Select Publications
Books
2023, Performing Contemporary Childhoods, Routledge, http://dx.doi.org/10.4324/9781003289685
,2014, Performing Feeling in Cultures of Memory, Palgrave, Houndmillls, Basingstoke, http://www.palgrave.com/products/title.aspx?pid=673828
,2013, Visions and Revisions: Performance, Memory, Trauma, Trezise B; Wake C, (ed.), Museum Tusculanum Press, Copenhagen, http://www.mtp.hum.ku.dk/details.asp?eln=203475
,Book Chapters
2021, 'Spectacular Return: Re-performance Inexhausted in ‘White Bear’s’ Exhibitionary Complex', in The Moral Uncanny in Black Mirror, Springer Nature, pp. 79 - 98, http://dx.doi.org/10.1007/978-3-030-47495-9
,2021, 'Spectacular Return: Re-performance Inexhausted in ‘White Bear’s’ Exhibitionary Complex', in The Moral Uncanny in Black Mirror, Springer International Publishing, pp. 79 - 98, http://dx.doi.org/10.1007/978-3-030-47495-9_5
,2019, 'Acting on Behalf of Themselves: The Theatrical Politics of Child's Play', in The Routledge Companion to Theatre and Politics, Routledge, pp. 272 - 274, http://dx.doi.org/10.4324/9780203731055-69
,2014, 'Choreographing With Light', in Brannigan E; Baxter V (ed.), Bodies of Thought. 12 Australian Choreographers., Wakefield Press, Adelaide, pp. 64 - 71, http://www.wakefieldpress.com.au/product.php?productid=1172&cat=0&page=&featured=Y
,2014, 'Affect’s Spill: Theatrical ‘Sensationship’ in Cultures of Memory', in Performing Feeling in Cultures of Memory, Palgrave Macmillan UK, pp. 136 - 157, http://dx.doi.org/10.1057/9781137336224_6
,2014, 'Affecting Indifference: Traumatic A-materiality in Second Life', in Performing Feeling in Cultures of Memory, Palgrave Macmillan UK, pp. 107 - 135, http://dx.doi.org/10.1057/9781137336224_5
,2014, 'Becoming Other-wise: Remembering Intercorporeal Indigeneity Down Under', in Performing Feeling in Cultures of Memory, Palgrave Macmillan UK, pp. 56 - 78, http://dx.doi.org/10.1057/9781137336224_3
,2014, 'Feeling Remediated: The Emotional Afterlife of Psychic Trauma TV', in Performing Feeling in Cultures of Memory, Palgrave Macmillan UK, pp. 79 - 106, http://dx.doi.org/10.1057/9781137336224_4
,2014, 'Introduction: Feeling the Return of Memory', in Performing Feeling in Cultures of Memory, Palgrave Macmillan UK, pp. 1 - 27, http://dx.doi.org/10.1057/9781137336224_1
,2014, 'Sensing the Holocaust Affect: Memorials in Repeat, Revision and Return', in Performing Feeling in Cultures of Memory, Palgrave Macmillan UK, pp. 28 - 55, http://dx.doi.org/10.1057/9781137336224_2
,2013, 'From Sight to Site: Performance in Memory and Trauma Studies', in Trezise B; Wake C (ed.), Visions and Revisions: Performance, Memory, Trauma, Museum Tusculanum Press, Copenhagen, pp. 11 - 28, http://www.mtp.hum.ku.dk/details.asp?eln=203475
,2013, 'Grave Dancing: Divergent Recollection Along the Tourist Traumascape', in Wake C; Trezise B (ed.), Visions and Revisions: Performance, Memory, Trauma, Museum Tusculanum Press, Copenhagen, pp. 176 - 198, http://www.mtp.hum.ku.dk/details.asp?ELN=203475
,2013, 'Disabling Spectacle: Curiosity, Contempt and Collapse in Performance Theatre', in Eckersall P; Grehan H (ed.), ‘We're People Who Do Shows’: Back to Back Theatre - Performance Politics Visibility, Performance Research Books, Aberystwyth, pp. 118 - 131
,2009, 'Belated Spaces: Embodying Embodiment in Holocaust Tourism', in Counsell C; Mock R (ed.), Performance Embodiment and Cultural Memory, Cambridge Scholars Publishing, Newcastle-upon-Tyne, pp. 80 - 96
,, 'Affectâs Spill', in Performing Feeling in Cultures of Memory, Palgrave Macmillan, http://dx.doi.org/10.1057/9781137336224.0009
, 'Affecting Indifference', in Performing Feeling in Cultures of Memory, Palgrave Macmillan, http://dx.doi.org/10.1057/9781137336224.0008
, 'Becoming Other-wise', in Performing Feeling in Cultures of Memory, Palgrave Macmillan, http://dx.doi.org/10.1057/9781137336224.0006
, 'Feeling Remediated', in Performing Feeling in Cultures of Memory, Palgrave Macmillan, http://dx.doi.org/10.1057/9781137336224.0007
, 'Introduction', in Performing Feeling in Cultures of Memory, Palgrave Macmillan, http://dx.doi.org/10.1057/9781137336224.0004
, 'Sensing the Holocaust Affect', in Performing Feeling in Cultures of Memory, Palgrave Macmillan, http://dx.doi.org/10.1057/9781137336224.0005
Journal articles
2024, 'Shared uncertainties: mapping digital teaching artistry in youth performing arts during COVID-19', Research in Drama Education, 29, pp. 43 - 56, http://dx.doi.org/10.1080/13569783.2023.2227579
,2023, 'How to play in slow time: Embodying creativity literacies in digital learning environments', Convergence, 29, pp. 61 - 80, http://dx.doi.org/10.1177/13548565221148106
,2022, 'Creativity as care during COVID19: The domestic pedagogies of learning from home', Critical Studies in Teaching and Learning, 10, http://dx.doi.org/10.14426/cristal.v10isi.534
,, 2022, 'Creativity as care during COVID19: The domestic pedagogies of learning from home', Critical Studies in Teaching and Learning, 10, http://dx.doi.org/10.14426/cristal.v10isi.1835
2022, 'The Impacts of COVID-19 Responses on Children, Youth and Their Environments in Canada, the United States, New Zealand, and Australia', Children, Youth and Environments, 32, pp. 173 - 195, http://dx.doi.org/10.1353/cye.2022.0007
,2020, 'Performative pedagogies: feeling the experience of being (the) social in twenty-first century learning', Research in Drama Education: The Journal of Applied Theatre and Performance, 25, pp. 465 - 479, http://dx.doi.org/10.1080/13569783.2020.1789454
,2020, 'MINOR REPRESENTATIONS: FROM ANNE FRANK TO BANA ALABED - THE RADICALLY PERFORMATIVE LITERACIES OF A VIRAL CHILD', FORUM FOR MODERN LANGUAGE STUDIES, 56, pp. 115 - 134, http://dx.doi.org/10.1093/fmls/cqaa006
,2019, 'Performing at the interval: Perambulations of the maternal child in an Australian youth-based arts practice', Youth Theatre Journal, 33, pp. 119 - 128, http://dx.doi.org/10.1080/08929092.2019.1688211
,2019, 'Breathtaking performance: 'A room with no air's' exhaustive aesthetics of holocaust memory', Australasian Drama Studies, 74, pp. 129 - 160, https://search.informit.com.au/documentSummary;dn=381608956184522;res=IELNZC
,2019, 'Stealth Pedagogies: The Radical Value of Thinking with Performance', Theatre Topics, 29, pp. 141 - 151, http://dx.doi.org/10.1353/tt.2019.0020
,2018, 'Troubling the Image-Work of Children in the Age of the Viral Child: Re-Working the Figure of the Child', Jeunesse: Young People, Texts, Cultures, 10, pp. 22 - 40, http://dx.doi.org/10.1353/jeu.2018.0001
,2018, 'Do Algorithms Dance? Viral Kids and Contagious Scripts', Performance Research, 23, pp. 76 - 84, http://dx.doi.org/10.1080/13528165.2018.1460452
,2018, 'Future Visions: A Pre-Performative History of Infant Theatricality', Theatre Journal, 70, pp. 1 - 21, http://dx.doi.org/10.1353/tj.2018.0001
,2018, 'Troubling the Image-Work of Children in the Age of the Viral Child: Re-Working the Figure of the Child', Jeunesse: Young People, Texts, Cultures, 10, pp. 22 - 40, http://dx.doi.org/10.3138/jeunesse.10.1.22
,2017, 'The Mother of All Wombs: Tracing the labour of maternal effacement in visual and theatrical cultures of motherhood', Performance Research, 22, pp. 113 - 122, http://dx.doi.org/10.1080/13528165.2017.1374755
,2017, 'What Does the Baby Selfie Say? Seeing Ways of ‘Self-Seeing’ in Infant Digital Cultures', M/C Journal, 20, http://journal.media-culture.org.au/index.php/mcjournal/article/view/1263
,2014, 'Images that Sense Us', Performance Research, 19, pp. 37 - 45, http://dx.doi.org/10.1080/13528165.2014.985092
,2012, 'Spectatorship that Hurts: Socíetas Raffaello Sanzio as Meta-affective Theatre of Memory', Theatre Research International, 37, pp. 205 - 220, http://dx.doi.org/10.1017/S0307883312000879
,2011, 'Discursive Belonging: Surviving Narrative in Migrant Oral History', Cultural Studies Review, 17, http://epress.lib.uts.edu.au/journals/index.php/csrj/article/view/1732/
,2011, 'Touching Virtual Trauma: Performative Empathics in Second Life', Memory Studies, 5, pp. 392 - 409, http://mss.sagepub.com/content/early/2011/12/08/1750698011426355.full.pdf+html
,2009, 'After Effects: Performing the Ends of Memory, an Introduction to Volume II', Performance Paradigm, 5, http://www.performanceparadigm.net/journal/issue-52/articles/after-effects-performing-the-ends-of-memory-an-introduction-to-volume-ii/
,2009, 'Ambivalent Bereavement: Embodying Loss in the Twenty-First Century', Performance Paradigm, 5
,2009, 'Introduction to After Effects: Performing the Ends of Memory', Performance Paradigm, 5, http://www.performanceparadigm.net/journal/issue-51/articles/introduction-after-effects-performing-the-ends-of-memory/
,2009, 'On the Ethics of Non-Disclosure: a Roundtable with Urban Theatre Projects and Collaborators', Performance Paradigm, 5, pp. n/a - n/a, http://www.performanceparadigm.net/journal/issue-52/interview/on-the-ethics-of-non-disclosure-a-roundtable-with-urban-theatre-projects-and-collaborators/
,2008, 'Ambivalent Apparitions: The Pop-Psychic Art of TV Medium John Edward', Performance Research, 13, pp. 100 - 110
,2008, 'Recovering Memories: Versions of a Misreremembered Australian Body', Australian Feminist Law Journal, 29, pp. 155 - 175
,2008, 'The Red Velvet Seat: Women`s Writing on the First Fifty Years of Cinema', Amateur Filmmaking. The Home, The Archive, The Web., 49, pp. 507 - 510
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