By Professor George Kouvaros

Journal articles

Kouvaros G, 2026, 'On transience', Continuum, 40, pp. 97 - 104, http://dx.doi.org/10.1080/10304312.2025.2507036

Kouvaros G, 2025, 'The Remains of a Shipwreck: Victor Erice's Close Your Eyes', Senses of Cinema, https://www.sensesofcinema.com/2025/feature-articles/the-remains-of-a-shipwreck-victor-erices-close-your-eyes/

Kouvaros G, 2025, '‘What awaits us’: the life-worlds of post-war migration', Continuum, 39, pp. 280 - 291, http://dx.doi.org/10.1080/10304312.2024.2436885

Kouvaros G, 2023, 'The Signatures of a Time and Place in the World', Ergon: Greek American Arts and Letters, https://ergon.scienzine.com/article/essays/the-signatures-of-a-time-and-a-place-in-the-world

Kouvaros G, 2022, '“The Postman’s Coming:” La Morte Rouge (soliloquio) and the Limits of Essayistic Thinking', Comparative Cinema, 10, pp. 76 - 94, http://dx.doi.org/10.31009/cc.2022.v10.i18.05

Kouvaros G, 2021, 'The Keys to the House: John Conomos’ The Girl From the Sea', Sydney Review of Books, https://sydneyreviewofbooks.com/essays/the-keys-to-the-house-john-conomos-the-girl-from-the-sea

Kouvaros G, 2020, '‘A poor and precious secret’: cinema’s remediation in Patrick Modiano’s Dora Bruder', Textual Practice, pp. 1 - 12, http://dx.doi.org/10.1080/0950236X.2020.1792969

Kouvaros G, 2020, 'El Sur (The South), or the Memory of Cinema', Movie: a Journal of Film Criticism, https://warwick.ac.uk/fac/arts/film/movie/contents/movie_issue9_elsur.pdf

Kouvaros G, 2020, 'Pacific Park', Sydney Review of Books, https://sydneyreviewofbooks.com/essay/pacific-park/

Kouvaros G, 2020, 'The Bouquet', Sydney Review of Books, https://sydneyreviewofbooks.com/essay/the-bouquet/

Kouvaros G, 2019, 'The Other Life', Southerly: a review of Australian literature, 78, pp. 60 - 68, https://search.informit.com.au/documentSummary;dn=425545502411358;res=IELLCC

Kouvaros G, 2018, 'The Enigma of Arrival', Life Writing, 15, pp. 579 - 590, http://dx.doi.org/10.1080/14484528.2016.1276792

Kouvaros G, 2017, ''It's Not Quite Right Yet': Realism and Affect in A Woman Under the Influence and A nos amours', Paragraph, 40, pp. 228 - 243, http://dx.doi.org/10.3366/para.2017.0227

Kouvaros G, 2017, 'Before Something and After Something Else: Film Studies in the Age of Media Studies', Screening the Past, http://www.screeningthepast.com/2017/09/before-something-and-after-something-else-film-studies-in-the-age-of-media-studies/

Kouvaros G, 2016, 'Ithaka, or the Open Voyage: Jonas Mekas' Lost Lost Lost and Reminiscences of a Journey to Lithuania', Screening the Past

Kouvaros G, 2016, 'The Old Greeks', Cultural Studies Review, 22, pp. 149 - 157, http://dx.doi.org/10.5130/csr.v22i2.5063

Kouvaros G, 2015, 'Oi Kaymeni ('The Burnt Ones')', Southerly, 75, pp. 74 - 88

Kouvaros G, 2015, 'As If It Were For the Last Time: Wim Wenders—Film and Photography', New German Critique, 42, pp. 81 - 95, http://dx.doi.org/10.1215/0094033X-2889272

Kouvaros G, 2013, 'A Trip to the Moon', Screening the Past, http://www.screeningthepast.com/2013/06/a-trip-to-the-moon/

Kouvaros G, 2012, ''Time and How to Note it Down': The Lessons of Pull My Daisy', Screen, 53, pp. 1 - 17, http://screen.oxfordjournals.org/content/53/1/1.full

Kouvaros G, 2011, 'The Generation of the Photograph, or Those Left Behind', Southerly, 71, pp. 154 - 165, http://search.informit.com.au/documentSummary;dn=549891543195885;res=IELLCC

Kouvaros G, 2010, ''He's Not There': Robert Frank's Me and My Brother', Screening the Past

Kouvaros G, 2010, 'Our Place in the World', Screening the Past

Kouvaros G, 2009, 'Those Who Wait: The Misfits and Late Style', Screening the Past, 25, pp. n/a - n/a

Kouvaros G, 2007, 'Interview with Paul Schrader', Rouge Magazine, 11

Kouvaros G, 2005, 'Images That Remember Us: Photography and Memory in Austerlitz', Textual Practice, 19, pp. 195 - 211

Kouvaros G, 2002, 'Affliction', Film Quarterly, 55(3), pp. 45 - 51

Kouvaros G, 2002, 'The Misfits: What Happened Around the Camera', Film Quarterly, 55, pp. 28 - 33

Kouvaros G, 2001, 'A strange sun: cinema and theatre in John Cassavetes` The killing of a Chinese bookie and Opening night', Screening the Past, 13, pp. 1 - 21

Kouvaros G, 2001, 'Nocturnal kinship', Screening the Past, 13, pp. 1 - 10

Kouvaros G, 1999, 'An Art of Proper Appearances', UTS Review, 5, pp. 142 - 154

Kouvaros G, 1999, 'Before and After What?', Convergence, 5, pp. 102 - 114

Kouvaros G, 1999, 'Intoxication, the Body, Burlesque: Cassavetes`s Love Streams', Metro, 120, pp. 44 - 54

Kouvaros G, 1998, 'Lessons in Writing: Learning From Barthes', UTS Review, 4, pp. 112 - 122

Kouvaros G, 1998, 'Where Does It Happen? The Place of Performance in the Work of John Cassavetes', Screen, 39, pp. 244 - 258

Kouvaros G, 1997, 'Report: On dangerous ground: Film studies in Australia', Screen, 38, pp. 76 - 81, http://dx.doi.org/10.1093/screen/38.1.76

Kouvaros G, 1997, 'Breaking the Girl: Von Trier`s Breaking the Waves', RealTime, 19, pp. 18 - 18

Kouvaros G, 1997, 'On Dangerous Ground: Film Studies in Australia', Screen, 38, pp. 76 - 81

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