Select Publications
Books
, 2019, Australian Music and Modernism, 1960-1975, Bloomsbury Academic, https://www.bloomsbury.com/us/australian-music-and-modernism-1960-1975-9781501348204/
, 2012, The music of David Lumsdaine : Kelly Ground to cambewarra, ASHGATE, Farnham
, 2011, Songs for the Twenty-First Century, Hooper M, (ed.), UYMP, York
Book Chapters
, 2024, 'Editorial Principles', in Hooper MJ (ed.), Roger Smalley on Music: collected writings, Toccata Press, London
, 2024, 'The Main Themes of Roger Smalley’s Writings', in Hooper M (ed.), Roger Smalley on Music: collected writings, Toccata Press, London
, 2023, 'A Viable Path: Serialism and Gesture in Barry Conyngham's Sky (1977)', in Australasian Music, at Home and Abroad, Australian Scholarly Publishing, pp. 87 - 101
, 2021, 'Studying Conyngham’s Sketches: an overview and some examples of his working methods', in Bazaar: A Celebration of Barry Conyngham, University of Melbourne, Melbourne, https://indd.adobe.com/view/bf953486-3805-4aac-bde3-fc456dd87fd7
, 2019, 'Don Banks: Hammer Horror and Serial Composition', in Wierzbicki J (ed.), Double Lives Film Composers in the Concert Hall, Routledge, https://www.routledge.com/Double-Lives-Film-Composers-in-the-Concert-Hall-1st-Edition/Wierzbicki/p/book/9780367028879
, 2017, 'The Art of Scholarship', in Perspectives on Artistic Research in Music, Rowman & Littlefield, https://rowman.com/ISBN/9781498544818/Perspectives-on-Artistic-Research-in-Music
, 2004, 'David Lumsdaine’s Kelly Ground', in Hair G (ed.), Modernism in Australian Music, 1950-2000: Eight Case Studies, Southern Voices, Amaroo
Edited Books
Hooper M, (ed.), 2023, Roger Smalley on Music: collected writings, Toccata Press, London
Journal articles
, 2019, 'Australian Music, the 1960s and early 1970s - history, nationalism, and celebration', Resonate: engage with Australia's new music scene, https://www.australianmusiccentre.com.au/article/australian-music-the-1960s-and-early-1970s-history-nationalism-and-celebration
, 2019, 'A note about discipline: analysis, performance, and birdsong', Journal of Music Research Online, 10, http://www.jmro.org.au/index.php/mca2/article/view/240
, 2019, 'Hooper, Michael. “Björn Heile and Charles Wilson, Eds. The Routledge Research Companion to Modernism in Music. Routledge. £175.” Tempo 73, no. 289 (2019): 86–87.', Tempo, pp. 86 - 87, http://dx.doi.org/10.1017/S0040298219000299
, 2016, ''Traces of birdsong in Elliott Gyger’s opera Fly Away Peter'', Southerly: a review of Australian literature, 76, pp. 169 - 193
, 2015, '‘Singing Seahorses: Eyre and the Air’', Southerly: a review of Australian literature, 75, pp. 114 - 132, http://southerlyjournal.com.au/project/elemental/
, 2015, 'Confusion in the service of discovery', Tempo, 69, pp. 12 - 23, http://dx.doi.org/10.1017/S0040298214000990
, 2014, 'FINNISSY: The History of Photography in Sound Metier MSV77501 (I Pace)', TEMPO, 68, pp. 88 - 89, http://dx.doi.org/10.1017/S0040298214000217
, 2013, 'Collaboration and coordination in the creation of new music', Leonardo, 46, pp. 78 - 79, http://muse.jhu.edu/journals/leonardo/v046/46.1.hooper.html
, 2013, 'The Pierrot Ensembles: Chronicle and Catalogue, 1912–2012', Musicology Australia, 35, pp. 302 - 303, http://dx.doi.org/10.1080/08145857.2013.866884
, 2013, 'The well-tempered oboe and the tradition of innovation.', The Musical Times, 154, pp. 67 - 89, http://themusicaltimes.blogspot.com.au/
, 2012, 'The Start of Performance, or: Does Collaboration Matter?', Tempo, 66, pp. 26 - 36
, 2011, '‘Energetic Gravity’', Resonate: engage with Australia's new music scene, http://www.australianmusiccentre.com.au/article/david-lumsdaine-s-energetic-gravity
, 2011, 'Forming, Submerging, Flames, Air: A Musical Architecture for Vic Hoyland’s Phoenix', Tempo, 65, pp. 18 - 30, http://dx.doi.org/10.1017/S0040298211000039
, 2011, 'Reaching Higher: Finnissy’s Greatest Hits of All Time as the impetus for innovation', The Musical Times, 152, pp. 43 - 57
Conference Papers
, 2016, 'Elliott Gyger's Fly Away Peter', in Roger Covell at 85, UNSW, UNSW, presented at
Conference Presentations
, 2013, 'The Wardour Castle Summer Schools and the formation of British Music Theatre?', presented at RMA, London, 19 September 2013 - 21 September 2013
, 2013, 'Richard Meale’s Modernism', presented at ICMSN, Liverpool, UK, 12 September 2013 - 15 September 2013
, 2013, 'Four Technologies in David Lumsdaine’s Aria for Edward John Eyre', presented at Modern Soundscapes, UNSW, 10 July 2013 - 13 July 2013
, 2011, 'Does Collaboration Matter?', presented at International Conference of Music Since Nineteen‐Hundred (ICMSN), Lancaster
, 2011, 'The Start of Performance', presented at Performance Studies Network International Conference, Cambridge
, 2011, 'The Start of Performance', presented at Performa ‘11, Conference on Performance Studies, University of Aveiro
, 2010, 'Detailing the Wardour Castle Summer Schools', presented at Royal Musical Association annual conference, IMR, London
Music Compositions
, 2018, The sound of persuasion, Publication: Golden Spike Press, Valencia, California, publication category: Music Compositions
Creative Works (non-textual)
, 2016, Unfold, Unfold, 01 July 2016 - 01 July 2016, medium: CD, online
Other
Fabian D (ed.), 2016, Elliott Gyger's opera Fly Away Peter, School of the Arts and Media, UNSW, Sydney
, 2015, When music and poetry converse, http://www.realtimearts.net/article/issue126/11913
Hooper (ed.), 2015, [Liner Notes for the CD] David Gorton: Orfordness, http://www.divine-art.co.uk/CD/28550info.htm
Hooper (ed.), 2014, Unfold: fresh approaches to older works, Australian Music Centre, Sydney
, 2014, Review: Michael Finnissy: The History of Photography in Sound. Ian Pace (pno). Métier MSV77501., Tempo, Cambridge, http://dx.doi.org/10.1017/S0040298214000217