By Professor Jennifer Biddle

Book Chapters

Biddle J, 2020, 'Approaching the Sovereign: From Art Centres to Art Fairs', in Bennett T; Stevenson D; Myers F; Winikoff T (ed.), The Australian Art Field: Practices, Policies, Markets, Routledge, New York and Abingdon, pp. 237 - 251, https://www.routledge.com/The-Australian-Art-Field-Practices-Policies-Institutions/Bennett-Stevenson-Myers-Winikoff/p/book/9780367184414

Biddle J, 2019, 'Milpirri: Activating the At-Risk', in Kahn D (ed.), Energies in the Arts, MIT Press, Cambridge, pp. 351 - 371

Biddle J, 2018, 'Remote Avant-Garde: Tjanpi Desert Weavers', in Howes D (ed.), Senses and Sensation: Critical and Primary Sources, Bloomsbury Academic, London and New York, pp. 179 - 196, https://www.bloomsbury.com/uk/senses-and-sensation-9781474274050/

Biddle JL, 2018, 'Notes on the Hapticity of Colour', in Young D (ed.), Rematerializing Colour: From Concept to Substance, Sean Kingston Publishing, London, pp. 193 - 210, http://www.seankingston.co.uk/publishing.html

Biddle J, 2013, 'Provocations from the Margins: the production and curation of the Warburton Arts Project', in Tu-Di Shen-Ti: Our Land Our Body, Phoenix Science Press Ltd and Waburton Arts Project, Warburton, WA, pp. 16 - 31

Biddle J, 2013, 'Radical Realism and Other Possibilities in Contemporary Indigenous Intercultural Cinema', in Atkinson M; Richardson M (ed.), Traumatic Affect, Cambridge Scholars Publishing, Newcastele upon Tyne, pp. 230 - 240, http://www.cambridgescholars.com/traumatic-affect-14

Biddle J, 2013, 'Yapa-Kurlangu Jukurrpa (Proper Human Art)', in Warnayaka Art Centre: Life in the Digital Desert, Warnayaka Art and Cultural Aboriginal Corporation, Lajamanu, pp. 11 - 14, https://trove.nla.gov.au/work/185778059?q&versionId=202276938

Biddle JL, 2012, 'Literate Savages: Central Desert Painting as Writing', in Berman Tressa (ed.), No Deal! Indigenous Arts and the Politics of Possession, School for Advanced Research Press, Santa Fe, pp. 72 - 87, https://trove.nla.gov.au/work/167952249?q&sort=holdings+desc&_=1551688249291&versionId=183111095

Biddle JL, 2011, 'Reading Aboriginal Art', in McLean I (ed.), How Aborigines Invented the Idea of Contemporary Art: An anthology of writing on Aboriginal art 1980-2006, IMA & Power Publications, Sydney, pp. 246 - 249, http://sydney.edu.au/arts/power/publications/catalogues.shtml?id=HAITIOCA

Biddle JL, 2011, 'The new performativity of Western Desert Women's art', in McLean I (ed.), How Aborigines Invented the Idea of Contemporary Art: An anthology of writing on Aboriginal art 1980-2006, IMA & Power Publications, Sydney, pp. 200 - 202, http://sydney.edu.au/arts/power/publications/catalogues.shtml?id=HAITIOCA

Biddle JL, 2010, 'Shame', in Harding J; Pribram D (ed.), Emotions: A Cultural Studies Reader, Routledge, London and New York, pp. 113 - 113

Biddle JL, 2009, 'Not a Provenance, not a Collaboration: Lamparnu Kala!', in Deger J (ed.), Interventions: Experiments Between Art and Ethnography, Macquarie University, Sydney, pp. 32 - 33

Biddle J, 2003, 'Anthropology as Eulogy: On Loss, Lies and License', in World Memories: Personal Trajectories in Global Times, Palgrave Macmillan, Hampshire & New York, pp. 43 - 58

Biddle J, 2001, 'Inscribing Identity: Skin as Country in the Central Desert', in Ahmed S; Stacey J (ed.), Thinking Through the Skin, Routledge, London and New York, pp. 177 - 193

Biddle J, 2000, 'Writing without Ink: Literacy, Methodology and Cultural Difference', in Lee A; Poynton C (ed.), Culture and Text: Discourse, and Methodology in Social Research and Cultural Studies, Allen and Unwin, St Leonards, pp. 170 - 187

Biddle J, 1991, 'Dot, Circle, Difference: Translating Central Desert Paintings', in Diprose R; Ferrell R (ed.), Cartographies: Poststructuralism and the Mapping of Bodies and Spaces, Allen and Unwin, St Leonards

Back to profile page