Select Publications
Books
2020, Performing Indigenous Identities on the Contemporary Australian Stage. Land, People, Culture, Routledge, Abingdon/New York, https://www.routledge.com/Performing-Indigenous-Identities-on-the-Contemporary-Australian-Stage/Thurow/p/book/9780367242725
,Book Chapters
2024, 'Immersive Visualisation Systems as Alignment Strategies for Extreme Event Scenarios', in Del Favero D; Thurow S; Ostwald M; Frohne U (ed.), Climate Disaster Preparedness Reimagining Extreme Events through Art and Technology, Springer Nature, pp. 65 - 76, http://dx.doi.org/10.1007/978-3-031-56114-6
,2024, 'Culture, Creativity, and Climate: A Dangerous Gap in Policies of Preparedness', in Del Favero D; Thurow S; Ostwald M; Frohne U (ed.), Climate Disaster Preparedness Reimagining Extreme Events through Art and Technology, SpringerNature, Cham, pp. 169 - 181, http://dx.doi.org/10.1007/978-3-031-56114-6_13
,2024, 'Introduction', in Del Favero D; Thurow S; Ostwald M; Frohne U (ed.), Climate Disaster Preparedness: Reimagining Extreme Events through Art and Technology, Springer Nature, Cham, pp. 1 - 3, http://dx.doi.org/10.1007/978-3-031-56114-6_1
,2024, 'Reimagining Extreme Event Scenarios: The Aesthetic Visualisation of Climate Uncertainty to Enhance Preparedness', in Del Favero D; Thurow S; Ostwald M; Frohne U (ed.), Climate Disaster Preparedness Reimagining Extreme Events through Art and Technology, Springer Nature, Cham, pp. 7 - 24, http://dx.doi.org/10.1007/978-3-031-56114-6_2
,2024, 'Representing the Climate Crisis: Aesthetic Framings in Contemporary Performing and Visual Arts', in Del Favero D; Thurow S; Ostwald M; Frohne U (ed.), Climate Disaster Preparedness Reimagining Extreme Events through Art and Technology, SpringerNature, Cham, pp. 107 - 120, http://dx.doi.org/10.1007/978-3-031-56114-6_9
,2024, 'Introduction', in Climate Disaster Preparedness, Springer Nature, pp. 1 - 3, http://dx.doi.org/10.1007/978-3-031-56114-6_1
,2024, 'Multimodal Collaborative Design in an Immersive Virtual Environment: Opera Staging and Performance Design Using iModel', in Multimodality in Architecture, Springer Nature Switzerland, pp. 113 - 133, http://dx.doi.org/10.1007/978-3-031-49511-3_7
,2022, 'Seductive Frames: Digital Aesthetics in Kip Williams' Staging of The Resistible Rise of Arturo Ui (2018)', in Boles W; Hartl A (ed.), Theater in a Post-Truth World. Texts, Politics, and Performance, Methuen / Bloomsbury, London, pp. 189 - 210, https://www.bloomsbury.com/au/theater-in-a-posttruth-world-9781350215856/
,2022, 'Seductive Frames: Digital Aesthetics in Kip Williams’s Staging of Bertolt Brecht’s Th e Resistible Rise of Arturo Ui (2018)', in Theater in a Post-Truth World: Text, Politics, and Performance, pp. 176 - 195
,2021, 'Artificial Intelligence as a Conduit for a New Dialogical Commons?', in Jauernik C; Tshapeller W (ed.), INTRA INTRA. Towards an INTRA SPACE, Sternberg Press, Berlin, pp. 254 - 265, https://library.oapen.org/handle/20.500.12657/48782
,2021, 'On Human-Machine Co-Agency in Art', in Jauernik C; Tschapeller W (ed.), INTRA INTRA. Towards an INTRA SPACE, Sternberg Press, Berlin, pp. 200 - 215, https://library.oapen.org/handle/20.500.12657/48782
,2020, 'Dialogical Aesthetics', in Technologien des Performativen, transcript Verlag, pp. 357 - 366, http://dx.doi.org/10.1515/9783839453797-030
,2020, 'Dialogical Aesthetics', in Theater, transcript Verlag, pp. 357 - 366, http://dx.doi.org/10.14361/9783839453797-030
,Edited Books
Del Favero D; Thurow S; Ostwald M; Frohne U, (eds.), 2024, Climate Disaster Preparedness, SpringerNature, Cham, http://dx.doi.org/10.1007/978-3-031-56114-6
Journal articles
2024, 'Analysis of Wildfire Visualization Systems for Research and Training: Are They Up for the Challenge of the Current State of Wildfires?', IEEE Transactions on Visualization and Computer Graphics, 30, pp. 4285 - 4303, http://dx.doi.org/10.1109/TVCG.2023.3258440
,2024, 'Performing Arts and the Climate Emergency: Horizon-Scanning the Futures of Practice and Scholarship', Australasian Drama Studies, Oct 2023, pp. 12 - 37, https://www.adsa.edu.au/dbpage.php?pg=newsletterfull
,2021, 'A Dramaturgy of Feeling: Exploring Indigenous concepts of knowing through multimodal aesthetics', Performance Research, 26, pp. 49 - 58, http://dx.doi.org/10.1080/13528165.2021.1977501
,2021, 'The iDesign platform – immersive intelligent aesthetics for scenographic modelling', Theatre and Performance Design, 7, pp. 82 - 95, http://dx.doi.org/10.1080/23322551.2021.1919488
,2020, 'Immersive Intelligent Aesthetics as Conduit for Digital and Public Humanities Research', magazén – International Journal for Digital & Public Humanities, 1, pp. 1 - 18, http://dx.doi.org/10.30687/mag//2020/01/001
,2018, '‘Namatjira’: Beyond the Script – Visual and Performative Aesthetics as Conduits for the Communication of Western Arrernte Ontologies', Australasian Drama Studies, pp. 130 - 159, https://www.adsa.edu.au/ADSjournal
,2017, 'Response to the Metamaterial Turn: Performative Digital Methodologies for Creative Practice and Analytical Documentation in the Arts', Australian and New Zealand Journal of Art, 17, pp. 238 - 250, http://dx.doi.org/10.1080/14434318.2017.1450071
,Conference Papers
2023, 'Being Together Apart. Integrating Distributed Design Processes through a Real-Time Cyber/Physical Aesthetics', Prague Quadrennial, Prague, Czech Republic, presented at 36Q @ Prague Quadrennial of Performance Design and Space, Prague, Czech Republic, 08 June 2023 - 18 June 2023
,2023, 'Augmenting Creative Symbiosis Using a Cyber/Physical Aesthetic', in Tibloux E; Mahé E (ed.), Proceedings of the 28th International Symposium on Electronic Art, ISEA, Paris: ISEA & Le Cube Garges and the École des Arts Décoratifs, pp. 690 - 696, presented at 28th International Symposium on Electronic Art, Paris: ISEA & Le Cube Garges and the École des Arts Décoratifs, 16 May 2023 - 21 May 2023, http://dx.doi.org/10.69564/ISEA2023-88-full-Thurow-et-al-Cyber-Physical-Aesthetic
,2022, 'Visualizing the Unpredictable Behavior of Wildfire Using an Artificially Intelligent Aesthetic', in Alsina P; Vila L; Tesconi S; Soler-Adillon J; Mor E (eds.), Proceedings of the 27th International Symposium on Electronic Art, ISEA International, Barcelona, pp. 696 - 698, presented at International Symposium on Electronic Art, Barcelona, 10 June 2022 - 16 June 2022, http://dx.doi.org/10.7238/ISEA2022.Proceedings
,2018, 'Dialogical Aesthetics – Reconfiguring Theatrical Spaces Through Digital Technology', in Butte M; Vomberg EK; Dreckmann K (eds.), Technologies des Performativen / Performative Technologies, Transcript, Düsseldorf, Germany, presented at Theater & Technik / Theatre & Technology, Düsseldorf, Germany, 08 November 2018 - 11 November 2018
,Conference Presentations
2023, 'Re-Imagining the Climate Emergency Using AI Visualisation', presented at RE:SOURCE – 10th International Conference on the Histories of Media Art, Science & Technology, Venice Centre for Digital & Public Humanities, Università Ca’Foscari Venice, Italy, 13 September 2023 - 16 September 2023, https://www.resource-media.art/
,2023, 'Terrestrial Aesthetics. Transforming the Understanding of and Engagement with Extreme Events', presented at Arts and Humanities in Digital Transition Conference, Institute of Communication, Nova University of Lisbon, Portugal, 06 July 2023 - 07 July 2023, https://ah-digitaltransition.fcsh.unl.pt/
,2021, 'iDesign's Zero-Waste Bauprobe: Full-Scale Collaboration in Virtual Space', presented at Theatre Ecologies: Environments, Sustainability & Politics (IFTR 2020), National University of Ireland, Galway, Ireland, - , https://www.iftr.org/conference
,2020, 'Digitally Transforming Theatrical Design Practice', presented at Acts of Gathering. Performing Futures. Roaring Change, Australasian Drama Studies Association, UNSW, 01 December 2020 - 04 December 2020, http://actsofgathering.org/
,2020, 'Multimodal Aesthetics - Rendering Complexity through Integrated Performative Storytelling', presented at 11th Annual International Conference on Visual & Performing Arts, Athens Institute for Education & Research, Athens, Greece, 08 June 2020 - 11 June 2020, https://www.atiner.gr/arts
,2019, 'Capabilities and Limitations of Collaboration in the Artistic Process', presented at Performance Studies International 25, University of Calgary, 04 July 2019 - 07 July 2019
,2019, 'Digital Technologies as Conduit for the Communication of Indigenous Australian Heritage', presented at Body of Knowledge: Art and Embodied Cognition, Deakin University, Burwood, 27 June 2019 - 29 June 2019
,2019, 'iDesign – New Capabilities for Set Design', presented at Prague Quadrennial, Prague, Czech Republic, 06 June 2019 - 16 June 2019, https://www.pq.cz/
,2019, 'Immersive Interactive Aesthetics for Set Modelling - the iBauprobe Platform', presented at PQ Talks @ Prague Quadrennial of Performance Design & Space, Prague (Czech Republic), 06 June 2019 - 16 June 2019, https://www.pq.cz/
,2018, 'Big hART – Processes of Care in Art-Making', presented at Aesthetics, Politics & Histories. The Social Context of Art, RMIT Melbourne, 05 December 2018 - 08 December 2018, http://aaanz.info/aaanz-home/conferences/2018-conference/
,2018, 'iDesign: New Paradigms for Collaborative and Immersive Theatre Design', presented at OzViz2018, UNSW, Sydney, 22 November 2018 - 22 November 2018, https://sites.google.com/site/ozvizworkshop/ozviz-2018
,2018, 'Dialogical Aesthetics – Reconfiguring Theatrical Spaces Through Digital Technology', presented at Theatre and Technology Conference, Heinrich-Heine-Universität, Düsseldorf, Germany, 08 November 2018 - 11 November 2018, http://theaterundtechnik.de/english/
,2018, 'Dialogical Aesthetics – Reconfiguring Theatrical Spaces Through Digital Technology', presented at Research Seminar Series, The University of Sydney, 12 October 2018 - 12 October 2018
,2018, 'Intra_Space – Interrogating the Actor through Artificial Intelligence', presented at ADSA 2018: Actors and Acting in the Twenty-First Century, Victorian College of the Arts, 26 June 2018 - 29 June 2018, https://www.adsa.edu.au/dbpage.php?pg=view&dbase=events&id=53095
,2017, '‘I Am Eora’: Nation-Building on the Postcolonial Stage', presented at Performing Belonging in the 21st Century Conference, Auckland University of Technology, Auckland, New Zealand, 27 June 2017 - 30 June 2017, http://www.adsaconference2017.co.nz/
,2016, 'Performed Resilience!? Identity Construction in Contemporary Australian Intercultural Theatre Practice', presented at Resilience: Revive, Restore, Reconnect Conference, University of Southern Queensland, Toowoomba, 21 June 2016 - 24 June 2016, https://www.adsa.edu.au/dbpage.php?pg=album&Category=1
,2013, 'Indigeneity and Transcultural Communities: Big hART Inc.'s 'Namatjira'', presented at Challenging Boundaries: Postcolonial Narratives and Notions of the Global Conference, Georg-August Universitat, Gottingen, Germany
,2013, 'Indigeneity and Transcultural Communities: Big hART Inc.'s 'Namatjira'', presented at In the Balance: Indigeneity, Performance, Globalization Conference, Royal Holloway University, London, United Kingdom
,2013, 'Theatre as Strategic Intervention into Racist Discourses Affecting Australian Cultural Relations -- Big hART Inc.'s 'Namatjira'', presented at Reconfiguring Anti-Racism: Tolerance, Harmony, Inclusion or Justice Conference, Deakin University, Melbourne, Australia
,Conference Abstracts
2023, 'Penumbra2.0', in ACM SIGGRAPH Asia 2023 Art Gallery, ACM, pp. 1 - 2, presented at SA Art Gallery '23: ACM SIGGRAPH Asia 2023 Art Gallery, http://dx.doi.org/10.1145/3610537.3622946
,2019, 'Expanding the Performance Frame - Festivals as Platforms for Exploring Concepts of Theatre', in Festivals and Performance Conference, University of Tasmania, Launceston, presented at Festivals and Performance Conference, University of Tasmania, Launceston
,2016, '‘I AM EORA’: Imagining Aboriginal Sovereignty on the Contemporary Theatre Stage', Curtin University, Perth, presented at Re-Imagining Australia: Encounter, Recognition, Responsibility Conference, Curtin University, Perth, 07 December 2016 - 09 December 2016, http://humanrights.curtin.edu.au/events/past-conferences/inasa-conference-2016/
,2013, 'Hybrid Philosophies: Exploring Multiple Epistemologies in Contemporary Indigenous Australian Theatre', in Theater, Performance, Philosophy: Crossings and Transfers in Contemporary Anglo-American Thought Conference, International Theatre/Drama and Education Association, University of Paris IV, Sorbonne, Paris, France, presented at Theater, Performance, Philosophy: Crossings and Transfers in Contemporary Anglo-American Thought Conference, University of Paris IV, Sorbonne, Paris, France, 26 June 2013 - 28 June 2013
,Theses / Dissertations
2017, Performing Indigenous Identities on the Contemporary Australian Stage, Christian-Albrechts-Universitaet zu Kiel (Germany)
,