ORCID as entered in ROS

Select Publications
2023, 'Analysis of Wildfire Visualization Systems for Research and Training: Are They up for the Challenge of the Current State of Wildfires?', IEEE Transactions on Visualization and Computer Graphics, PP, pp. 1 - 20, http://dx.doi.org/10.1109/TVCG.2023.3258440
,2021, 'A Dramaturgy of Feeling: Exploring Indigenous concepts of knowing through multimodal aesthetics', Performance Research, 26, pp. 49 - 58, http://dx.doi.org/10.1080/13528165.2021.1977501
,2021, 'The iDesign platform – immersive intelligent aesthetics for scenographic modelling', Theatre and Performance Design, 7, http://dx.doi.org/10.1080/23322551.2021.1919488
,2020, 'Immersive Intelligent Aesthetics as Conduit for Digital and Public Humanities Research', magazén – International Journal for Digital & Public Humanities, pp. 1 - 18, http://dx.doi.org/10.30687/mag//2020/01/001
,2018, '‘Namatjira’: Beyond the Script – Visual and Performative Aesthetics as Conduits for the Communication of Western Arrernte Ontologies', Australasian Drama Studies, pp. 130 - 159, https://www.adsa.edu.au/ADSjournal
,2017, 'Response to the Metamaterial Turn: Performative Digital Methodologies for Creative Practice and Analytical Documentation in the Arts', Australian and New Zealand Journal of Art, 17, pp. 238 - 250, http://dx.doi.org/10.1080/14434318.2017.1450071
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