Select Publications
Books
2017, Dumb Type Reader
,2017, New Media Dramaturgy Performance, Media and New-Materialism, Palgrave Macmillan UK, http://dx.doi.org/10.1057/978-1-137-55604-2
,2016, William Yang Recompositions, NewSouth
,2012, Multimedia Performance, Palgrave MacMillan, London UK
,2011, Scenario, UNSW Press and ZKM, Sydney and Karlsruhe, http://www.wheelersbooks.com.au/books/9781742232836-scenario/
,2009, The Infinity Machine: Mike Parrs Performance Art 1971-2005, Schwartz City Press, Melbourne
,, 2004, Antonin Artaud A Critical Reader, Scheer EA, (ed.), Routledge Press, USA
, 2000, 100 years of cruelty: essays on Artaud, Scheer EA, (ed.), Power Publications, Sydney
Book Chapters
2019, 'A Concise Introduction to Multimedia Performance', in Digital Theatre Plus, Digital Theatre Plus, UK, https://www.digitaltheatreplus.com/education/s/multimedia
,2019, 'A Concise Introduction to Psychoanalytic Theory', in Digital Theatre Plus, Digital Theatre Plus, UK, https://www.digitaltheatreplus.com/education/s/psychoanalytic-theory
,2019, 'A Concise Introduction to Heiner Muller', in Digital Theatre Plus, Digital Theatre Plus, UK, https://www.digitaltheatreplus.com/education/s/heiner-muller
,2019, 'Postmodernism: A Concise Introduction', in Digital Theatre Plus, Digital Theatre Plus, UK, https://www.digitaltheatreplus.com/education/s/postmodernism
,2019, '"The performative institution"', in Eckersall P; Grehan H (ed.), The Routledge Companion to Theatre and Politics, Routledge, UK, pp. 191 - 197, http://dx.doi.org/10.4324/9780203731055-48
,2018, 'Deconstruction: A Concise Introduction', in Digital Theatre Plus, Digital Theatre Plus, UK, https://www.digitaltheatreplus.com/education/s/deconstruction
,2018, 'Stelarc in the Air. The Flight off the Posthuman', in Fell H (ed.), Stelarc: Stretched Skin, Obsolete, Uncertain and Indifferent Body, PS Media, Trondheim Norway, pp. 66 - 70
,2018, 'A Space in Time Itself', in What Is Performance Art? Australian Perspectives, pp. 112 - 128
,2017, 'Animate Atmospheres: Art at the Edge of Materiality', in Braddock C (ed.), Animism in Art and Performance, Springer, UK, pp. 131 - 149, http://www.palgrave.com/gb/book/9783319665498
,2017, 'Dumb Type's XD', in Scheer EA; Eckersall P (ed.), The Dumb Type Reader, Museum Tusculanum Press, Copenhagen, pp. 145 - 158, http://press.uchicago.edu/ucp/books/book/distributed/D/bo26482424.html
,2016, 'Art After the Expiry date: Mike Parr’s Moving Images', in Butler R; Pitt E (ed.), Mike Parr Language and Chaos, NGA Publications, Canberra, pp. 12 - 22, https://shop.nga.gov.au/exhibition-catalogues/mike-parr-language-and-chaos
,2015, 'New Media Dramaturgy', in Romanska M (ed.), The Routledge Companion to Dramaturgy, Routledge Taylor and Francis, UK and New York USA, pp. 375 - 381, http://www.routledge.com/books/details/9780415658492/
,2014, 'Recomposing the Social Drama: Myra's Olympic Snafu', in MISperformance: essays in shifting perspectives, Maska, ljubljana, pp. 157 - 170, http://www.maska.si/index.php?id=19&L=1&tx_ttnews%5Btt_news%5D=1203&cHash=ee95867fb50865ea321855d64191d039
,2013, 'Re-creating Performance Art: The Rise of Re-enactment', in Handbook of Research on Creativity, Edward Elgar, Cheltenham, UK; Northampton, MA, USA, pp. 422 - 434, http://www.e-elgar.com/
,2012, 'The Generosity of Displacement', in Wilson T (ed.), Parallax: The Performance Paradigm in Photography, Australian Centre for Photography, Paddington, NSW, pp. 8 - 17
,2010, 'Instance: Granular Synthesis, Modell 5', in Bay-Cheng S; Kattenbelt C; Lavender A; Nelson R (ed.), Mapping Intermediality in Performance, Amsterdam University Press, Amsterdam, pp. 115 - 123
,2009, '‘I Artaud BWO: The Uses of Artaud’s To Have Done with the Judgement of God’', in Cull L (ed.), Deleuze and Performance, Edinburgh University Press, Edinburgh, pp. 37 - 53
,2009, 'Between Antipodality and Relational Performance: Performance Studies in Australia; E.Scheer & P.Eckersall in ; eds.', in McKenzie J; Wee CJW-L; Roms H (ed.), Contesting Performance in an Age of Globalization, Palgrave MacMillan, UK, pp. 109 - 122
,2009, 'What I think about When I think about dancing', in The River Project, Campbelltown Arts Centre, Sydney NSW
,2006, 'Eleutheromania: Performance Art and the War on Terror', in A Performance Cosmology. Testimony from the Future, Evidence of the Past., Routledge Press, United kingdom, pp. 187 - 190
,2006, 'Stelarc, Magic and Cyber-Ritual', in Potts J; Scheer E (ed.), Technologies of Magic. A Cultural Study of Ghosts, Machines and the Uncanny., Power Publications, Australia, pp. 141 - 155
,2005, 'I Artaud BwO: The Uses of Artaud's To have done with the judgement of god', in Deleuze and Performance, Edinburgh University Press, pp. 36 - 53, http://dx.doi.org/10.3366/edinburgh/9780748635030.003.0002
,2004, 'Dissident vectors: surrealist ethnography and ecological performance', in Eckersall P; Uchino T; Moriyama N (ed.), Alternatives. Debating Theatre Culture in the Age of Con-Fusion, Peter Lang, Brussels, pp. 55 - 61
,2000, 'De Quincey/ Body weather', in Australian performing arts directory, Performance Media, North Sydney, NSW, pp. 9 - 11
,2000, 'Sketches of the jet: Artaud`s abreaction of the system of fine arts', in 100 years of cruelty: essays on Artaud, Power Publications, Sydney, pp. 57 - 74
,Journal articles
2019, 'Bombshells and Balaclavas: Ironies of inclusion in the work of young Islamic artists in Australia', Performance Research, 24, pp. 37 - 43, http://dx.doi.org/10.1080/13528165.2019.1718427
,2018, 'On Departures Heiner Müller meets Elon Musk', Performance Research: a journal of the performing arts, Volume 23, 2018 -, pp. 406 - 408, http://dx.doi.org/10.1080/13528165.2018.1506397
,2015, 'Robotics as New Media Dramaturgy: The Case of the Sleepy Robot', TDR - The Drama Review - A Journal of Performance Studies, 59, pp. 140 - 149, http://dx.doi.org/10.1162/DRAM_a_00476
,2014, 'How to Do Things with performance art', Performance Research, 19, pp. 90 - 98, http://dx.doi.org/10.1080/13528165.2014.985114
,2014, 'The Resistances of the Body: On Durational Art and Tehching Hsieh', Performance Paradigm, 2014, pp. 48 - 65, http://www.performanceparadigm.net/index.php/journal/article/view/145
,2013, 'Non Places for Non People: Social Sculpture in Minto', Southerly, 72, pp. 87 - 97, http://search.informit.com.au/documentSummary;dn=787102213628233;res=IELLCC
,2012, 'Mike Parr: Brain Coral', Art and Australia, 50, pp. 149 - 150
,2012, 'Posthuman Scenarios and Performative Media', Performance Research, 17, pp. 23 - 33
,2012, 'The Return of the Real Duration', Column, 10, pp. 47 - 50
,2008, 'Australia's post-olympic apocalypse?', PAJ - Journal of Performance and Art, 30, pp. 42 - 56, http://dx.doi.org/10.1162/pajj.2008.30.1.42
,2008, 'The performance of disappearance', TDR - The Drama Review - A Journal of Performance Studies, 52, pp. 195 - 201, http://dx.doi.org/10.1162/dram.2008.52.3.195
,2008, ''Australia's Post-Olympic Apocalypse?' Mike Parr¿s Kingdom Come and Other Actions (2001-2005)', PAJ - A Journal of Performance and Art, 30, pp. 42 - 57
,2007, 'Introduction: The End of Ethics?', Performance Paradigm, 3, pp. Online Journal
,2006, '`After Liveness` An E-Interview with Philip Auslander', The Ends of the 60s. Performance, Media and Contemporary Culture., pp. 142 - 150
,2006, '`Performing In-Difference` An E-Interview with Stelarc', The Ends of the 60s. Performance, Media and Contemporary Culture., pp. 137 - 141
,2006, 'Introduction', Technologies of Magic. A Cultural Study of Ghosts, Machines and the Uncanny., pp. 7 - 19
,2006, 'Introduction: Japan after the 1960`s: the ends of the avant-garde', Performance Paradigm, 2, pp. online
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