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Groth H; Lusty N, 2013, Dreams and Modernity. A Cultural History, Routledge, Abingdon, Oxon, http://dx.doi.org/10.4324/9780203144176
Groth H, 2013, Moving Images. Nineteenth-Century Reading and Screen Practices, Edinburgh University Press, Edinburgh
Groth H, 2004, Victorian Photography and Literary Nostalgia, Original, Oxford University Press, Oxford
Groth H, 2020, 'Literary Soundscapes', in Sound and Literature, Cambridge University Press, Cambridge, pp. 135 - 153, http://dx.doi.org/10.1017/9781108855532
Groth H, 2019, 'Critical Listening and Rhetorical Reading', in Wolfreys J; Szuba M (ed.), Reading Victorian Literature: Essays in Honour of J. Hillis Miller, Edinburgh University Press, Edinburgh, pp. 332 - 345, https://www.jstor.org/stable/10.3366/j.ctvs32qvm
Groth H, 2019, 'Charlotte Bronte and the Listening Reader', in The Brontës and the Idea of the Human Science, Ethics, and the Victorian Imagination, Cambridge University Press, Cambridge, pp. 107 - 124, http://dx.doi.org/10.1017/9781316651063
Groth H, 2018, 'Rioting and writing voice in Dickens’s Barnaby Rudge', in Sound, Space and Civility in the British World, 1700-1850, Routledge, pp. 88 - 101, http://dx.doi.org/10.4324/9781315609942
Groth H, 2018, 'Dickens' Visual Mediations', in Robert Patten ; Catherine Waters ; John Jordan (ed.), The Oxford Handbook of Charles Dickens, Oxford University Press, Oxford, pp. 241 - 256
Murphet J; Groth H; Hone P, 2017, 'Introduction: Sounding Modernism', in Murphet J; Groth H; Hone P (ed.), Sounding Modernism Rhythm and Sonic Mediation in Modern Literature and Film, pp. 1 - 18
Groth H, 2017, 'How to Listen to Joyce: Gramophones, Voice and the Limits of Mediation', in Groth H; Murphet J; Hone P (ed.), Sounding Modernism. Rhythm and Sonic Mediation in Modern Literature and Film, Edinburgh University Press, pp. 63 - 76, https://edinburghuniversitypress.com/book-sounding-modernism.html
Groth H, 2016, 'Mediating Popular Fictions: From the Magic Lantern to the Cinematograph', in Gelder K (ed.), New Directions in Popular Fiction, Palgrave, London, pp. 287 - 308, http://dx.doi.org/10.1057/978-1-137-52346-4
Danta C; Groth H, 2014, 'Introduction: Between Minds', in Danta C; Groth H (ed.), Mindful Aesthetics: Literature and the Science of Mind, edn. 1, Bloomsbury, New York, pp. 1 - 14, http://dx.doi.org/10.5040/9781472543707
Groth H, 2014, 'The Mind as Palimpsest.James Sully's Psychological Aesthetics', in Groth ; Danta C (ed.), Mindful Aesthetics. Literature and the Science of Mind, Bloomsbury, New York, pp. 107 - 121, http://www.bloomsbury.com/au/mindful-aesthetics-9781441162526/
Groth H, 2012, 'Panoramic Byron: Reading, History and Pre-Cinematic Spectacle', in Parsons N; Mitchell K (ed.), Reading Historical Fiction: the Revenant and Remembered Past, Palgrave, London, pp. 85 - 100, http://dx.doi.org/10.1057/9781137291547_6
Groth H, 2011, 'Kaleidoscopic Vision in late Victorian Bohemia: George Sims's Social Kaleidoscope', in Colligan C; Linley M (ed.), Media, Technology and Literature in the Nineteenth Century. Image, Sound, and Touch, Ashgate, Aldershot, pp. 91 - 104, http://www.ashgate.com/isbn/9781409400097
Sheehan P; Groth H, 2010, 'Introduction', in Groth H; Sheehan P (ed.), Remaking Literary History, Cambridge Scholars Press, Newcastle, pp. 1 - 11, http://www.c-s-p.org./
Groth H, 2009, 'Cosmopolitan sympathies : Edward Bulwer Lytton's sensational tale of Pompeii', in Groth H; Sheehan P; Uhlmann A (ed.), Literature and Sensation, edn. Original, Cambridge Scholars Publishing, Newcastle, pp. 12 - 23, http://hdl.handle.net/1959.14/130454
Groth H, 2009, 'Introduction', in Groth H; Sheehan P; Uhlmann A (ed.), Literature and Sensation, edn. Original, Cambridge Scholars Publishing, Newcastle, pp. i - x
Groth H, 1999, 'Victorian Women's Poetry and Scientific Narratives', in Armstrong I; Blain V (ed.), Women’s Poetry, Late Romantic to Late Victorian, Gender and Genre, 1830-1900, Macmillan, London, pp. 325 - 351
Groth H, 1996, 'Island Queens: Nationalism, Queenliness and Women's Poetry 1837-1861', in Island Queens: Nationalism, Queenliness and Women's Poetry 1837-1861, Boydell and Brewer, Oxford, pp. 14 - 30, http://www.boydellandbrewer.com/
Groth H; Murphet J; Hone P, (eds.), 2017, Sounding Modernism. Rhythm and Sonic Mediation in Modern Literature and Film [Anthology], Edinburgh University Press
Groth H; Danta C, (ed.), 2014, Mindful Aesthetics. Literature and the Science of Mind, Bloomsbury, New York
Groth H; Sheehan P, (ed.), 2010, Remaking Literary History
Groth H, (ed.), 2009, Literature and Sensation
Groth H, 2019, 'Julia Margaret Cameron's ‘fancy subjects': Photographic allegories of Victorian identity and empire by Jeff Rosen', Victorian Studies, vol. 61, pp. 347 - 349, http://dx.doi.org/10.2979/victorianstudies.61.2.37
Groth H, 2019, 'Silent Modernism: Soundscapes and the Unsayable in Richardson, Joyce, and Woolf by Annika J. Lindskog', James Joyce Quarterly, vol. 56, pp. 440 - 444, http://dx.doi.org/10.1353/jjq.2019.0070
Groth H, 2018, 'Rioting, Nineteenth-Century Fiction, and the Limits of Liberalism', Occasion, vol. 11, http://arcade.stanford.edu/occasion_issue/liberalism-literature-and-emotions-long-nineteenth-century
Groth H, 2015, 'Andrew McGann. Popular Literature, Authorship and the Occult.', Journal of British Studies, vol. 54, pp. 782 - 784, http://dx.doi.org/10.1017/jbr.2015.101
Groth H; Groth H; Cummins J, 2015, 'Critical Soundings: Voice, Space and Sound in Victorian Literature', Journal of the Association for the Study of Australian Literature, vol. 15, pp. 1 - 9
Groth H, 2015, 'Modernist Voices and the desire for communication in Christina Stead's Seven Poor Men of Sydney', Journal of the Association for the Study of Australian Literature, vol. 15, pp. 1 - 14
Groth H, 2015, 'Phonographic Books and the Late Nineteenth-Century Reader', Australian Literary Studies, vol. 29, pp. 116 - 129, http://dx.doi.org/10.20314/als.dfe18da7c4
Groth H, 2014, 'Time and the Moment in Victorian Literature and Society by Sue Zemka [Review]', Nineteenth-Century Literature, vol. 69, pp. 141 - 144, http://dx.doi.org/10.1525/ncl.2014.69.1.141
Groth H; Sheehan P, 2012, 'Introduction: Timeliness and Untimeliness', Textual Practice, vol. 26, pp. 571 - 585, http://dx.doi.org/10.1080/0950236X.2012.696484
Groth H, 2012, 'Projections of Alice: anachronistic reading and the temporality of mediation', Textual Practice, vol. 26, pp. 667 - 686, http://dx.doi.org/10.1080/0959236X.2012.696489
Groth H, 2012, 'The Soundscapes of Henry Mayhew. Urban Ethnography and Technologies of Transcription', Cultural Studies Review, vol. 18, pp. 109 - 130, http://epress.lib.uts.edu.au/journals/index.php/csrj/index
Groth H, 2011, 'Subliminal Histories: Psychological Experimentation in the Poetry and Poetics of Frederic W. H. Myers', 19: Interdisciplinary Studies in the Long Nineteenth Century, vol. 12, pp. 1 - 22, http://19.bbk.ac.uk/index.php/19/about
Groth H, 2010, 'Review of Luisa Cale and Patrizia Di Bello (eds) Illustrations, Optics and Objects in Nineteenth Century Literature and Visual Culture', The Review of English Studies, vol. 61, pp. 653 - 654, http://dx.doi.org/10.1093/res/hgq058
Groth H, 2008, 'Domestic phantasmagoria : the Victorian literary domestic and experimental visuality', South Atlantic Quarterly, vol. 108, pp. 147 - 169, http://dx.doi.org/10.1215/00382876-2008-027
Groth H, 2008, 'Nature Exposed: Photography as Eyewitness in Victorian Science by Jennifer Tucker [Review]', Nineteenth-Century Contexts, vol. 30, pp. 99 - 101
Groth H, 2007, 'Kaleidoscopic vision and literary invention in an 'Age of things' : David Brewster, "Don Juan", and 'A lady's kaleidoscope'', ELH - English Literary History, vol. 74, pp. 217 - 237, http://dx.doi.org/10.1353/elh.2007.0005
Groth H, 2007, 'Reading Victorian illusions : Dickens's "Haunted Man" and Dr. Pepper's 'Ghost'', Victorian Studies, vol. 50, pp. 35 - 57, http://dx.doi.org/10.2979/VIC.2007.50.1.43
Groth H, 2005, 'From Life: Julia Margaret Cameron and Victorian Photography by Victoria Olsen [Review]', Victorian Studies, vol. 48, pp. 197 - 198
Groth H, 2003, 'Consigned to Sepia:remembering Victorian Poetry', Victorian Poetry, vol. 41, pp. 611 - 620, http://dx.doi.org/10.1353/vp.2004.0006
Groth H, 2003, 'Literary Nostalgia and Poetic Idylls in Early Victorian Photographic Discourse', Nineteenth Century Contexts, vol. 25, pp. 199 - 214, http://dx.doi.org/10.1080/0890549032000153858
Groth H, 2002, 'Technological mediations and the public sphere: Roger Fenton's Crimea exhibition and "the charge of the light brigade"', Victorian Literature and Culture, vol. 30, pp. 553 - 570, http://dx.doi.org/10.1017/S1060150302302092h
Groth H, 2000, 'A different look - Visual technologies and the making of history in Elizabeth Barrett Browning's Casa Guidi Windows', Textual Practice, vol. 14, pp. 31 - 52, http://dx.doi.org/10.1080/095023600363337
Groth H; Cummins J (ed.), 2015, Critical Soundings. Voice, Space and Sound in Australian Literature [Special Issue]., Association for the Study of Australian Literature
Groth H; Sheehan P (ed.), 2012, The Uses of Anachronism "Introduction: Timeliness and untimeliness" [Special Issue], Taylor & Francis (Routledge), http://dx.doi.org/10.1080/0950236X.2012.696484