Select Publications
Journal articles
2024, 'Shared uncertainties: mapping digital teaching artistry in youth performing arts during COVID-19', Research in Drama Education, 29, pp. 43 - 56, http://dx.doi.org/10.1080/13569783.2023.2227579
,2023, 'How to play in slow time: Embodying creativity literacies in digital learning environments', Convergence, 29, pp. 61 - 80, http://dx.doi.org/10.1177/13548565221148106
,2022, 'Creativity as care during COVID19: The domestic pedagogies of learning from home', Critical Studies in Teaching and Learning, 10, http://dx.doi.org/10.14426/cristal.v10isi.534
,, 2022, 'Creativity as care during COVID19: The domestic pedagogies of learning from home', Critical Studies in Teaching and Learning, 10, http://dx.doi.org/10.14426/cristal.v10isi.1835
2022, 'The Impacts of COVID-19 Responses on Children, Youth and Their Environments in Canada, the United States, New Zealand, and Australia', Children, Youth and Environments, 32, pp. 173 - 195, http://dx.doi.org/10.1353/cye.2022.0007
,2020, 'Performative pedagogies: feeling the experience of being (the) social in twenty-first century learning', Research in Drama Education: The Journal of Applied Theatre and Performance, 25, pp. 465 - 479, http://dx.doi.org/10.1080/13569783.2020.1789454
,2020, 'MINOR REPRESENTATIONS: FROM ANNE FRANK TO BANA ALABED - THE RADICALLY PERFORMATIVE LITERACIES OF A VIRAL CHILD', FORUM FOR MODERN LANGUAGE STUDIES, 56, pp. 115 - 134, http://dx.doi.org/10.1093/fmls/cqaa006
,2019, 'Performing at the interval: Perambulations of the maternal child in an Australian youth-based arts practice', Youth Theatre Journal, 33, pp. 119 - 128, http://dx.doi.org/10.1080/08929092.2019.1688211
,2019, 'Breathtaking performance: 'A room with no air's' exhaustive aesthetics of holocaust memory', Australasian Drama Studies, 74, pp. 129 - 160, https://search.informit.com.au/documentSummary;dn=381608956184522;res=IELNZC
,2019, 'Stealth Pedagogies: The Radical Value of Thinking with Performance', Theatre Topics, 29, pp. 141 - 151, http://dx.doi.org/10.1353/tt.2019.0020
,2018, 'Troubling the Image-Work of Children in the Age of the Viral Child: Re-Working the Figure of the Child', Jeunesse: Young People, Texts, Cultures, 10, pp. 22 - 40, http://dx.doi.org/10.1353/jeu.2018.0001
,2018, 'Do Algorithms Dance? Viral Kids and Contagious Scripts', Performance Research, 23, pp. 76 - 84, http://dx.doi.org/10.1080/13528165.2018.1460452
,2018, 'Future Visions: A Pre-Performative History of Infant Theatricality', Theatre Journal, 70, pp. 1 - 21, http://dx.doi.org/10.1353/tj.2018.0001
,2018, 'Troubling the Image-Work of Children in the Age of the Viral Child: Re-Working the Figure of the Child', Jeunesse: Young People, Texts, Cultures, 10, pp. 22 - 40, http://dx.doi.org/10.3138/jeunesse.10.1.22
,2017, 'The Mother of All Wombs: Tracing the labour of maternal effacement in visual and theatrical cultures of motherhood', Performance Research, 22, pp. 113 - 122, http://dx.doi.org/10.1080/13528165.2017.1374755
,2017, 'What Does the Baby Selfie Say? Seeing Ways of ‘Self-Seeing’ in Infant Digital Cultures', M/C Journal, 20, http://journal.media-culture.org.au/index.php/mcjournal/article/view/1263
,2014, 'Images that Sense Us', Performance Research, 19, pp. 37 - 45, http://dx.doi.org/10.1080/13528165.2014.985092
,2012, 'Spectatorship that Hurts: Socíetas Raffaello Sanzio as Meta-affective Theatre of Memory', Theatre Research International, 37, pp. 205 - 220, http://dx.doi.org/10.1017/S0307883312000879
,2011, 'Discursive Belonging: Surviving Narrative in Migrant Oral History', Cultural Studies Review, 17, http://epress.lib.uts.edu.au/journals/index.php/csrj/article/view/1732/
,2011, 'Touching Virtual Trauma: Performative Empathics in Second Life', Memory Studies, 5, pp. 392 - 409, http://mss.sagepub.com/content/early/2011/12/08/1750698011426355.full.pdf+html
,2009, 'After Effects: Performing the Ends of Memory, an Introduction to Volume II', Performance Paradigm, 5, http://www.performanceparadigm.net/journal/issue-52/articles/after-effects-performing-the-ends-of-memory-an-introduction-to-volume-ii/
,2009, 'Ambivalent Bereavement: Embodying Loss in the Twenty-First Century', Performance Paradigm, 5
,2009, 'Introduction to After Effects: Performing the Ends of Memory', Performance Paradigm, 5, http://www.performanceparadigm.net/journal/issue-51/articles/introduction-after-effects-performing-the-ends-of-memory/
,2009, 'On the Ethics of Non-Disclosure: a Roundtable with Urban Theatre Projects and Collaborators', Performance Paradigm, 5, pp. n/a - n/a, http://www.performanceparadigm.net/journal/issue-52/interview/on-the-ethics-of-non-disclosure-a-roundtable-with-urban-theatre-projects-and-collaborators/
,2008, 'Ambivalent Apparitions: The Pop-Psychic Art of TV Medium John Edward', Performance Research, 13, pp. 100 - 110
,2008, 'Recovering Memories: Versions of a Misreremembered Australian Body', Australian Feminist Law Journal, 29, pp. 155 - 175
,2008, 'The Red Velvet Seat: Women`s Writing on the First Fifty Years of Cinema', Amateur Filmmaking. The Home, The Archive, The Web., 49, pp. 507 - 510
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