By Dr Gregory Dolgopolov

Book Chapters

Dolgopolov G, 2023, 'Forged Network-Narratives: Tolstoy’s The Forged Coupon and a cycle of adaptations in World Cinema', in Sobolev O; Smith A (ed.), Film Adaptations of Russian Classics Dialogism and Authorship, Edinburgh University Press, Edinburgh, https://edinburghuniversitypress.com/book-film-adaptations-of-russian-classics.html

Dolgopolov G, 2021, 'New Australian Crime Drama', in Ryan MD; McWilliams K (ed.), Australian Genre Film, pp. 74 - 89, https://www.routledge.com/Australian-Genre-Film/McWilliam-Ryan/p/book/9781138603141

Dolgopolov G, 2019, 'Legend No. 17', in Salys R (ed.), The Contemporary Russian Cinema Reader 2005-2016, Academic Studies Press, https://www.academia.edu/38686102/The_Contemporary_Russian_Cinema_Reader_2005-2016_Sampler_

Dolgopolov G, 2017, 'Lost and Found: Children in Indigenous Australian Cinema', in Donald SH; Wilson E; Wright S (ed.), Childhood and Nation in Contemporary World Cinema: Borders and Encounters, BLOOMSBURY PUBL INC, pp. 32 - 42

Dolgopolov G, 2015, 'Animal Kingdom', in Directory of World Cinema: Australia and New Zealand 2, pp. 99 - 100

Dolgopolov G, 2015, 'CRIME', in Ryan MD; Lealand D; Goldsmith B (ed.), Directory of World Cinema Australia and New Zealand 2, Intellect L & D E F A E, http://press.uchicago.edu/ucp/books/book/distributed/D/bo14239040.html

Dolgopolov G, 2015, 'Snowtown', in Directory of World Cinema Australia and New Zealand 2, Intellect L & D E F A E

Dolgopolov G; Stern L, 2015, ''Beware film star! Towards a performance and cultural analysis of Innokenty Smoktunovsky as Soviet film star'', in Bandhauer A; Royer M (ed.), Stars in World Cinema Screen Icons and Star Systems Across Culture, I.B. Tauris & Co. Ltd., London & New York, pp. 131 - 142, http://www.ibtauris.com/Books/The%20arts/Film%20TV%20%20radio/Films%20cinema/Stars%20in%20World%20Cinema%20Screen%20Icons%20and%20Star%20Systems%20Across%20Cultures.aspx?menuitem=%7BF4FB9C21-0D94-4D41-B092-6845ABC80FF6%7D

Dolgopolov G, 2013, 'High Stakes: The Vampire and the Double in Russian Cinema', in Och D; Strayer K (ed.), Transnational Horror Across Visual Media, Routledge, London, http://www.routledge.com/books/details/9780203567791/

Dolgopolov G, 2013, ''The Futures of Film Festivals in Sydney'', in Kaufman T; Bateman C; Poe J (ed.), Sydney Film Festival 1954 to Now: A Living Archive, Sydney Film Festival, Sydney, http://online.sffarchive.org.au/

Dolgopolov G, 2013, '‘Ethnic, Diasporic, Multicultural? The Film Festival as Policy and Practice’', in Jakubowicz A; Ho C (ed.), ‘For those who’ve come across the seas…’Australian Multiculturalism: Theory Policy and Practice', Australian Scholarly Publishing, North Melbourne, pp. 68 - 82, http://scholary.info/

Dolgopolov G, 2010, 'New Gulliver', in Beumers B (ed.), Directory of world cinema, Russia, Intellect, Bristol, UK, pp. 250 - 252

Dolgopolov G, 2010, 'New Gulliver', in Beumers B (ed.), DIRECTORY OF WORLD CINEMA RUSSIA, Intellect, Bristol, http://www.intellectbooks.co.uk/books/view-Book,id=4714/

Dolgopolov G, 2009, '“Excess in Oz: The Crazy Russian and the Quiet Australian”', in Simpson C; Murawska R; Lambert A (ed.), Diasporas of Australian Cinema, Intellect Books, Bristol, pp. 83 - 92

Dolgopolov G, 2009, 'Excess in Oz: The Crazy Russian and the Quiet Australian', in Simpson C; Murawska R; Lambert A (ed.), Diasporas of Australian Cinema, Intellect Books, Bristol, pp. 83 - 92

Edited Books

Hemelryk Donald SJ; Wilson E; Wright S; Blejmar J; Dolgopolov G; Lebeau V; Bruveris K; Lanicek J; Danta S; Flanagan V; Solomon S; Beckett J; Lawrence M; Kilduff H; Qiu Z; Indelicato M, (eds.), 2017, Childhood and Nation in World Cinema: borders and encounters, Bloomsbury, London and New York, http://www.bloomsbury.com/us/childhood-and-nation-in-contemporary-world-cinema-9781501318597/

Journal articles

Dolgopolov G, 2022, '‘U311 Cherkasy, the little minesweeper of a Ukrainian film that gave the finger to the Russian Navy’', The Conversation, https://theconversation.com/u311-cherkasy-the-little-minesweeper-of-a-ukrainian-film-that-gave-the-finger-to-the-russian-navy-186559

Dolgopolov G, 2022, 'How Solntsepyok, a brutal 2021 propaganda film, primed Russians for war with Ukraine’', The Conversation, https://theconversation.com/how-solntsepyok-a-brutal-2021-propaganda-film-primed-russians-for-war-with-ukraine-185701

Dolgopolov G, 2022, 'Germinating the Ant Plant', Short Film Studies, 12, pp. 115 - 124, http://dx.doi.org/10.1386/sfs_00072_1

Dolgopolov G, 2021, 'Russian Screen Responses to the Pandemic', Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, 12 (2021), http://dx.doi.org/10.17892/app.2020.000111.249

Dolgopolov G, 2021, 'Pavel Kostomarov: To the Lake (Epidemiia, 2019) EPIDEMIC AND EXPOSURE THERAPY', KinoKultura, http://www.kinokultura.com/2021/72r-epidemiia.shtml

Dolgopolov G, 2021, 'Ghosting in the outback Noir', Coolabah, pp. 4 - 16, http://dx.doi.org/10.1344/co2021294-16

Dolgopolov G, 2021, 'Konstantin Buslov: Kalashnikov', KinoKultura, http://www.kinokultura.com/2021/71r-kalashnikov.shtml

Dolgopolov G, 2020, 'Elena Khazanova: Mistresses', KinoKultura, http://www.kinokultura.com/2020/67r-liubovnitsy.shtml

Dolgopolov G, 2019, 'Indigenous representations on screen and in print', METRO, pp. 18 - 20, https://www.webofscience.com/api/gateway?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000879240900008&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1

Dolgopolov G, 2018, 'Donbass', Film Ink, https://www.filmink.com.au/reviews/donbass/

Dolgopolov G, 2018, 'Aleksei Nuzhnyi: I’m Losing Weight', KinoKultura, 1, http://www.kinokultura.com/2018/62r-ya-khudeiu.shtml

Dolgopolov G, 2017, 'House on Trubnaya', Senses of Cinema, http://sensesofcinema.com/2017/soviet-cinema/the-house-on-trubnaya/

Dolgopolov G, 2017, 'Khrustalyov My Car', Senses of Cinema, http://sensesofcinema.com/2017/soviet-cinema/khrustalyov-my-car-2/

Dolgopolov G, 2016, 'Will to Truth ADAPTATION AND THE UNCANNY IN SIMON STONE'S THE DAUGHTER', METRO, pp. 6 - 11, https://www.webofscience.com/api/gateway?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000398088400001&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1

Dolgopolov G, 2016, 'GOLDSTONE', METRO, pp. 8 - 13, https://www.webofscience.com/api/gateway?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000398089600001&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1

Dolgopolov G; Carroll Harris LF; Stevens K, 2016, 'Distribution and film festivals: editorial introduction', Studies in Australasian Cinema, 10, pp. 97 - 99, http://dx.doi.org/10.1080/17503175.2016.1141921

Dolgopolov G, 2016, 'Vasilii Serikov: 22 Minutes', Kinokultura, 51, http://kinokultura.com/

Dolgopolov G, 2015, 'Odyssey Across the Outback Jeremy Sims' Last Cab to Darwin', METRO, pp. 68 - 73, https://www.webofscience.com/api/gateway?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000367103300012&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1

Stevens K; Harris LC; Dolgopolov G, 2015, 'Special section: Inside looking out -film festival reports', Studies in Australasian Cinema, 9, pp. 187 - 189, http://dx.doi.org/10.1080/17503175.2015.1058645

Dolgopolov G, 2015, '‘Possum (1997) – The Fractured Family and Turning Animal’', Short Film Studies, 6, pp. 57 - 60, http://dx.doi.org/10.1386/sfs.6.1.57_1

Dolgopolov G; Carroll Harris LF; Stevens K, 2015, 'Introductory essay: distribution', Studies in Australasian Cinema, 9, pp. 3 - 6, http://dx.doi.org/10.1080/17503175.2014.1002268

Dolgopolov G, 2015, 'Reeling in the beast: The anti-Russian, Russian 'Leviathan'', Metro Magazine, pp. 68 - 73, http://search.informit.com.au/documentSummary;res=IELAPA;dn=419749073949202

Dolgopolov G, 2014, '‘Sochi on screen: how Russia is being sold to Russians’', The Conversation, 17 Feb 2014, http://theconversation.com/

Dolgopolov G, 2014, ''Fissures in the fiction: The Broken Shore’', Metro Magazine, 180, pp. 68 - 70, http://www.metromagazine.com.au/

Dolgopolov G, 2014, '‘A future forlorn: David Michod's The Rover’', Metro Magazine, 182, pp. 28 - 33, http://www.metromagazine.com.au/

Dolgopolov G, 2014, '‘Beyond black and white: Indigenous cinema and the mainstream’', Metro Magazine, 181, pp. 78 - 83, http://www.metromagazine.com.au/index.html

Dolgopolov G, 2014, 'Heart of darkness: Wolf Creek 2', Metro Magazine, 180, pp. 24 - 29, http://www.metromagazine.com.au/

Dolgopolov G, 2013, 'The Surfeit of Film Festivals', ArtsHub, http://www.artshub.com.au/news-article/opinions/all-arts/the-surfeit-of-film-festivals-195744

Dolgopolov G, 2012, '‘Collaboration or Cooperation?’', LUMINA

Dolgopolov G, 2012, 'Loot', KinoKultura, http://www.kinokultura.com/2012/35r-bablo.shtml

Dolgopolov G, 2012, 'Night Watch: Transmedia, Game and Nation', Digital Icons, 8, http://www.digitalicons.org/

Dolgopolov G, 2011, '‘Alexander Nevsky’', Senses of Cinema, 58, http://www.sensesofcinema.com/2011/cteq/alexander-nevsky/

Dolgopolov G, 2011, '“A pointed condemnation of an effete Western society”: The Adventures of Barry McKenzie (Bruce Beresford, 1972)', Senses of Cinema, 58, http://www.sensesofcinema.com/2011/58/%E2%80%9Ca-pointed-condemnation-of-an-effete-western-society%E2%80%9D-the-adventures-of-barry-mckenzie-bruce-beresford-1972/

Dolgopolov G, 2011, 'Cinema, modernity, modernism: Selected papers from the XVth Biennial Conference of the Film and History Association of Australia and New Zealand (FHAANZ), University of New South Wales, Sydney, Australia', Studies in Australasian Cinema, 5, pp. 101 - 106, http://dx.doi.org/10.1386/sac.5.2.101_2

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