By Dr Caroline Wake

Books

Trezise B; Wake C, 2013, Visions and Revisions: Performance, Memory, Trauma, Trezise B; Wake C, (ed.), Museum Tusculanum Press, Copenhagen, http://www.mtp.hum.ku.dk/details.asp?eln=203475

Book Chapters

Cañas T; Wake C, 2024, '"Introduction: Staging Asylum, Again"', in Cañas T; Wake C (ed.), Staging Asylum, Again, Currency Press, Surry Hills, pp. 1 - 8

Cañas T; Wake C, 2024, '"Introduction: Tribunal"', in Cañas T; Wake C (ed.), Staging Asylum, Again, pp. 9 - 15

Wake C, 2023, 'Introduction: Performance, Refuge and Resistance', in Little S; Suliman S; Wake C (ed.), Performance, Resistance and Refugees, Routledge, London, pp. 1 - 16, http://dx.doi.org/10.4324/9781003142782-1

Wake C, 2023, 'Offshore Onstage: Refugee Policies, Media Ecologies and Migrant Dramaturgies in Australia, 2001–2021', in Little S; Suliman S (ed.), Performance, Resistance and Refugees, Taylor & Francis, London, pp. 84 - 98, http://dx.doi.org/10.4324/9781003142782-7

Wake C, 2023, 'Performance and Asylum Seekers in Australia (2000–2020)', in The Palgrave Handbook of Theatre and Migration, pp. 549 - 560, http://dx.doi.org/10.1007/978-3-031-20196-7_44

Wake C, 2018, 'Something Old, Something New, Something Borrowed, Something Blue: Liveworks 2017', in Khan J; Pearce T; Winten K (ed.), Performance Space Reflections on Liveworks 2017, Performance Space, Sydney, pp. 10 - 12, http://performancespace.com.au/wp-content/uploads/2018/03/Liveworks-Publication-with-links-1.pdf

Wake C, 2015, 'Performing Authenticity in the Refugee Determination Process', in Cox E (ed.), Staging Asylum Contemporary Australian Plays about Refugees, Currency Press, Strawberry Hills

Wake C; Talbot A, 2014, '"Story, Silence, Song and Site: The Multiplicity of Testimony in The Fence"', in Forsyth A (ed.), The Methuen Drama Anthology of Testimonial Plays, Bloomsbury, London, pp. 75 - 82, http://www.bloomsbury.com/uk/the-methuen-drama-anthology-of-testimonial-plays-9781408176535/

Wake C, 2014, 'The Complexity of Courage: Roslyn Oades' Headphone Verbatim Trilogy', in Acts of Courage: Three Headphone Verbatim Play, Currency Press, Sydney, pp. vii - xviii

Wake C; Trezise B, 2013, 'From Sight to Site: Performance in Memory and Trauma Studies', in Trezise B; Wake C (ed.), Visions and Revisions: Performance, Memory, Trauma, Museum Tusculanum Press, Copenhagen, pp. 11 - 28, http://www.mtp.hum.ku.dk/details.asp?eln=203475

Trezise B; Wake C, 2013, 'Disabling Spectacle: Curiosity, Contempt and Collapse in Performance Theatre', in Eckersall P; Grehan H (ed.), ‘We're People Who Do Shows’: Back to Back Theatre - Performance Politics Visibility, Performance Research Books, Aberystwyth, pp. 118 - 131

Wake C, 2013, 'The Accident and the Account: Towards a Taxonomy of Spectatorial Witness in Theatre and Performance Studies', in Trezise B; Wake C (ed.), Visions and Revisions: Performance, Memory, Trauma, Museum Tusculanum Press, Copenhagen, pp. 33 - 56, http://www.mtp.hum.ku.dk/details.asp?eln=203475

Wake C, 2012, 'Interrogating Theatre: Version 1.0's War on Terror Trilogy', in Remixing Politics: 3 Documentary Theatre Works, Currency Press, Strawberry Hills, N.S.W., pp. vii - xxii

Mumford M; Wake C, 2010, 'A Short History of Verbatim Theatre', in Brown P (ed.), Verbatim: Staging Memory and Community, Currency Press, Strawberry Hills, NSW, pp. 9 - 17

Brown PF; Wake C, 2010, 'The Future of Verbatim Theatre: Truthfulness in a New Era', in Brown P (ed.), Verbatim: Staging Memory and Community, Currency Press, Strawberry Hills, Sydney, pp. 18 - 21

Wake C, 2010, 'The Laramie Project: Performing the Play in the USA and Australia', in Brown P (ed.), Verbatim: Staging Memory and Community, Currency Press, Strawberry Hills, Sydney, pp. 25 - 36

Wake C, 2010, 'Towards a Working Definition of Verbatim Theatre', in Brown P (ed.), Verbatim: Staging Memory and Community, Currency Press, Strawberry Hills, Sydney, pp. 2 - 5

Wake C, 2010, 'Verbatim Theatre Within a Spectrum of Practices', in Brown P (ed.), Verbatim: Staging Memory and Community, Currency Press, Strawberry Hills, Sydney, pp. 6 - 8

Edited Books

Cañas T; Wake C, (ed.), 2024, Staging Asylum, Again, Currency Press, Surry Hills, https://www.currency.com.au/books/drama/staging-asylum-again/

Little S; Suliman S; Wake C; Szörényi A; Khorana S; Gholami Z; Perea S; Papastergiadis N; Tello V; Giannacopoulos M, (eds.), 2023, Performance, Resistance and Refugees, Routledge, London, http://dx.doi.org/10.4324/9781003142782

Journal articles

Wake C; Cairncross B, 2020, 'Local Archive, Distant Reading: Performance Space at Cleveland Street and Carriageworks', Australasian Drama Studies, 76, pp. 183 - 210, https://search.informit.com.au/documentSummary;dn=159554151510419;res=IELIAC

Wake C, 2020, 'Theatre and (Im)migration.', MODERN DRAMA, 63, pp. 250 - 253, https://www.webofscience.com/api/gateway?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000612855600010&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1

Willis E; Shih Pearson J; Wake C, 2020, 'Editorial: Performing Southern Feminisms', Performance Paradigm, 15, pp. 1 - 6, https://www.performanceparadigm.net/index.php/journal/article/view/224

Wake C, 2020, 'A Constructive Dialogue? The Role of Performance in Visual Arts Biennials', Contemporary Theatre Review, 30, pp. 6 - 27, http://dx.doi.org/10.1080/10486801.2019.1696320

Wake C, 2020, 'Yana Meerzon, ed., Theatre and (Im)migration. New Essays on Canadian Theatre Series', Modern Drama, 63, pp. 250 - 253, http://dx.doi.org/10.3138/md.63.2.br5

Wake C, 2019, 'Theatre of the Real with Resettled Refugees: Old problems and new solutions in The Baulkham Hills African Ladies Troupe', Performance Research, 24, pp. 20 - 30, http://dx.doi.org/10.1080/13528165.2019.1718426

Wake C; Willis E, 2018, 'Politics, Performance, and Non-Participation', Performance Paradigm, 14, pp. 1 - 9, https://www.performanceparadigm.net/index.php/journal/article/view/209

Wake C, 2018, 'On Clinical, Cultural and Theatrical Trauma', Performance Research, 23, pp. 219 - 222, http://dx.doi.org/10.1080/13528165.2018.1506525

Wake C, 2018, '"Scenes of Appalling Human Degradation: Gloss"', Imagined Theatres, http://imaginedtheatres.com/scenes-of-appalling-human-degradation-gloss/

Wake C, 2018, 'Postcard from the Edge: Tom Holloway's Beyond the Neck and the Limits of Verbatim', Australasian Drama Studies, 72, pp. 100 - 125, https://search.informit.com.au/documentSummary;dn=648233828108240;res=IELHSS

Wake C, 2018, 'Two Decades of Digital Pedagogies in the Performing Arts: A Comparative Survey of Theatre, Performance, and Dance', International Journal of Performance Arts and Digital Media, 14, pp. 52 - 69, http://dx.doi.org/10.1080/14794713.2018.1464097

Cox E; Wake C, 2018, 'Envisioning Asylum/Engendering Crisis: Or, Performance and Forced Migration 10 Years On', Research in Drama Education: The Journal of Applied Theatre and Performance, 23, pp. 137 - 147, http://dx.doi.org/10.1080/13569783.2018.1442714

Wake C, 2018, 'POSTCARD FROM THE EDGE: TOM HOLLOWAY'S BEYOND THE NECK AND THE LIMITS OF VERBATIM', AUSTRALASIAN DRAMA STUDIES, pp. 99 - 124, https://www.webofscience.com/api/gateway?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000446809900005&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1

Wake C, 2018, 'Theatre Criticism: Changing Landscapes. Edited by Duška Radosavljević. London: Bloomsbury, 2016. Pp. xiv + 338. £21.99/$29.95 Pb.', Theatre Research International, 43, pp. 351 - 352, http://dx.doi.org/10.1017/s0307883318000676

Wake C, 2017, 'The Ambivalent Politics of One-to-One Performance', Performance Paradigm, 13, pp. 163 - 173, http://performanceparadigm.net/index.php/journal/article/view/206

Wake C, 2017, 'Performance, Technology, Intimacy', Performance Paradigm, 12, pp. 1 - 6, http://performanceparadigm.net/index.php/journal/article/view/175

Wake C, 2015, 'Review of Theatre of the Real by Carol Martin (Basingstoke: Palgrave Macmillan, 2013)', Performance Paradigm, 11, pp. 119 - 123, http://www.performanceparadigm.net/index.php/journal/article/view/172

Wake C, 2014, 'The politics and poetics of listening: Attending headphone verbatim theatre in post-cronulla Australia', Theatre Research International, 39, pp. 82 - 100, http://dx.doi.org/10.1017/S0307883314000029

Wake C, 2013, 'Between Repetition and Oblivion: Performance, Testimony, and Ontology in the Refugee Determination Process', Text and Performance Quarterly, 33, pp. 326 - 343, http://dx.doi.org/10.1080/10462937.2013.818164

Wake C, 2013, 'Headphone Verbatim Theatre: Methods, Histories, Genres, Theories', New Theatre Quarterly, 29, pp. 321 - 335, http://dx.doi.org/10.1017/S0266464X13000651

Wake C, 2013, 'Regarding the Recording: The Viewer of Video Testimony, the Complexity of Copresence and the Possibility of Tertiary Witnessing', History and Memory: Studies in Representation of the Past, 25, pp. 111 - 144, http://dx.doi.org/10.1353/ham.2013.0004

Wake C, 2013, 'To Witness Mimesis: The Politics, Ethics, and Aesthetics of Testimonial Theatre in Through the Wire', Modern Drama, 56, pp. 102 - 125, http://muse.jhu.edu/journals/modern_drama/v056/56.1.wake.html

Wake C, 2011, 'Review of Get Real: Documentary Theatre Past and Present, ed. Alison Forsyth and Chris Megson (Basingstoke and New York: Palgrave Macmillan, 2009) and Dramaturgy of the Real on the World Stage, ed. Carol Martin (Basingstoke and New York: Palgrave Macmillan, 2010)', Performance Paradigm, 7, pp. 1 - 11, http://www.performanceparadigm.net/journal/issue-7/book-reviews/get-real-documentary-theatre-past-and-present-ed-alison-forsyth-and-chris-megson-basingstoke-and-new-york-palgrave-macmillan-2009-and-dramaturgy-of-the-real-on-the-world-stage-ed-carol-martin/

Wake C, 2010, 'Caveat Spectator: Juridical, Political and Ontological False Witnessing in CMI (A Certain Maritime Incident)', Law Text Culture, 14, pp. 160 - 187, http://ro.uow.edu.au/ltc/vol14/iss1/10

Wake C, 2009, 'After Effects: Performing the Ends of Memory. An Introduction to Volume I', Performance Paradigm, 5, pp. 1 - 7, http://www.performanceparadigm.net/wp-content/uploads/2009/07/wake-51-intro-final.pdf

Trezise BA; Wake C, 2009, 'Introduction to After Effects: Performing the Ends of Memory', Performance Paradigm, 5, pp. n/a - n/a, http://www.performanceparadigm.net/wp-content/uploads/2009/07/wake-and-trezise-intro-final.pdf

Trezise BA; Wake C, 2009, 'On the Ethics of Non-Disclosure: A Roundtable with Urban Theatre Projects and Collaborators', Performance Paradigm, 5, pp. n/a - n/a, http://www.performanceparadigm.net/wp-content/uploads/2009/10/trezise-and-wake-utp-interview-final-copy-with-images.pdf

Wake C, 2009, 'The Accident and the Account: Towards a Taxonomy of Spectatorial Witness in Theatre and Performance Studies', Performance Paradigm, 5, pp. 1 - 21, http://www.performanceparadigm.net/wp-content/uploads/2009/07/wake.pdf

Wake C, 2008, 'Through the (In)visible witness in Through the Wire', Research In Drama Education, 13, pp. 187 - 192, http://dx.doi.org/10.1080/13569780802054844

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