Select Publications
Book Chapters
2021, 'The (After) Life of the Archive', in Potts J (ed.), Use and Reuse of the Digital Archive, Springer Nature, pp. 73 - 86, http://dx.doi.org/10.1007/978-3-030-79523-8
,2014, 'Museum Affect: Crocheted Coral, Children’s Stories and Possibilities in Queer Time', in Climate Change and Museum Futures, edn. 1, Routledge, New York and Oxon, pp. 219 - 236, http://routledge-ny.com/books/details/9780415843911/
,2014, 'Figuring Change: Visual Communication in Museums', in Rees V; Rourke A (ed.), Researching the Visual: Demystifying ‘the Picture That’s Worth a Thousand words’, Common Ground Publishing Pty, Limited
,2013, 'Tracing the Future: Child’s play and the Free Fall of Imagination', in Shanghai Expo: An International Forum on the Future of Cities, edn. Culture, Economy and the Social, Routledge, London, pp. 170 - 186, http://www.routledge.com/books/details/9780415524629/
,Journal articles
2024, 'Towards a national data architecture for cultural collections: Designing the australian cultural data engine', Digital Humanities Quarterly, 18
,2020, 'Viewing Art in Different Contexts', Frontiers in Psychology, 11, pp. 569, http://dx.doi.org/10.3389/fpsyg.2020.00569
,2020, 'The Embodied Gaze: Exploring Applications for Mobile Eye Tracking in the Art Museum', Visitor Studies, 23, pp. 82 - 100, http://dx.doi.org/10.1080/10645578.2020.1750271
,2019, 'More than Luck: Australian Protest in a Social Movement Society', Contention, 7, pp. 1 - 12, http://dx.doi.org/10.3167/cont.2019.070102
,2019, 'Pranks in Contentious Politics', Contention, 7, pp. 81 - 100, http://dx.doi.org/10.3167/cont.2019.070107
,2018, 'Floris White Bull Responds to the Editors on Protest and the Film AWAKE: A Dream from Standing Rock', M/C Journal, 21, http://journal.media-culture.org.au/index.php/mcjournal/article/view/1436
,2018, 'Protest in Progress/Progress in Protest', M/C Journal, 21, http://dx.doi.org/10.5204/mcj.1454
,Conference Papers
2018, 'Nobody knows what a body can do: un/making the mediated body', in Nobody knows what a body can do: un/making the mediated body, Sydney Australia, presented at TRANSnational STS, Society for Social Studies of Science (4S), Sydney Australia, 29 August 2018 - 01 September 2018
,Conference Presentations
2018, 'Nobody knows what a body can do: un/making the mediated body', presented at 4S SYDNEY TRANSnational STS, 29 August 2018 - 01 September 2018, http://4sonline.org/files/4SSydneyPreliminaryProgram080418.pdf
,2016, 'Investing in culture: Art and Social Justice', presented at Crossroads – International Association of Cultural Studies Conference, Sydney, 14 December 2016 - 17 December 2016, http://crossroads2016.org/wp-content/uploads/2016/12/Crossroads-program-final-to-print-v2.pdf
,2016, 'Exhibiting the self: participatory culture and #museumselfie', presented at The Selfie and Social Activism: a Digital Methods Symposium, Sydney, Australia, 12 December 2016 - 12 December 2016
,2015, 'Community Engagement and the Curatorium', presented at Museums Australia, Sydney, Australia, 21 May 2015 - 24 May 2015, https://www.museumsaustralia.org.au/past-conferences
,2015, 'Surviving Curiosity: Museums and science in the Anthropocene', presented at Association of Art Historians, UK, Norwich, UK, 09 April 2015 - 11 April 2015, http://www.aah.org.uk/annual-conference/2015-conference
,Creative Written Works
2019, Dream States: A Cast of Thousands, Kriss K, (ed.), Bega Valley Regional Gallery
,2017, Michael Kempson's Child's Play: A Master of Exactitude, Michael Kempson: Work and Play, Beijing Song Ya Feng Culture Media Company, China.
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