ORCID as entered in ROS

Select Publications
Burdon G, 2025, 'Sound Art Geographies: Listening at the Limits of Audibility', Geography Compass, 19, http://dx.doi.org/10.1111/gec3.70022
Burdon G, 2024, 'Just Beyond Listening: Essays of Sonic Encounter', CULTURAL GEOGRAPHIES, http://dx.doi.org/10.1177/14744740241293123
Burdon G, 2023, 'Immunological atmospheres: Ambient music and the design of self-experience', Cultural Geographies, 30, pp. 555 - 568, http://dx.doi.org/10.1177/14744740231167604
Burdon G, 2022, 'On being affected: Desire, passion, and the question of conatus after Spinoza and Deleuze', Transactions of the Institute of British Geographers, 47, pp. 682 - 694, http://dx.doi.org/10.1111/tran.12526
Williams N; Burdon G, 2022, 'Writing subjectivity without subjecthood: the machinic unconscious of Nathalie Sarraute’s Tropisms', Social and Cultural Geography, 24, pp. 1403 - 1421, http://dx.doi.org/10.1080/14649365.2022.2065694