Select Publications
Journal articles
2023, 'The Artificial as an Intelligent Indigenous/Indigenizing System: The Experimental Art and Artifice of r e a', Visual Anthropology Review, 39, pp. 458 - 474, http://dx.doi.org/10.1111/var.12284
,2019, 'Inheritance', Cultural Studies Review, 25, pp. 237 - 240, http://dx.doi.org/10.5130/csr.v25i2.6910
,2019, 'Tjanpi Desert Weavers and the Art of Indigenous Survivance’, Special Edition (Neimanis A. and Hamilton J., eds.) “What Do We Want? Feminist Environment Humanities”', Australian Feminist Studies, 34, pp. 413 - 436, http://dx.doi.org/10.1080/08164649.2019.1697179
,2018, ''Not just ceremony, not just dance, not just idea: Milpirri as hyperrealism, a key word discussion', Special Edition (Biddle, J. and Tess, L., eds.) “Hyperrealism and other Indigenous forms of ‘Faking it with the Truth’”', Visual Anthropology Review, 34, pp. 27 - 35, http://dx.doi.org/10.1111/var.12148
,2018, 'Introduction: Faking it With the Truth’ Special Edition (Biddle, J. and Tess, L., eds.) “Hyperrealism and other Indigenous forms of ‘Faking it with the Truth’”', Visual Anthropology Review, 34, pp. 5 - 14, http://dx.doi.org/10.1111/var.12148
,2016, 'Sentience and Sentimentality in Remembering Yayayi', The Cine-Files, 10, pp. 1 - 4, http://www.thecine-files.com/biddle2016/
,2016, 'The Phone Booth Project Martu Media Memories: a conversation in three parts', Public, 27, pp. 110 - 121, http://dx.doi.org/10.1386/public.27.54.110_7
,2015, 'What is Same but Different and why does it matter?', CULTURAL STUDIES REVIEW, 21, pp. 97 - 120, http://dx.doi.org/10.5130/csr.v21i1.4418
,2015, '''My Name is Danny': Indigenous Animation as Hyper-realism'', Angelaki: Journal of the Theoretical Humanities, 20, pp. 105 - 113, http://dx.doi.org/10.1080/0969725X.2015.1065127
,2015, 'Milpirri: Jennifer Biddle in Discussion with Tracks Dance Company', Cultural Studies Review, 21, pp. 132 - 148, http://dx.doi.org/10.5130/csr.v21i1.4421
,2015, 'What is 'Same but Different': Why experimentation in desert art matters', Cultural Studies Review, 21, pp. 97 - 120
,2012, 'A Politics of Proximity: Tjanpi and Other Experimental Western Desert Art', Studies in Material Thinking, 8, pp. 1 - 15, http://www.materialthinking.org/sites/default/files/papers/SMT_V8_P10_Biddle.pdf
,2012, 'Yiwarra Kuju: The Canning Stock Route - making (not taking) history', Art Monthly Australia, pp. 32 - 36
,2010, 'Art under Intervention: the radical ordinary of June Walkujukurr Richards', Art Monthly Australia, pp. 35 - 37
,2009, 'Wurra Wiyi', Voices of the Land: Federation for the Aboriginal and Torres Strait Islander Languages, 3
,2008, 'Festering Boils and Screaming Canvases: Culture as Contagion or Why Place No Longer Matters', Emotion, Space and Society, 1, pp. 97 - 101
,2006, 'Breasts, bodies, art : Central Desert women's paintings and the politics of the aesthetic encounter', Cultural Studies Review, 12, pp. 16 - 31
,2005, 'Empathic Vision: Affect, Trauma and Contemporary Art [Book Review]', Australian and New Zealand Journal of Art, 6, pp. 120 - 123
,2003, 'Country, Skin, Canvas: The Intercorporeal Art of Kathleen Petyarre', Australian and New Zealand Journal of Art, 4, pp. 61 - 76, http://dx.doi.org/10.1080/14434318.2003.11432725
,2002, 'The Warlpiri alphabet and other colonial fantasies', Visual Communication, 1, pp. 267 - 291, http://dx.doi.org/10.1177/147035720200100301
,2002, 'Bruises that won't heal: Melancholic identification and other ethnographic hauntings', Mortality, 7, pp. 96 - 110, http://dx.doi.org/10.1080/13576270120102526
,2002, 'The Politics of Ritual in an Aboriginal Settlement: Kinship, Gender and the Currency of Knowledge [Book Review]', Oceania, 72, pp. 232 - 233, http://dx.doi.org/10.1002/j.1834-4461.2002.tb02790.x
,2002, 'The Warlpiri Alphabet and Other Colonial Fantasies', Visual Communication, 3, pp. 267 - 291
,1997, 'Shame', Australian Feminist Studies, 12, pp. 227 - 239
,1996, 'When Not Writing is Writing', Australian Aboriginal Studies, 1, pp. 21 - 33
,1993, 'The anthropologist's body, or what it means to break your neck in the field', The Australian Journal of Anthropology, 4, pp. 184 - 197
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