ORCID as entered in ROS

Select Publications
2022, 'Seductive Frames: Digital Aesthetics in Kip Williams' Staging of The Resistible Rise of Arturo Ui (2018)', in Boles W; Hartl A (ed.), Theater in a Post-Truth World. Texts, Politics, and Performance, Methuen / Bloomsbury, London, pp. 189 - 210, https://www.bloomsbury.com/au/theater-in-a-posttruth-world-9781350215856/
,2021, 'Artificial Intelligence as a Conduit for a New Dialogical Commons?', in Jauernik C; Tshapeller W (ed.), INTRA INTRA. Towards an INTRA SPACE, Sternberg Press, Berlin, pp. 254 - 254, https://library.oapen.org/handle/20.500.12657/48782
,2021, 'On Human-Machine Co-Agency in Art', in Jauernik C; Tschapeller W (ed.), INTRA INTRA. Towards an INTRA SPACE, Sternberg Press, Berlin, pp. 200 - 215, https://library.oapen.org/handle/20.500.12657/48782
,2020, 'Dialogical Aesthetics', in Technologien des Performativen, transcript Verlag, pp. 357 - 366, http://dx.doi.org/10.1515/9783839453797-030
,2020, 'Dialogical Aesthetics', in Technologien des Performativen, transcript Verlag, pp. 357 - 366, http://dx.doi.org/10.14361/9783839453797-030
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