By Professor George Kouvaros

Book Chapters

Kouvaros G, 2019, ''I Don't Know What to Do with My Hands': John Cassavetes' The Killing of a Chinese Bookie'', in Kirshner J; Lewis J (ed.), When the Movies Mattered: The New Hollywood Revisited, Cornell University Press, Ithaca and London, pp. 130 - 148, http://web.b.ebscohost.com/ehost/detail/detail?vid=0&sid=5a20db09-3245-4377-849e-b4ae106db811%40pdc-v-sessmgr06&bdata=JnNpdGU9ZWhvc3QtbGl2ZSZzY29wZT1zaXRl#AN=2089062&db=nlebk

Kouvaros G, 2010, '"Those Who Wait" The Misfits and Late Hollywood Style', in FAMOUS FACES YET NOT THEMSELVES: THE MISFITS AND ICONS OF POSTWAR AMERICA, UNIV MINNESOTA PRESS, pp. 149 - 181, http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000284900900006&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1

Kouvaros G, 2010, 'A Measure of Time INTRODUCTION', in FAMOUS FACES YET NOT THEMSELVES: THE MISFITS AND ICONS OF POSTWAR AMERICA, UNIV MINNESOTA PRESS, pp. 1 - +, http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000284900900001&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1

Kouvaros G, 2010, 'Absorption and the Method The Iconography of Method Acting', in FAMOUS FACES YET NOT THEMSELVES: THE MISFITS AND ICONS OF POSTWAR AMERICA, UNIV MINNESOTA PRESS, pp. 31 - 54, http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000284900900002&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1

Kouvaros G, 2010, 'Acting as Labor Picturing The Misfits', in FAMOUS FACES YET NOT THEMSELVES: THE MISFITS AND ICONS OF POSTWAR AMERICA, UNIV MINNESOTA PRESS, pp. 113 - 147, http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000284900900005&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1

Kouvaros G, 2010, 'Being Private in Public Marilyn Monroe's Performance of Intimacy', in FAMOUS FACES YET NOT THEMSELVES: THE MISFITS AND ICONS OF POSTWAR AMERICA, UNIV MINNESOTA PRESS, pp. 81 - 111, http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000284900900004&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1

Kouvaros G, 2010, 'Playing with Time The Magnum Photographs as Historical Record', in FAMOUS FACES YET NOT THEMSELVES: THE MISFITS AND ICONS OF POSTWAR AMERICA, UNIV MINNESOTA PRESS, pp. 183 - 213, http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000284900900007&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1

Kouvaros G, 2010, 'The Star Brought Down to Earth The Actor and Postwar Photography', in FAMOUS FACES YET NOT THEMSELVES: THE MISFITS AND ICONS OF POSTWAR AMERICA, UNIV MINNESOTA PRESS, pp. 55 - 80, http://gateway.webofknowledge.com/gateway/Gateway.cgi?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000284900900003&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1

Kouvaros G, 2009, 'Images that Remember Us: Photography and Memory in Austerlitz', in Fischer G (ed.), W.G. Sebald: Schreiben Ex Patria / Expatriate Writing., edn. 1, Rodopi, Amsterdam and New York, pp. 389 - 412

Kouvaros G, 2008, ''We Do Not Die Twice": Realism and Cinema', in Donald J; Renov M (ed.), The Sage Handbook of Film Studies, edn. Original, Sage, London, pp. 376 - 390, http://dx.doi.org/10.4135/9781849200400.n24

Stern L; Kouvaros G, 1999, 'Descriptive Acts', in Kouvaros G; Stern L (ed.), Falling For You: Essays on Cinema and Performance, edn. Original, Power Publications, Sydney, pp. 1 - 35

Kouvaros G, 1999, 'Improvisation and the Operatic: Cassavetes' A Woman Under the Influence', in Kouvaros G; Stern L (ed.), Falling For You: Essays on Cinema and Performance, edn. Original, Power Publications, Sydney, pp. 49 - 71

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