Select Publications
Books
2019, Foreword
,2017, Participatory culture and the social value of an architectural icon: Sydney opera house, http://dx.doi.org/10.4324/9781315599496
,Book Chapters
2024, 'An Important Cultural Building of a New Kind', in Tzannes: Adaptive Urban Architecture and Design, Thames & Hudson, Victoria, Australia, pp. 416 - 423
,2021, 'Histories of urban heritage: Emotional and experiential attachments across time and space', in People-Centred Methodologies for Heritage Conservation: Exploring Emotional Attachments to Historic Urban Places, pp. 65 - 79
,2020, 'The urban Spanglish of Mexico City', in The Routledge Handbook of Place, pp. 198 - 207, http://dx.doi.org/10.4324/9780429453267-17
,2019, 'Hospicio cabañas: Seeing world heritage through google’s eyes', in The Routledge International Handbook of New Digital Practices in Galleries, Libraries, Archives, Museums and Heritage Sites, pp. 410 - 423, http://dx.doi.org/10.4324/9780429506765-38
,2018, 'CmyView: Learning by Walking and Sharing Social Values', in Networked Learning, Springer International Publishing, pp. 167 - 186, http://dx.doi.org/10.1007/978-3-319-74857-3_10
,2016, 'Informal networked learning as teamwork in design studio cmyview: Using mobile digital technologies to connect with student's everyday experiences', in Collaboration and Student Engagement in Design Education, pp. 188 - 208, http://dx.doi.org/10.4018/978-1-5225-0726-0.ch009
,Journal articles
2024, 'Synchronous (In)significance: Recording Ukraine’s Cultural Heritage in Real-Time', Fabrications, pp. 1 - 27, http://dx.doi.org/10.1080/10331867.2024.2383020
,2024, 'Learning Spaces of Higher Education for Postdigital Citizens', Postdigital Science and Education, http://dx.doi.org/10.1007/s42438-024-00504-1
,2022, 'Materials and Places for Learning: Experiences of Doctoral Students in and around University Spaces', Postdigital Science and Education, 5, http://dx.doi.org/10.1007/s42438-022-00328-x
,2021, 'Digital spectres: the Notre-Dame effect', International Journal of Heritage Studies, 27, pp. 1264 - 1277, http://dx.doi.org/10.1080/13527258.2021.1950029
,2020, 'Machismo and feminicide: Sharing culture and difficult heritage in Mexico', Historic Environment, 32, pp. 36 - 53, https://australia.icomos.org/wp-content/uploads/Machismo-and-feminicide-Sharing-culture-and-diff%C2%8Cicult-heritage-in-Mexico-vol-32-no-1.pdf
,2020, 'In the Eye of the Beholder', ARCHITECTURAL DESIGN, 90, pp. 88 - 93, http://dx.doi.org/10.1002/ad.2595
,2018, 'The need for diversity of uses in suburban neighbourhood centres', Urban Design International, 23, pp. 86 - 101, http://dx.doi.org/10.1057/s41289-017-0052-x
,2018, 'Spaces of inclusion and belonging: The learning imaginaries of doctoral students in a multi-campus and distance university', Australasian Journal of Educational Technology, 34, pp. 41 - 52, http://dx.doi.org/10.14742/ajet.4483
,2013, 'Architecture and "the act of receiving, or the fact of being received": Introduction to a special issue on reception', Architectural Theory Review, 18, pp. 267 - 271, http://dx.doi.org/10.1080/13264826.2013.902418
,2013, 'Participatory culture as a site for the reception of architecture: Making a giant Sydney Opera House cake', Architectural Theory Review, 18, pp. 325 - 339, http://dx.doi.org/10.1080/13264826.2013.890008
,2010, 'Photosharing on Flickr: Intangible heritage and emergent publics', International Journal of Heritage Studies, 16, pp. 352 - 368, http://dx.doi.org/10.1080/13527251003775695
,Conference Papers
2018, 'From controversial design to heritage icon: Seidler's Shell House', in Proceedings of the 15th International Docomomo Conference - Metamorphosis: The Continuity of Change, IDC 2018, pp. 612 - 614
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