Select Publications
Books
2018, Animal Fables after Darwin: Literature, Speciesism, and Metaphor, Cambridge University Press, Cambridge, http://dx.doi.org/10.1017/9781108552394
,2013, Introduction: Between Minds
,, 2012, The French Revolution and the British Novel in the Romantic Period, Cousins AD; Napton D; Russo S, (eds.), Peter Lang US, http://dx.doi.org/10.3726/978-1-4539-0241-7
2011, INTRODUCTION: J. M. Coetzee: The Janus Face of Authority
,2011, Literature Suspends Death: Sacrifice and Storytelling in Kierkegaard, Kafka and Blanchot, Bloomsbury, New York
,Book Chapters
2021, 'Scaling Down Our Imagination of the Human: Ted Chiang and the Fable of Extinction', in Transcultural Ecocriticism: Global, Romantic and Decolonial Perspectives, Bloomsbury Academic, New York, pp. 41 - 62, http://dx.doi.org/10.5040/9781350121669.0009
,2014, 'Derrida and the Test of Secrecy', in Interpreting Abraham: Journeys to Moriah, Fortress Press, Minneapolis, pp. 187 - 209
,2014, 'Introduction: Between Minds', in Danta C; Groth H (ed.), Mindful Aesthetics: Literature and the Science of Mind, Bloomsbury, New York, pp. 1 - 14, http://dx.doi.org/10.5040/9781472543707
,2013, 'Animal Bachelors and Animal Brides: Fabulous Metamorphosis in Kafka and Garnett', in Moran B; Salzani C (ed.), Philosophy and Kafka, Lexington Books, Lanham, pp. 123 - 140
,2012, '"The cold illucid world": The Poetics of Gray in Cormac McCarthy's The Road', in Murphet J; Steven M (ed.), Styles of Extinction: Cormac McCarthy's The Road, Continuum, New York, pp. 9 - 26
,2011, 'Introduction J.M. Coetzee: The Janus Face of Authority', in Danta C; Kossew S; Murphet J (ed.), Strong Opinions: J.M. Coetzee and the Authority of Contemporary Fiction, Continuum, London and New York, pp. xi - xx
,2011, 'Revolution at a Distance: Jane Austen and Personalised History', in Russo S; Napton D; Cousins AD (ed.), The French Revolution and the British Novel in the Romantic Period, Peter Lang, New York and Oxford, pp. 137 - 152
,2011, 'The Melancholy Ape: Coetzee's Fables of Animal Finitude', in Danta C; Kossew S; Murphet J (ed.), Strong Opinions: J.M. Coetzee and the Authority of Contemporary Fiction, Continuum, London and New York, pp. 125 - 140
,2008, 'The Animal Substitutes', in Lloyd F (ed.), The Finlay Lloyd Book About Animals, Finlay Lloyd Publishers, Braidwood, NSW, pp. 87 - 97
,2005, '`The Absolutely Dark Moment of the Plot`: Blanchot`s Abraham', in HIll L; Nelson B; Vardoulakis D (ed.), After Blanchot: Literature, Criticism, Philosophy, Univesity of Delaware Press, Newark, pp. 205 - 221
,Edited Books
Groth H; Danta C; Groth H, (eds.), 2014, Mindful Aesthetics. Literature and the Science of Mind, Bloomsbury, New York, http://dx.doi.org/10.5040/9781472543707
Danta C; Kossew SR; Murphet JS, (eds.), 2011, Strong Opinions: J. M. Coetzee and the Authority of Contemporary Fiction, Bloomsbury, New York, https://www.bloomsbury.com/au/strong-opinions-9781441105301/
Journal articles
2024, 'Contributors', Contemporary Literature, 64, pp. 592 - 593, http://dx.doi.org/10.3368/CL.63.4.592
,2024, 'The Blue Fox: Cryptic Storytelling and Nonhuman Mimicry in the Work of Sjón and Jeff VanderMeer', Contemporary Literature, 64, pp. 465 - 499, http://dx.doi.org/10.3368/cl.63.4.465
,2023, '"I don't want to put my toys away"', Journal of Juvenilia Studies, 5, http://dx.doi.org/10.29173/jjs88
,2023, 'J.M. Coetzee and the Aesthetics of Disgust', Angelaki - Journal of the Theoretical Humanities, 28, pp. 3 - 19, http://dx.doi.org/10.1080/0969725X.2023.2270353
,2022, 'Earthbound in the Anthropocene', Derrida Today, 15, pp. 87 - 92, http://dx.doi.org/10.3366/drt.2022.0282
,2019, 'Panpsychism and speculative evolutionary aesthetics in Samuel Butler's 'The Book of the Machines'', TEXTUAL PRACTICE, http://dx.doi.org/10.1080/0950236X.2019.1652679
,2018, 'Eurydice's Curse: J. M. Coetzee and the Prospect of Death', Australian Literary Studies, 33, http://dx.doi.org/10.20314/als.5a6d5f0afc
,2018, 'The Theology of Personification: Allegory and Nonhuman Agency in the Work of T. F. Powys', Modernism/modernity, 25, pp. 709 - 728, http://dx.doi.org/10.1353/mod.2018.0056
,2015, 'Acrobats and ascetics: Peter Sloterdijk and the aesthetics of verticality', European Journal of English Studies, 19, pp. 66 - 80, http://dx.doi.org/10.1080/13825577.2015.1004918
,2014, '"Might sovereignty be devouring?" Derrida and the fable', Sub-Stance, 43, pp. 37 - 49, http://dx.doi.org/10.1353/sub.2014.0014
,2014, 'Fabled thought: On Jacques Derrida's the beast & the sovereign', Sub-Stance, 43, pp. 3 - 9, http://dx.doi.org/10.1353/sub.2014.0023
,2013, 'Derrida and the Test of Secrecy', Angelaki - Journal of the Theoretical Humanities, 18, pp. 61 - 75, http://dx.doi.org/10.1080/0969725X.2013.804991
,2013, 'The New Solitude: Melancholy Anthropomorphism and the Molecular Gaze', English Studies in Canada, 39, pp. 71 - 86, http://dx.doi.org/10.1353/esc.2013.0017
,2012, 'The future will have been animal: Dr Moreau and the aesthetics of monstrosity', Textual Practice, 26, pp. 687 - 705, http://dx.doi.org/10.1080/0950236X.2012.696490
,2011, 'INTRODUCTION: J. M. Coetzee: The Janus Face of Authority', Strong Opinions: J. M. Coetzee and the Authority of Contemporary Fiction, pp. xiii - xxii
,2010, 'The Metaphysical Cut: Darwin and Stevenson on Vivisection', Victorian Review: an interdisciplinary journal of victorian studies, 36, pp. 51 - 65, http://web.uvic.ca/victorianreview/contents.html
,2009, 'Coetzee`s Animal Afterlives', Southerly, 69, http://www.brandl.com.au/Southerly/southerly%20longpaddock/1-69/danta.html
,2009, 'Kafka and Cultural Zionism: Dates in Palestine , and: Kafka and Photography (review)', Modernism/modernity, 16, pp. 629 - 631, http://dx.doi.org/10.1353/mod.0.0121
,2008, 'Kafka's Mousetrap: The Fable of the Dying Voice', SubStance, 37, pp. 152 - 168
,2008, 'Sarah's Laughter: Kafka's Abraham', Modernism/Modernity, 15, pp. 343 - 359, http://dx.doi.org/10.1353/mod.2008.0048
,, 2008, 'The Political Animal',
2008, 'The Political Animal Foreword', SubStance, 37, pp. 3 - 6
,2007, '`Like a dog ..... like a lamb`: Becoming Sacrificial Animal in Kafka and Coetzee', New Literary History, 38.4, pp. 721 - 739
,2007, 'The Poetics of Distance: Kierkegaard`s Abraham', Literature and Theology, 21, pp. 160 - 177
,2006, 'Two versions of death: The transformation of the literary corpse in Kafka and Stevenson', Textual Practice, 20, pp. 281 - 300, http://dx.doi.org/10.1080/09502360600703302
,2005, 'The Dark Gaze: Maurice Blanchot and the Sacred', COLLOQUY-TEXT THEORY CRITIQUE, pp. 328 - 330, https://www.webofscience.com/api/gateway?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000421901300024&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1
,2005, 'Disclosing Spaces: On Painting' by Andrew Benjamin', AUSTRALIAN HUMANITIES REVIEW, https://www.webofscience.com/api/gateway?GWVersion=2&SrcApp=PARTNER_APP&SrcAuth=LinksAMR&KeyUT=WOS:000219043600006&DestLinkType=FullRecord&DestApp=ALL_WOS&UsrCustomerID=891bb5ab6ba270e68a29b250adbe88d1
,Conference Papers
2024, 'Understanding and Shaping Human-Technology Assemblages in the Age of Generative AI', in DIS 2024 - Proceedings of the 2024 ACM Designing Interactive Systems Conference, pp. 413 - 416, http://dx.doi.org/10.1145/3656156.3658403
,Conference Presentations
2007, 'The Scientific Ape: Robert Louis Stevenson and the Post-Darwinian Fable', presented at RLS 2008, Bergamo, Italy, 12 July 2007 - 13 July 2007
,2005, 'Transuming Abraham: Fear and Trembling and the Poetics of Identification', presented at 1st International Kierkegaard in Asia Conference, University of Melbourne
,2004, 'The Absolutely Dark Moment of the Plot', presented at Blanchot’s Abraham, International Colloquium: “Blanchot, the Obscure”
,Media
2019, Episode 137: Animal Fables with Chris Danta, http://dx.doi.org/10.26190/unsworks/27762
,Preprints
2024, Understanding and Shaping Human-Technology Assemblages in the Age of Generative AI, http://dx.doi.org/10.48550/arxiv.2404.18405
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