em/caq079

Fabian DS, 2010, 'Quantifying the Use of Dynamics in Western Keyboard Music: Lessons and Problems', Empirical Musicology Review, 5, pp. 112 - 114, https://kb.osu.edu/dspace/bitstream/1811/47562/1/EMR000086b-Fabian.pdf

Fabian DS; Schubert E, 2009, 'Baroque expressiveness and stylishness in three recordings of the D minor Sarabanda for Solo Violin', Music Performance Research, 3, pp. 36 - 56, http://mpr-online.net/Issues/Volume%203%20%5B2009%5D/MPR0019%20Fabian%20&%20Schubert%20Final%20Web%20Version.pdf

Fabian DS; Ornoy E, 2009, 'Identity in Violing Playing on Records', Performance Practice Review, 14, pp. 1 - 40

Fabian DS; Schubert E, 2008, 'Musical character and the performance and perception of dotting, articulation and tempo in 34 recordings of Variation 7 from JS Bach`s Goldberg Variations (BWV 988)', Musicae Scientiae, 12, pp. 177 - 206

Fabian DS, 2006, 'Is diversity in Musical Performance Truly in Decline? The Evidence of Sound Recordings', Context, 31 (2006), pp. 165 - 180

Schubert E; Fabian DS, 2006, 'The dimensions of baroque music performance: a semantic differential study', Psychology of Music, 34, pp. 573 - 587

Fabian DS, 2006, 'The recordings of Joachim, Ysaÿe and Sarasate in light of their reception by nineteenth-century British critics', International Review of the Aesthetics and Sociology of Music, 37, pp. 189 - 211

Fabian DS, 2006, 'The recordings of Joachim, Ysaye and Sarasate in light of their reception by nineteenth-century British critics (Joseph Joachim, Pablo Sarasate, Eugene Ysaye)', International Review of the Aesthetics and Sociology of Music, 37, pp. 189 - 211

Fabian D, 2005, 'Musical Entries at Stationers' Hall 1710-1818', MUSICOLOGY AUSTRALIA, 28, pp. 127 - 130, https://www.webofscience.com/api/gateway?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000210563400009&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1

Fabian D, 2005, 'The English Bach Awakening." Knowledge of J. S. Bach and his Music in England 1750-1830', MUSICOLOGY AUSTRALIA, 28, pp. 127 - 130, https://www.webofscience.com/api/gateway?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000210563400008&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1

Fabian D, 2005, 'The merits of archival research in music: The english bach awakening: Knowledge of J. S. Bach and his music', Musicology Australia, 28, pp. 127 - 130, http://dx.doi.org/10.1080/08145857.2005.10415282

Fabian DS, 2004, 'Adalekok J.S. Bach szolo hegeduszonatainak es -partitainak eloadastortenetehez [Towards a performance history of J.S. Bach`s sonatas and partitas for solo violin]', Magyar Zenei Tanacs (Hungarian Music Council), 42, pp. 311 - 335

Fabian DS; Schubert E, 2003, 'Expressive devices and perceived musical character in 34 performances of Variation 7 from Bach`s Goldberg Variations', Musicae Scientiae, Special, pp. 49 - 68

Fabian DS; Schubert E, 2002, 'Preference and perception in dotted 6/8 patters by experienced and less experienced baroque music listeners.', Journal of Music Perception and Cognition, 7, pp. 113 - 132

Fabian DS, 2001, 'The meaning of authenticity and the early music movement - a historical view', International Review of the Aesthetics and Sociology of Music, 32, pp. 153 - 167

Fabian DS, 2000, 'Musicology and performance practice: in search of a historical style with Bach recordings', Studia Musicologica Academiae Scientiarum Hungaricae, pp. 77 - 106

Fabian DS, 1997, 'Changing Style in Performing J.S. Bach`s Music, 1945-1978: The Goldberg Variations', The Consort, pp. 23 - 39

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