By Professor Helen Groth

Books

Groth H; Lusty N, 2013, Dreams and Modernity. A Cultural History, Routledge, Abingdon, Oxon, http://dx.doi.org/10.4324/9780203144176

Groth H, 2013, Moving Images. Nineteenth-Century Reading and Screen Practices, Edinburgh University Press, Edinburgh

Groth H, 2004, Victorian Photography and Literary Nostalgia, Original, Oxford University Press, Oxford

Book Chapters

Groth H, 2020, 'Literary Soundscapes', in Sound and Literature, Cambridge University Press, Cambridge, pp. 135 - 153, http://dx.doi.org/10.1017/9781108855532

Groth H, 2019, 'Critical Listening and Rhetorical Reading', in Wolfreys J; Szuba M (ed.), Reading Victorian Literature: Essays in Honour of J. Hillis Miller, Edinburgh University Press, Edinburgh, pp. 332 - 345, https://www.jstor.org/stable/10.3366/j.ctvs32qvm

Groth H, 2019, 'Charlotte Bronte and the Listening Reader', in The Brontës and the Idea of the Human Science, Ethics, and the Victorian Imagination, Cambridge University Press, Cambridge, pp. 107 - 124, http://dx.doi.org/10.1017/9781316651063

Groth H, 2018, 'Dickens' Visual Mediations', in Robert Patten ; Catherine Waters ; John Jordan (ed.), The Oxford Handbook of Charles Dickens, Oxford University Press, Oxford, pp. 241 - 256

Groth H, 2018, 'Rioting and writing voice in Dickens’s Barnaby Rudge', in Sound, Space and Civility in the British World, 1700-1850, Routledge, pp. 88 - 101, http://dx.doi.org/10.4324/9781315609942

Murphet J; Groth H; Hone P, 2017, 'Introduction: Sounding Modernism', in Murphet J; Groth H; Hone P (ed.), Sounding Modernism Rhythm and Sonic Mediation in Modern Literature and Film, pp. 1 - 18

Groth H, 2017, 'How to Listen to Joyce: Gramophones, Voice and the Limits of Mediation', in Groth H; Murphet J; Hone P (ed.), Sounding Modernism. Rhythm and Sonic Mediation in Modern Literature and Film, Edinburgh University Press, pp. 63 - 76, https://edinburghuniversitypress.com/book-sounding-modernism.html

Groth H, 2016, 'Mediating Popular Fictions: From the Magic Lantern to the Cinematograph', in Gelder K (ed.), New Directions in Popular Fiction, Palgrave, London, pp. 287 - 308, http://dx.doi.org/10.1057/978-1-137-52346-4

Danta C; Groth H, 2014, 'Introduction: Between Minds', in Danta C; Groth H (ed.), Mindful Aesthetics: Literature and the Science of Mind, edn. 1, Bloomsbury, New York, pp. 1 - 14, http://dx.doi.org/10.5040/9781472543707

Groth H, 2014, 'The Mind as Palimpsest.James Sully's Psychological Aesthetics', in Groth ; Danta C (ed.), Mindful Aesthetics. Literature and the Science of Mind, Bloomsbury, New York, pp. 107 - 121, http://www.bloomsbury.com/au/mindful-aesthetics-9781441162526/

Groth H, 2012, 'Panoramic byron: Reading, history and pre-cinematic spectacle', in Reading Historical Fiction: The Revenant and Remembered Past, pp. 85 - 100, http://dx.doi.org/10.1057/9781137291547_6

Groth H, 2011, 'Kaleidoscopic Vision in late Victorian Bohemia: George Sims's Social Kaleidoscope', in Colligan C; Linley M (ed.), Media, Technology and Literature in the Nineteenth Century. Image, Sound, and Touch, Ashgate, Aldershot, pp. 91 - 104, http://www.ashgate.com/isbn/9781409400097

Sheehan P; Groth H, 2010, 'Introduction', in Groth H; Sheehan P (ed.), Remaking Literary History, Cambridge Scholars Press, Newcastle, pp. 1 - 11, http://www.c-s-p.org./

Groth H, 2009, 'Cosmopolitan sympathies : Edward Bulwer Lytton's sensational tale of Pompeii', in Groth H; Sheehan P; Uhlmann A (ed.), Literature and Sensation, edn. Original, Cambridge Scholars Publishing, Newcastle, pp. 12 - 23, http://hdl.handle.net/1959.14/130454

Groth H, 2009, 'Introduction', in Groth H; Sheehan P; Uhlmann A (ed.), Literature and Sensation, edn. Original, Cambridge Scholars Publishing, Newcastle, pp. i - x

Groth H, 1999, 'Victorian Women's Poetry and Scientific Narratives', in Armstrong I; Blain V (ed.), Women’s Poetry, Late Romantic to Late Victorian, Gender and Genre, 1830-1900, Macmillan, London, pp. 325 - 351

Groth H, 1996, 'Island Queens: Nationalism, Queenliness and Women's Poetry 1837-1861', in Island Queens: Nationalism, Queenliness and Women's Poetry 1837-1861, Boydell and Brewer, Oxford, pp. 14 - 30, http://www.boydellandbrewer.com/

Edited Books

Groth H; Murphet J; Hone P, (eds.), 2017, Sounding Modernism. Rhythm and Sonic Mediation in Modern Literature and Film [Anthology], Edinburgh University Press

Groth H; Danta C, (ed.), 2014, Mindful Aesthetics. Literature and the Science of Mind, Bloomsbury, New York

Groth H; Sheehan P, (ed.), 2010, Remaking Literary History

Groth H, (ed.), 2009, Literature and Sensation

Journal articles

Groth H, 2019, 'Julia Margaret Cameron's ‘fancy subjects': Photographic allegories of Victorian identity and empire by Jeff Rosen', Victorian Studies, vol. 61, pp. 347 - 349, http://dx.doi.org/10.2979/victorianstudies.61.2.37

Groth H, 2019, 'Silent Modernism: Soundscapes and the Unsayable in Richardson, Joyce, and Woolf by Annika J. Lindskog', James Joyce Quarterly, vol. 56, pp. 440 - 444, http://dx.doi.org/10.1353/jjq.2019.0070

Groth H, 2018, 'Rioting, Nineteenth-Century Fiction, and the Limits of Liberalism', Occasion, vol. 11, http://arcade.stanford.edu/occasion_issue/liberalism-literature-and-emotions-long-nineteenth-century

Groth H, 2015, 'Andrew McGann. Popular Literature, Authorship and the Occult.', Journal of British Studies, vol. 54, pp. 782 - 784, http://dx.doi.org/10.1017/jbr.2015.101

Groth H; Groth H; Cummins J, 2015, 'Critical Soundings: Voice, Space and Sound in Victorian Literature', Journal of the Association for the Study of Australian Literature, vol. 15, pp. 1 - 9

Groth H, 2015, 'Modernist Voices and the desire for communication in Christina Stead's Seven Poor Men of Sydney', Journal of the Association for the Study of Australian Literature, vol. 15, pp. 1 - 14

Groth H, 2015, 'Phonographic Books and the Late Nineteenth-Century Reader', Australian Literary Studies, vol. 29, pp. 116 - 129, http://dx.doi.org/10.20314/als.dfe18da7c4

Groth H, 2014, 'Time and the Moment in Victorian Literature and Society by Sue Zemka [Review]', Nineteenth-Century Literature, vol. 69, pp. 141 - 144, http://dx.doi.org/10.1525/ncl.2014.69.1.141

Groth H; Sheehan P, 2012, 'Introduction: Timeliness and Untimeliness', Textual Practice, vol. 26, pp. 571 - 585, http://dx.doi.org/10.1080/0950236X.2012.696484

Groth H, 2012, 'Projections of Alice: anachronistic reading and the temporality of mediation', Textual Practice, vol. 26, pp. 667 - 686, http://dx.doi.org/10.1080/0959236X.2012.696489

Groth H, 2012, 'The Soundscapes of Henry Mayhew. Urban Ethnography and Technologies of Transcription', Cultural Studies Review, vol. 18, pp. 109 - 130, http://epress.lib.uts.edu.au/journals/index.php/csrj/index

Groth H, 2011, 'Subliminal Histories: Psychological Experimentation in the Poetry and Poetics of Frederic W. H. Myers', 19: Interdisciplinary Studies in the Long Nineteenth Century, vol. 12, pp. 1 - 22, http://19.bbk.ac.uk/index.php/19/about

Groth H, 2010, 'Illustrations, Optics and Objects in Nineteenth-Century Literary and Visual Cultures', REVIEW OF ENGLISH STUDIES, vol. 61, pp. 653 - 654, http://dx.doi.org/10.1093/res/hgq058

Groth H, 2008, 'Domestic phantasmagoria : the Victorian literary domestic and experimental visuality', South Atlantic Quarterly, vol. 108, pp. 147 - 169, http://dx.doi.org/10.1215/00382876-2008-027

Groth H, 2008, 'Nature Exposed: Photography as Eyewitness in Victorian Science by Jennifer Tucker [Review]', Nineteenth-Century Contexts, vol. 30, pp. 99 - 101

Groth H, 2007, 'Kaleidoscopic vision and literary invention in an "age of things": David Brewster, Don Juan, and a lady's Kaleidoscope', ELH - English Literary History, vol. 74, pp. 217 - 237, http://dx.doi.org/10.1353/elh.2007.0005

Groth H, 2007, 'Reading Victorian illusions: Dickens's Haunted Man and Dr. Pepper's "Ghost"', Victorian Studies, vol. 50, pp. 43 - 65, http://dx.doi.org/10.2979/VIC.2007.50.1.43

Groth H, 2005, 'From Life: Julia Margaret Cameron and Victorian Photography by Victoria Olsen [Review]', Victorian Studies, vol. 48, pp. 197 - 198

Groth H, 2003, 'Literary Nostalgia and Poetic Idylls in Early Victorian Photographic Discourse', Nineteenth Century Contexts, vol. 25, pp. 199 - 214, http://dx.doi.org/10.1080/0890549032000153858

Groth H, 2003, 'Consigned to sepia: Remembering Victorian poetry', Victorian Poetry, vol. 41, pp. 611 - 620, http://dx.doi.org/10.1353/vp.2004.0006

Groth H, 2002, 'Technological mediations and the public sphere: Roger Fenton's Crimea exhibition and "the charge of the light brigade"', Victorian Literature and Culture, vol. 30, pp. 553 - 570, http://dx.doi.org/10.1017/S1060150302302092h

Groth H, 2000, 'A different look - Visual technologies and the making of history in Elizabeth Barrett Browning's Casa Guidi Windows', Textual Practice, vol. 14, pp. 31 - 52, http://dx.doi.org/10.1080/095023600363337

Other

Groth H; Cummins J (ed.), 2015, Critical Soundings. Voice, Space and Sound in Australian Literature [Special Issue]., Association for the Study of Australian Literature

Groth H; Sheehan P (ed.), 2012, The Uses of Anachronism "Introduction: Timeliness and untimeliness" [Special Issue], Taylor & Francis (Routledge), http://dx.doi.org/10.1080/0950236X.2012.696484

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