By Professor Helen Groth

Journal articles

Groth H, 2023, 'Photography, Novelty, and Victorian Poetry', Victorian Poetry, 61, pp. 1 - 13

Groth H, 2023, 'Modern Rhythms and Resonant Connection: Laura Marcus on sound, literature and cinema', Screen (Oxford), 64, pp. 1 - 10, http://dx.doi.org/10.1093/screen/hjad028

Groth H, 2019, 'Julia Margaret Cameron's ‘fancy subjects': Photographic allegories of Victorian identity and empire by Jeff Rosen', Victorian Studies, 61, pp. 347 - 349, http://dx.doi.org/10.2979/victorianstudies.61.2.37

Groth H, 2019, 'Silent Modernism: Soundscapes and the Unsayable in Richardson, Joyce, and Woolf by Annika J. Lindskog', James Joyce Quarterly, 56, pp. 440 - 444, http://dx.doi.org/10.1353/jjq.2019.0070

Groth H, 2018, 'Rioting, Nineteenth-Century Fiction, and the Limits of Liberalism', Occasion, 11, http://arcade.stanford.edu/occasion_issue/liberalism-literature-and-emotions-long-nineteenth-century

Groth H, 2015, 'Andrew McGann. Popular Literature, Authorship and the Occult.', Journal of British Studies, 54, pp. 782 - 784, http://dx.doi.org/10.1017/jbr.2015.101

Groth H; Groth H; Cummins J, 2015, 'Critical Soundings: Voice, Space and Sound in Victorian Literature', Journal of the Association for the Study of Australian Literature, 15, pp. 1 - 9

Groth H, 2015, 'Modernist Voices and the desire for communication in Christina Stead's Seven Poor Men of Sydney', Journal of the Association for the Study of Australian Literature, 15, pp. 1 - 14

Groth H, 2015, 'Phonographic Books and the Late Nineteenth-Century Reader', Australian Literary Studies, 29, pp. 116 - 129, http://dx.doi.org/10.20314/als.dfe18da7c4

Groth H, 2014, 'Time and the Moment in Victorian Literature and Society by Sue Zemka [Review]', Nineteenth-Century Literature, 69, pp. 141 - 144, http://dx.doi.org/10.1525/ncl.2014.69.1.141

Groth H; Sheehan P, 2012, 'Introduction: Timeliness and Untimeliness', Textual Practice, 26, pp. 571 - 585, http://dx.doi.org/10.1080/0950236X.2012.696484

Groth H, 2012, 'Projections of Alice: anachronistic reading and the temporality of mediation', Textual Practice, 26, pp. 667 - 686, http://dx.doi.org/10.1080/0959236X.2012.696489

Groth H, 2012, 'The Soundscapes of Henry Mayhew. Urban Ethnography and Technologies of Transcription', Cultural Studies Review, 18, pp. 109 - 130, http://epress.lib.uts.edu.au/journals/index.php/csrj/index

Groth H, 2011, 'Subliminal Histories: Psychological Experimentation in the Poetry and Poetics of Frederic W. H. Myers', 19: Interdisciplinary Studies in the Long Nineteenth Century, 12, pp. 1 - 22, http://19.bbk.ac.uk/index.php/19/about

Groth H, 2010, 'Review of Luisa Cale and Patrizia Di Bello (eds) Illustrations, Optics and Objects in Nineteenth Century Literature and Visual Culture', The Review of English Studies, 61, pp. 653 - 654, http://dx.doi.org/10.1093

Groth H, 2008, 'Domestic phantasmagoria : the Victorian literary domestic and experimental visuality', South Atlantic Quarterly, 108, pp. 147 - 169, http://dx.doi.org/10.1215/00382876-2008-027

Groth H, 2008, 'Nature Exposed: Photography as Eyewitness in Victorian Science by Jennifer Tucker [Review]', Nineteenth-Century Contexts, 30, pp. 99 - 101

Groth H, 2007, 'Kaleidoscopic vision and literary invention in an 'Age of things' : David Brewster, "Don Juan", and 'A lady's kaleidoscope'', ELH - English Literary History, 74, pp. 217 - 237, http://hdl.handle.net/1959.14/30323

Groth H, 2007, 'Reading Victorian illusions : Dickens's "Haunted Man" and Dr. Pepper's 'Ghost'', Victorian Studies, 50, pp. 35 - 57, http://hdl.handle.net/1959.14/29178

Groth H, 2005, 'From Life: Julia Margaret Cameron and Victorian Photography by Victoria Olsen [Review]', Victorian Studies, 48, pp. 197 - 198

Groth H, 2003, 'Consigned to Sepia:remembering Victorian Poetry', Victorian Poetry, 41, pp. 611 - 620

Groth H, 2003, 'Literary Nostalgia and Poetic Idylls in Early Victorian Photographic Discourse', Nineteenth Century Contexts, 25, pp. 199 - 214, http://dx.doi.org/10.1080/0890549032000153858

Groth H, 2002, 'Technological mediations and the public sphere: Roger Fenton's Crimea exhibition and "the charge of the light brigade"', Victorian Literature and Culture, 30, pp. 553 - 570, http://dx.doi.org/10.1017/S1060150302302092h

Groth H, 2000, 'A different look - Visual technologies and the making of history in Elizabeth Barrett Browning's Casa Guidi Windows', Textual Practice, 14, pp. 31 - 52, http://dx.doi.org/10.1080/095023600363337

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