Select Publications
Books
2013, They Sing the Wedding of God: An Ethnomusicological Study of the Mahadevji ka Byavala as Performed by the Nath-Jogis of Alwar, Original, McFarland
,Book Chapters
2023, 'Young Australian Performers of South Indian Background: From Tradition to Glocalism and Back', in Australasian Music, at Home and Abroad, Australian Scholarly Publishing, pp. 219 - 240
,2018, 'Musical practices in Australia: Reflections on the past and present', in Fabian D; Napier J (ed.), Diversity in Australia's Music: Themes Past, Present, and for the Future, edn. 1, Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 2 - 21, http://www.cambridgescholars.com/diversity-in-australias-music
,2018, 'The Company You Keep', in Fabian D; Napier J (ed.), Diversity in Australia's Music: Themes Past, Present and for the Future, Cambridge Scholars Publishing, Newcastle upon Tyne, pp. 158 - 171
,2016, 'Sung Countries: Geographies and identities in minority song repertoires in Australia and India.', in Santosh KS; Pal S; Prasad GJV (ed.), Indo-Australian Connections: Retrospect and Prospects, Pinnacle Learning, New Delhi, pp. 115 - 134
,2011, 'Kodova Song as private resistance', in Desrocjes M; Pichette M-H; Dauphi C; Smith GE (ed.), Territoires musicaux mise en scene, edn. 1, Les Presses de L'Universite de Montreal, Montreal, pp. 209 - 226
,2010, 'Giving the Oldest Trees New Roots: Asian Music in Australia', in Jordan S (ed.), World Music: Global Sounds in Australia, edn. 1, UNSW Press, Sydney, pp. 140 - 161
,2009, 'Vanished Islands: The Assimilation of the Extraneous to Conventional Pieces in Three Distinct Repertoires', in Mackinlay E; Bartleet B-L; Barney K (ed.), Musical Islands, edn. 1, Cambridge Scholars, Newcastle on Tyne, pp. 345 - 359, http://www.c-s-p.org/Flyers/Musical-Islands--Exploring-Connections-between-Music--Place-and-Research1-4438-0956-X.htm
,2008, 'Old There, Young Here: Migration, Musical Adaptation and Youth Culture in Australia', in Hewitt N; Geary D (ed.), Diaspora(s): Movements and Cultures, edn. 1, CCCP, Nottingham, pp. 123 - 140
,Edited Books
Fabian D; Napier J, (ed.), 2018, Diversity in Australia's Music: Themes Past, Present, and for the Future, Cambridge Scholars Publishing, Newcastle upon Tyne, http://www.cambridgescholars.com/diversity-in-australias-music
Journal articles
2019, 'Structure and Proportion in Hindustani Ālāp', Empirical Musicology Review, 14, pp. 53 - 65, http://dx.doi.org/10.18061/emr.v14i1-2.5502
,2019, 'Structure and Proportion in Hindustani Ālāp.', Empirical Musicology Review, 14, pp. 53 - 65, http://dx.doi.org/10.18061/emr.v14i1-2.5502
,2019, '"There Should Be No Performances" Relocating Kodava Songs in a Changing Tradition', PULS Journal for Ethnomusicology and Ethnochoreology, 4, pp. 103 - 122, http://carkiv.musikverk.se/www/epublikationer/Puls_04.pdf#_ga=2.195055020.1001030736.1560199674-1690871592.1551437121
,2017, ''Kodava Hero', Appear Only Once Before Me’: The Assimilation of ‘Internal Exotics’ in Indian Film Songs.', Journal of Music Research Online, 8, http://www.jmro.org.au/index.php/mca2/article/view/181
,2011, '“This is our culture, only for ourselves. Thank you for being interested”: Kodava song and the public non-assertion of difference', Global Media Journal: Australian Edition, 4, pp. 1 - 14, http://www.commarts.uws.edu.au/gmjau/v4_2010_2/john_napier_RA.html
,2007, 'Of Jogis and mediators, musicologists and administrators: an elaborated field note', Australian Humanities Review, 41, pp. 1 - 17
,2007, 'The Distribution of Authority in the Performance of North Indian Vocal Music', Ethnomusicology Forum, 16, pp. 271 - 301
,2006, 'A 'failed' unison or conscious differentiation: The notion of 'heterophony' in North Indian vocal performance', International Review of the Aesthetics and Sociology of Music, 37, pp. 85 - 108
,2006, 'A subtle novelty: Repetition, transmission and the valorisation of innovation within North Indian classical music', Critical Studies in Improvisation, 1, pp. 1 - 17
,2006, 'Re-organization and rhetoric: Changes in the social organization of North Indian classical music', Musicology Australia, 27, pp. 35 - 53
,2005, 'The svarmandal and its 'ancestors': from organological to aesthetic', Galpin Society Journal, 58, pp. 124 - 131
,2003, 'An old tradition but a very new practice', Asian Music, 35, pp. 115 - 134
,2003, 'An old tradition but a very new practice: Accompaniment and thesaturation aesthetic in Indian music', Asian Music, 35, pp. 115 - 134
,2001, 'Review of Geng Gong:Not just music (sound recording)', Music Forum, 8, pp. 45 - 46
,2001, 'Review of Tufa: Tufa (sound recording)', Music Forum, pp. 44 - 45
,2001, 'Review of Tufa: Tufa (Sound recording)', Music Forum, 8, pp. 44 - 45
,Conference Papers
2004, 'Entering a palance through the servant`s entrance: `a mid-career` approach to the learning of North Indian classical msuic', in Musemici O (ed.), Seminar of the Commission for the Education of the Professional Musician, Seminar of the Commission for the Education of the Professional Musician, Barcelona, Spain, pp. 165 - 174, presented at Seminar of the Commission for the Education of the Professional Musician, Barcelona, Spain, 05 July 2004 - 09 July 2004
,2002, 'Traditional `fakings`: Hank Williams, Jeff Buckley, Kamr`uddin Khan and other falsetto acts', in Music Research: New Directions for a New Century -- 25th National Conference of the Musicological Society of Australia, Music Research: New Directions for a New Century; 25th national conference of the Musicological Society of Australia, Newcastle, NSW, presented at Music Research: New Directions for a New Century; 25th national conference of the Musicological Society of Australia, Newcastle, NSW, 03 October 2002 - 06 October 2002
,2002, 'A subtle novelty', in Stevens C; Burnham D; McPherson G; Schubert E; Renwick J (eds.), Proceedings of the 7th International Conference on Music Perception and Cognition, ICMPC7: 7th International Conference on Music Perception and Cognition, University of New South Wales, presented at ICMPC7: 7th International Conference on Music Perception and Cognition, University of New South Wales, 17 July 2002 - 21 July 2002
,2002, 'How soon is immediately', in Proceedings of the 7th International Conference on Music Perception and Cognition, ICMPC7: 7th International Conference on Music Perception and Cognition, University of New South Wales, presented at ICMPC7: 7th International Conference on Music Perception and Cognition, University of New South Wales, 17 July 2002 - 21 July 2002
,2001, 'A song they sing themselves about themselves', in Joshi V (ed.), IV International Conference Rajastan, IV International Conference Rajastan, Jaipur, pp. 238 - 266, presented at IV International Conference Rajastan, Jaipur, 29 December 2001 - 31 December 2001
,2001, 'Which hat today ? OConnor, Gorecki, Bulgarian Voices and a Lectuer`s Fashion Sense', in Musical In-Between-ness, Musical In-Between-ness, UTS, Sydney, presented at Musical In-Between-ness, UTS, Sydney, 27 September 2001 - 29 September 2001
,2000, 'Echo, appropriation, gloss: Hearing a second voice in North Indian vocal music', in Giourgoudes P (ed.), Cyprus Musicological Society 1st International Conference, Cyprus Musicological Society 1st International Conference, Nikosia, pp. 111 - 134, presented at Cyprus Musicological Society 1st International Conference, Nikosia, 15 December 2000 - 16 December 2000
,Conference Proceedings (Editor of)
Napier JJ, (ed.), 2002, 'Musical Creativity', University of Liege, presented at Musical Creativity, University of Liege, 05 April 2002 - 08 April 2002
Performances (Music, Theatre, Dance)
2017, Skorba - the Great Siege of Malta, Mavis Wood Hall, Lawson, Skorba - the Great Siege of Malta, Publication: Skorba - the Great Siege of Malta, Performances (Music, Theatre, Dance), http://www.bluemountainsgazette.com.au/story/5075474/skorba-presents-a-concert-rich-in-history-and-music-at-mid-mountains-community-centre/, http://www.bluemountainsgazette.com.au/story/5075474/skorba-presents-a-concert-rich-in-history-and-music-at-mid-mountains-community-centre/
,2017, Asylum, Wentworth Falls School of the Arts, Asylum, Publication: Asylum, Performances (Music, Theatre, Dance), https://www.bmrsg.org.au/events/save-the-date-fundraiser-asylum/, https://www.bmrsg.org.au/events/save-the-date-fundraiser-asylum/
,2017, The Dreaming Damsel - Sydney Fringe Festival, The Living Room, Erskineville, The Dreaming Damsel - Sydney Fringe Festival, Publication: The Dreaming Damsel, Performances (Music, Theatre, Dance), https://www.iwannaticket.com.au/event/the-dreaming-damsel-MTM0MzI, https://www.iwannaticket.com.au/event/the-dreaming-damsel-MTM0MzI
,2017, Bridge Project and Asylum, Wentworth Falls School of Arts, Bridge Project and Asylum, Publication: Asylum, Performances (Music, Theatre, Dance), https://www.bmrsg.org.au/events/fundraising-concert-local-bands-bridge-asylum/, https://www.bmrsg.org.au/events/fundraising-concert-local-bands-bridge-asylum/
,2016, Chi Udaka Indian Tour, Chowdiah Memorial Hall, Bangalore. The Music Academy, Chennai. Andhra University Convocation Hall, Vizag. Ravindra Bharati, Hyderabad. Jamshed Bhabha Hall, Mumbai., Chi Udaka Indian Tour, Publication: Chi Udaka Indian Tour, Performances (Music, Theatre, Dance), https://www.taikoz.com/whats-on/chi-udaka-india-tour-2016, https://www.taikoz.com/whats-on/chi-udaka-india-tour-2016
,2016, Chi Udaka Australian Tour, Riverside Theatre, Parramatta, Sydney. Canberra Theatre Centre, Canberra. Nida Parade Theatre, Kensington Sydney. Memorial Entertainment Centre, Bathurst. Capitol Theatre, Tamworth. Glasshouse Theatre, Port Macquarie., Chi Udaka Australian Tour, Publication: Chi Udaka, Performances (Music, Theatre, Dance), https://www.taikoz.com/whats-on/chi-udaka-australia-tour-2016, https://www.taikoz.com/whats-on/chi-udaka-australia-tour-2016
,Music Compositions
2016, Chi Udaka Version 4, publication category: Music Compositions
,2015, The Dreaming Damsel, publication category: Music Compositions
,Theses / Dissertations
2001, Sangat: melodic accompaniment
,Other
2015, Review of "Mountainous Spaces" by Andrew Alter, Taylor & Francis (Routledge): SSH Titles, , http://dx.doi.org/10.1080/00856401.2015.1057927
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