By Professor Helen Groth

Book Chapters

Groth H; Murphet J, 2024, 'Introduction', in Groth H; Murphet J (ed.), The Edinburgh Companion to Literature and Sound Studies, Edinburgh University Press, Edinburgh, pp. 1 - 18, http://dx.doi.org/10.1515/9781399502313-002

Groth H, 2024, 'The Limits of Listening: Riotous Women, Imperial Structures, and Sonic Archives', in Groth H; Murphet J (ed.), The Edinburgh Companion to Literature and Sound Studies, Edinburgh University Press, Edinburgh, pp. 32 - 44, http://dx.doi.org/10.1515/9781399502313-004

Groth H, 2023, 'Bloody Sundays. Radical Rewriting and the Trafalgar Riot of 1887', in Groth H; Bayeh J; Murphet J (ed.), Writing the Global Riot. Literature in a Time of Crisis, Oxford University Press, Oxford, pp. 56 - 70

Groth H; Bayeh J; Murphet J, 2023, 'Writing and Rioting: Literature in Times of Crisis', in Groth H; Bayeh J; Murphet J (ed.), Writing the Global Riot, Oxford University Press, Oxford, pp. 1 - 18, http://dx.doi.org/10.1093/oso/9780192862594.003.0001

Groth H, 2022, 'Reading the Riot Act: The case of Felix Holt', in Harris M; Sussman M (ed.), Antipodean George Eliot, Routledge, pp. 112 - 127, http://dx.doi.org/10.4324/9781003362821

Groth H, 2020, 'Literary Soundscapes', in Sound and Literature, Cambridge University Press, Cambridge, pp. 135 - 153, http://dx.doi.org/10.1017/9781108855532

Groth H, 2019, 'Critical Listening and Rhetorical Reading', in Wolfreys J; Szuba M (ed.), Reading Victorian Literature: Essays in Honour of J. Hillis Miller, Edinburgh University Press, Edinburgh, pp. 332 - 345, https://www.jstor.org/stable/10.3366/j.ctvs32qvm

Groth H, 2019, 'Charlotte Bronte and the Listening Reader', in Lewis A (ed.), The Brontës and the Idea of the Human Science, Ethics, and the Victorian Imagination, Cambridge University Press, Cambridge, pp. 107 - 124, http://dx.doi.org/10.1017/9781316651063

Groth H, 2018, 'Dickens' Visual Mediations', in Robert Patten ; Catherine Waters ; John Jordan (ed.), The Oxford Handbook of Charles Dickens, Oxford University Press, Oxford, pp. 241 - 256

Groth H, 2018, 'Rioting and writing voice in Dickens’s Barnaby Rudge', in Denney P; Buchan B; Ellison D; Crawley K (ed.), Sound, Space and Civility in the British World, 1700-1850, Routledge, pp. 88 - 101, http://dx.doi.org/10.4324/9781315609942

Groth H, 2017, 'How to Listen to Joyce: Gramophones, Voice and the Limits of Mediation', in Groth H; Murphet J; Hone P (ed.), Sounding Modernism. Rhythm and Sonic Mediation in Modern Literature and Film, Edinburgh University Press, pp. 63 - 76, https://edinburghuniversitypress.com/book-sounding-modernism.html

Murphet J; Groth H; Hone P, 2017, 'Introduction: Sounding Modernism', in Murphet J; Groth H; Hone P (ed.), Sounding Modernism Rhythm and Sonic Mediation in Modern Literature and Film, pp. 1 - 18

Groth H, 2017, 'Reading Victorian Illusions: Dickens's Haunted Man and Dr. Pepper's 'Ghost'', in Dickens Adapted, pp. 373 - 395

Groth H, 2016, 'Mediating Popular Fictions: From the Magic Lantern to the Cinematograph', in Gelder K (ed.), New Directions in Popular Fiction, Palgrave, London, pp. 287 - 308, http://dx.doi.org/10.1057/978-1-137-52346-4

Groth H, 2016, 'Kaleidoscopic Vision in Late Victorian Bohemia: George Sims’s Social Kaleidoscope', in Media, Technology, and Literature in the Nineteenth Century: Image, Sound, Touch, pp. 91 - 104, http://dx.doi.org/10.4324/9781315594569-10

Danta C; Groth H, 2014, 'Introduction: Between Minds', in Danta C; Groth H (ed.), Mindful Aesthetics: Literature and the Science of Mind, Bloomsbury, New York, pp. 1 - 14, http://dx.doi.org/10.5040/9781472543707

Groth H, 2014, 'The Mind as Palimpsest.James Sully's Psychological Aesthetics', in Groth ; Danta C (ed.), Mindful Aesthetics. Literature and the Science of Mind, Bloomsbury, New York, pp. 107 - 121, http://www.bloomsbury.com/au/mindful-aesthetics-9781441162526/

Groth H, 2013, 'The Mind as Palimpsest: Art, Dreaming and James Sully’s Aesthetics of Latency', in Mindful Aesthetics: Literature and the Science of Mind, pp. 107 - 121

Groth H, 2012, 'Panoramic Byron: Reading, History and Pre-Cinematic Spectacle', in Parsons N; Mitchell K (ed.), Reading Historical Fiction: the Revenant and Remembered Past, Palgrave, London, pp. 85 - 100

Groth H, 2011, 'Kaleidoscopic Vision in late Victorian Bohemia: George Sims's Social Kaleidoscope', in Colligan C; Linley M (ed.), Media, Technology and Literature in the Nineteenth Century. Image, Sound, and Touch, Ashgate, Aldershot, pp. 91 - 104, http://www.ashgate.com/isbn/9781409400097

Sheehan P; Groth H, 2010, 'Introduction', in Groth H; Sheehan P (ed.), Remaking Literary History, Cambridge Scholars Press, Newcastle, pp. 1 - 11, http://www.c-s-p.org./

Groth H, 2009, 'Cosmopolitan sympathies : Edward Bulwer Lytton's sensational tale of Pompeii', in Groth H; Sheehan P; Uhlmann A (ed.), Literature and Sensation, Cambridge Scholars Publishing, Newcastle, pp. 12 - 23, http://hdl.handle.net/1959.14/130454

Groth H, 2009, 'Introduction', in Groth H; Sheehan P; Uhlmann A (ed.), Literature and Sensation, Cambridge Scholars Publishing, Newcastle, pp. i - x

Groth H, 1999, 'Victorian Women's Poetry and Scientific Narratives', in Armstrong I; Blain V (ed.), Women’s Poetry, Late Romantic to Late Victorian, Gender and Genre, 1830-1900, Macmillan, London, pp. 325 - 351

Groth H, 1996, 'Island Queens: Nationalism, Queenliness and Women's Poetry 1837-1861', in , Boydell and Brewer, Oxford, pp. 14 - 30, http://www.boydellandbrewer.com/

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