By Dr Caroline Wake

Book Chapters

Wake C, 2023, 'Introduction: Performance, Refuge and Resistance', in Little S; Suliman S; Wake C (ed.), Performance, Resistance and Refugees, Routledge, London, pp. 1 - 16, http://dx.doi.org/10.4324/9781003142782-1

Wake C, 2023, 'Offshore Onstage: Refugee Policies, Media Ecologies and Migrant Dramaturgies in Australia, 2001–2021', in Little S; Suliman S (ed.), Performance, Resistance and Refugees, Taylor & Francis, London, pp. 84 - 98, http://dx.doi.org/10.4324/9781003142782-7

Wake C, 2023, 'Performance and Asylum Seekers in Australia (2000–2020)', in The Palgrave Handbook of Theatre and Migration, Springer International Publishing, pp. 549 - 560, http://dx.doi.org/10.1007/978-3-031-20196-7_44

Wake C, 2018, 'Something Old, Something New, Something Borrowed, Something Blue: Liveworks 2017', in Khan J; Pearce T; Winten K (ed.), Performance Space Reflections on Liveworks 2017, Performance Space, Sydney, pp. 10 - 12, http://performancespace.com.au/wp-content/uploads/2018/03/Liveworks-Publication-with-links-1.pdf

Wake C, 2015, 'Performing Authenticity in the Refugee Determination Process', in Cox E (ed.), Staging Asylum Contemporary Australian Plays about Refugees, Currency Press, Strawberry Hills

Wake C; Talbot A, 2014, '"Story, Silence, Song and Site: The Multiplicity of Testimony in The Fence"', in Forsyth A (ed.), The Methuen Drama Anthology of Testimonial Plays, Bloomsbury, London, pp. 75 - 82, http://www.bloomsbury.com/uk/the-methuen-drama-anthology-of-testimonial-plays-9781408176535/

Wake C, 2014, 'The Complexity of Courage: Roslyn Oades' Headphone Verbatim Trilogy', in Acts of Courage: Three Headphone Verbatim Play, Currency Press, Sydney, pp. vii - xviii

Wake C; Trezise B, 2013, 'From Sight to Site: Performance in Memory and Trauma Studies', in Trezise B; Wake C (ed.), Visions and Revisions: Performance, Memory, Trauma, Museum Tusculanum Press, Copenhagen, pp. 11 - 28, http://www.mtp.hum.ku.dk/details.asp?eln=203475

Trezise B; Wake C, 2013, 'Disabling Spectacle: Curiosity, Contempt and Collapse in Performance Theatre', in Eckersall P; Grehan H (ed.), ‘We're People Who Do Shows’: Back to Back Theatre - Performance Politics Visibility, Performance Research Books, Aberystwyth, pp. 118 - 131

Wake C, 2013, 'The Accident and the Account: Towards a Taxonomy of Spectatorial Witness in Theatre and Performance Studies', in Trezise B; Wake C (ed.), Visions and Revisions: Performance, Memory, Trauma, edn. In Between States, Museum Tusculanum Press, Copenhagen, pp. 33 - 56, http://www.mtp.hum.ku.dk/details.asp?eln=203475

Wake C, 2012, 'Interrogating Theatre: Version 1.0's War on Terror Trilogy', in Remixing Politics: 3 Documentary Theatre Works, edn. 1, Currency Press, Strawberry Hills, N.S.W., pp. vii - xxii

Mumford M; Wake C, 2010, 'A Short History of Verbatim Theatre', in Brown P (ed.), Verbatim: Staging Memory and Community, edn. Original, Currency Press, Strawberry Hills, NSW, pp. 9 - 17

Brown PF; Wake C, 2010, 'The Future of Verbatim Theatre: Truthfulness in a New Era', in Brown P (ed.), Verbatim: Staging Memory and Community, edn. Original, Currency Press, Strawberry Hills, Sydney, pp. 18 - 21

Wake C, 2010, 'The Laramie Project: Performing the Play in the USA and Australia', in Brown P (ed.), Verbatim: Staging Memory and Community, edn. Original, Currency Press, Strawberry Hills, Sydney, pp. 25 - 36

Wake C, 2010, 'Towards a Working Definition of Verbatim Theatre', in Brown P (ed.), Verbatim: Staging Memory and Community, edn. Original, Currency Press, Strawberry Hills, Sydney, pp. 2 - 5

Wake C, 2010, 'Verbatim Theatre Within a Spectrum of Practices', in Brown P (ed.), Verbatim: Staging Memory and Community, edn. Original, Currency Press, Strawberry Hills, Sydney, pp. 6 - 8

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